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New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  September  29,  1928,  at  1:05 

Students’  Recital 

PR OG RAM 

Chopin Etude  in  C$  minor 

JAMES  TAYLOR  (Sydney  Mines,  Cape  Breton,  N.  S.) 


Beethoven  ....  Scherzo  from  the  Pianoforte  Sonata 

in  A major,  op.  2,  no.  2 

ZELMA  LARSSON  (Boston) 

Mozart-K reisler  . Rondo,  for  Violin 

HARRY  DICKSON  (Dorchester) 

Debussy  . . . Clair  de  lune 

EDWARD  O’HEARNE  (Quincy) 

Mozart Romance  in  Ab  major 

MILDRED  CLEMONS  (Brockton) 

Frank  Bridge  . . Rosemary 

t 

VIENNA  KANGAS  (Newport,  N.  H.) 


The  Pianoforte  is  a Stein  way 


Digitized  by  the  Internet  Archive 
in  2016 


https://archive.org/details/coursecatalogsvi1928newe 


New  England  Conservatory  of  Musi-c 


JORDAN  HALL 

Friday  Evening,  October  5,  1928,  at  8:15 


CONCERT 

by 

ADVANCED  STUDENTS 


PROGRAM 


Vierne First  movement  of  the  Second  Organ  Symphony 

ELEANOR  PACKARD  (West  Somerville,  Mass.) 

Gabriel  Faure  . . Nocturne  in  Eb  major 

LUCILLE  MONAGHAN  (Glens  Falls,  New  York) 


Lefebre uIci  has  tous  les  lilas  meurent” 

Respighi Stornellatrice 


Cesar  Franck  . . La  Procession 

VIVIAN  TEDOR  (Waterbury,  Conn.) 

Chopin Scherzo  in  B minor 

DOROTHY  NYE  (Skowhegan,  Maine) 


Zolt Satyr  and  Dryads 

Tartini-Kreisler  . Theme  and  Variations 


for  Violin 


HARRY  DICKSON  (Dorchester,  Mass.) 


Ravel Jeux  d’eaux 

AMELIA  LAVINO  (Cambridge,  Mass.) 

Massenet  ....  Duet  from  Le  Roi  de  Lahore:  “C’est  le  soir” 
Rossini  Duet  from  La  Regata  Veneziana 

RUTH  LAHAN  (Fall  River,  Mass.) 

LEONE  REYNOLDS  (Barre,  Vermont) 

Dohnanyi  ....  Rhapsody  in  C major 

ANN  LEE  COOLEY  (Hartsville,  South  Carolina) 

Widor  Finale  of  the  Seventh  Organ  Symphony 


JOSEPH  A.  STANLEY  (Cambridge,  Mass.) 


The  Pianoforte  is  a Mason  and  Hamlin 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  October  6,  1928,  at  1:05 

Students’  Recital 


PR  OG  RAM 

Debussy  . . . 

. . La  plus  que  lente 

LEONE  CAMERON  (Akron,  O.) 

Veracini  ... 

. . Sonata  in  D minor,  for  Violin 

1.  Aria  (largo  cantabile) 

2.  Corrente  (vivace) 

GEORGE  HO  YEN  (Worcester) 

Frank  Bridge 

. . April 

FRANCES  BAKER  (East  Boston) 

Svendsen  . . . . 

. Romance,  for  Violin 

LILLIAN  TAITT  (Colon,  Panama) 

MacDowell  . . 

. . Rigaudon 

EDWARD  HENNEBERRY  (Manchester) 


The  Pianoforte  is  a Steinway 


.New  England  Conservatory  of  Music 


~T 


RECITAL  HALL 

Saturday  Afternoon,  October  13,  1928,  at  1:05 


Students’  Recital 


PR  OG  RAM 

Mozart First  movement  of  the  Pianoforte  Trio 

in  C major  (Kochel  548) 

BARBARA  WHITMAN  (Bangor,  Me.) 

DELWIN  L.  SHAW  (Milo,  Me.) 

EDWIN  L.  STUNTZNER  (Attleboro) 

Bach Allegro  animato,  from  the  Italian  Concerto 

Chopin Trois  Ecossaises 

HANNAH  EVANS-BUXTON  (Belmont) 


Hubay  Hejre  Kati  (for  Violin) 

EDITH  STEVENS  (Beverly) 

MacDowell  . . First  movement  of  the  Pianoforte  Sonata 

in  G minor 

HELEN  THOMPSON  (Medford) 

Chopin Prelude  in  G minor,  op.  28,  no.  22 

RUTH  PRICE  (Lewis,  Delaware) 


Dvorak-Kreisler  . Indian  Lament 

Bach Gavotte  in  D major  (for  Violin) 

JACOB  RUBINSTEIN  (Lynn) 

Grutzmacher  . . Albumleaf 

ELIZABETH  HART  (Newport,  R.  I.) 

Schumann  ....  Finale  of  the  Pianoforte  Trio  in  D minor, 

op.  63 

IRVING  BARTLEY  (Canaan,  N.  Y.) 

PIERINO  di  BLASIO  (Somerville) 

HARRIET  CURTIS  (Erie,  Penn.) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  October  20,  1928,  at  1:05 

dents’  Recital 

PR OG RAM 

Chopin First  movement  of  the  Pianoforte  Trio 

in  G minor,  op.  8 

AMELIA  LAVINO  (Cambridge) 

MALCOM  H.  KNOTT  (Westfield) 

OLIVE  M.  WILBUR  (Lansing,  Mich.) 

Bach  ...  . . Prelude  and  Fugue  in  C minor 

EDWARD  O’HEARN  (Quincy) 

Chopin Nocturne  in  F major,  op.  15,  no.  1 

G.  RAYMOND  BELL  (Franklin,  Penn.) 

Liszt Prelude,  from  the  Hungarian  Rhapsody 

no.  10  in  E major 

MILDRED  LEVINSON  (Roxbury) 

Servais First  movement  of  the  Concerto  in  B minor 

for  Violoncello 

OLIVE  M.  WILBUR  (Lansing,  Mich.) 

Griffes Night  winds 

MIRIAM  COHEN  (Roxbury) 

Philipp Clair  de  lune 

BESSIE  SIMONS  (E.  Aurora,  N.  Y.) 

Schumann  ....  Aufschwung 

RUTH  BUTLER  (Chebogne  Point,  Yarmouth) 

Mendelssohn  . . . Scherzo  from  the  Pianoforte  Trio,  op.  49 

MINNIE  POOLE  (St.John,  N.  B.) 

MALCOM  H.  KNOTT 
OLIVER  M.  WILBUR 


The  Pianoforte  is  a Steinway 


N k w England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  October  27,  1928,  at  1:05 

dents’  Recital 


PR  OG  RAM 


Mendelssohn 

. . . First  movement  of  the  Pianoforte  Trio 

in  C minor,  op.  66 

DONALD  Van  WART  (Malden) 

MALCOM  H.  KNOTT  (Westfield) 

JULIANNE  WUILLEUMIER  (Attleboro) 

Sibelius  . . 

. . Romance  in  Db  major 

RUTH  ATKINS  (Hartford,  Conn.) 

Gade  . . . . 

. . Fantasiestiick,  op.  43 
HELEN  KERR  (Elizabeth,  N.  J.) 

Beethoven  . . 

. . Last  movement  of  the  Pianoforte  Sonata 

in  C minor,  op.  1 3 f pathetique ) 

ELLAENOR  WALLACE  (Coaticook,  Canada) 

Gabriel  Faure 

. . Nocturne  in  Eb  major 

ELIZABETH  McGWIGAN  (Enfield,  N.  C.) 

Liszt  . . . . 

. . Sonetto  123  del  Petrarca 

MARION  REYNOLDS  (South  Hadley  Falls) 

Palmgren  . . 

. . May  night 

Chopin  . . . 

. . Etude  in  F minor 

FRANCES  VISALLI  (Lynn) 

Schubert  . . 

. . Scherzo  from  the  Pianoforte  'Frio  in  Bb  major 

op.  99 

MILDRED  CLEMONS  (Brockton) 

ROLAND  HEALD  (Leeds,  Me.) 

EDWIN  L.  STUNTZNER  (Attleboro) 

The  Pianoforte  is  a Stein  way 


New  England  Conservatory 


of  Music 


JORDAN  HALL 

Thursday  Afternoon,  November  i , 1928,  a t 4:05 


CONCERT 

By 

The  Orchestral  Class 

FRANCIS  FINDLAY,  Conductor 


PR  O G R A M 

Sir  Arthur  Sullivan  . Selection  from  The  Mikado 

Robert  Volkmann  . . Serenade  no.  2 in  F major,  for  Strings 

Allegro  moderato 
Molto  vivace 

Walzer  allegretto  moderato 
Marsch  allegro  marcato 

Lucius  Hosmer  . . . Fairyland  Suite 

Dedicated  to  GEORGE  W.  CHADWICK 

1 . Incantation  and  Cortege  of  the  Fairy  Queen 

2.  The  Watersprites 

3.  The  Satyr  and  the  Nymphs 

4.  The  Fairy  Ring  (Pixies  and  Nixies) 


Victor  H erbert  . . . Potpourri  of  Favorite  Melodies 


Nkw  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  November  3,  1928,  at  1:05 

dents’  Recital 

PR O GRAM 

Schubert  ....  First  movement  of  the  Pianoforte  Trio 

in  Bb  major,  op.  100 

CHARLES  O’NEILL  (Newtonville) 

FLORENCE  LEACH  (Wauregan,  Ct.) 

OLIVE  WILBUR  (Lansing,  Mich.) 

Bach Prelude  and  Fugue  in  B b major 

PEARL  HILL  (Hartford,  Ct.) 

Pick-Mangiagalli  . Danse  d’  Olaf 

PAULINE  CRANDLEMIRE  (Brownville  Junction,  Me.) 

Chadwick  ....  When  the  stars  are  in  the  quiet  skies 
Delbruck  ....  Un  doux  lien 

PAULINE  NEWINGTON  (South  Dartmouth) 

Chopin Etude  in  E minor 

RUTH  LOBAUGH  (Clinton,  Mo.) 

Brahms Four  Waltzes 

ALICE  THOREN  (Arlington  Heights) 

Schumann  ....  Romanze  in  F$  major 

MILDRED  MARTIN  (Leaksville,  N.  C.) 

Mozart First  movement  of  the  Pianoforte  Trio 

in  Eb  major  (Kochel  502) 

ANN  LEE  COOLEY  (Hartsville,  S.  C.) 

JAMES  ULMER  (Los  Angeles,  Calif.) 

JULIANNE  WUILLEUMIER  (Attleboro) 


The  Pianoforte  is  a Stein  way 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  November  8,  1928,  at  4:05 

Students’  Recital 


Beethoven  . 

PR  OG  RAM 

. . . First  movement  of  the  Pianoforte  Sonata 

in  D minor,  op.  31,  no.  2 

JOHN  GRUBER  (Arlington  Heights) 

Chopin  . . 

. . . Etude  in  Gb  major,  op.  10,  no.  5 

LEONE  CAMERON  (Akron,  Ohio) 

Liszt  . . . 

. . . Consolation,  in  E major 

SOPHIE  KULBERSH  (Roxbury) 

Schubert 

. . . Allegro  moderato  from  the  Pianoforte  Sonata 

in  A minor 

ANNIE  ACKER  (Mobile,  Ala.) 

Rachmaninov  . . Prelude  in  GJf  minor 


RUTH  ATKINS  (Hartford,  Conn.) 

Griffes  . . 

. . . The  White  Peacock 

GEORGE  ALBERT  VINCENT  (Denver,  Colo.) 

Scott  . . . 

b.  Danse  negre 
ZELDA  GERSON  (Chelsea) 

Saint-Saens 

. . . Allegro  appassionato 

HELEN  WINEBRIGHT  (Montrose,  Colo.) 

The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Friday  Evening,  November  9,  1928,  at  8:15 

CONCERT 

by  the 

CLASS  IN  BRASS  ENSEMBLE 

LOUIS  KLOEPFEL,  of  the  Faculty , Conductor 

ASSISTED  BY 

ADVANCED  STUDENTS 
PROGRAM 

Hugo  Kaiser  ....  March 

Fr.  v.  Suppe Overture,  Light  Cavalry 

Saint-Saens Etude  in  form  of  a Waltz,  for  Pianoforte 

CLAYTON  WILLIAMS  (St.  Louis,  Mo.) 

Franz  Schubert  . . . Marche  militaire 

Moment  musical 

Mozart Aria,  Ah!  lo  so  (II  Flauto  Magico) 

Donaudy Song,  Ah!  mai  non  cessate 

MAE  TAYLOR  (Sydney  Mines,  N.  S.) 

E.  Waldteufel  . . • Waltz,  Summer  Evening 

Jean  Sibelius  ....  Finlandia 
Rachmaninov  ....  Prelude  in  Eh  major 
Debussy Jardins  sous  la  pluie 

MILDRED  KING,  (Nashville,  Tenn.) 

Edward  MacDowell  . To  a wild  rose 

Victor  Herbert  . . . Punchinello 

Kreisler Caprice  viennois,  for  Violin 

PIERINO  di  BLASIO  (Somerville,  Mass.) 

Bagley March,  National  Emblem 


The  Pianoforte  is  a Steinwav 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  November  io,  1928,  at  1:05 


Saturday  Recital 

Mozart  . 

PROGRAM 

. . . . Last  movement  of  the  Pianoforte  Trio 

in  Eb  major,  Koechel  no.  498 

ADELLE  CALLENDER  (Boston) 

FLORENCE  LEACH  (Wauregan,  Conn.) 

GEORGE  HUMPHREY  (Bellaire,  Ohio) 

Mozart 

. . . . Fantasia  in  D minor 

JASKA  TOWNE  (Poultney,  Vermont) 

Schumann 

. . . . Prophet  Bird 

FRANCES  BAKER  (Dorchester) 

Beethoven 

. . . . First  movement  of  the  Pianoforte  Sonata 

in  Ab  major,  op.  26 

PRISCILLA  DUNCAN  (Portsmouth,  N.  H.) 

Heller 

. . . . Etude  sur  Le  Freischutz 

ROSE  M.  BERMAN  (Roxbury) 

Bach— Saint-Saens  . Gavotte 

VIRGINIA  KIMBALL  (Swampscott) 


Ravel  . . 

. . . . Menuet  and  Rigaudon 

from  Le  Tom  beau  de  Couperin 

DOROTHY  MEEK  (Wellesley) 

The  Pianoforte  is  a Stein  wav 

New  England  Conservatory  of  Music 

RECITAL  HALL 

Thursday  Afternoon,  November  15,  1928,  at  4:05 


e) 

Beethoven  . 

I TU  DENTS’  AjECITAL 

PR OG  RAM 

First  movement  of  the  Pianoforte  Sonata 

in  Fti  major,  op.  78 

CHARLOTTE  FINE  (Roxbury) 

Chopin  . . 

Nocturne  in  Bb  minor,  op.  9,  no.  1 

ELEANOR  HUMBERT  (Washington,  Pa.) 

Mendelssohn 

Scherzo  in  E minor 

REA  BUCKLEY  (Petersburg,  Fla.) 

Wilh.  Friedemann  Bach  • Organ  Concerto  in  D minor, 


transcribed  for  Pianoforte 

by  August  Stradal 

Maestoso  e pesante;  Cadenza;  Molto  adagio 
FRANCES  BOOTHBY  (West  Scarborough,  Me.) 

Ireland  . . 

The  Island  Spell 

CORINNE  SUTHERLAND  (North  Attleboro) 

Hutcheson  . 

Prelude  in  Fjj  minor 

MARIA  SERRANO  (Viques,  Porto  Rico) 

•L«*rr  . . . 



T-L  E-Y--( 

The  Pianoforte  is  a Steinway 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  Director 


CONCERT 

By 

THE  CONSERVATORY  ORCHESTRA 


JORDAN  HALL 

FRIDAY  EVENING,  NOVEMBER  THE  SIXTEENTH 

1928 


The  Conservatory  Orchestra 


WALLACE  GOODRICH 


SOLOISTS: 
MYRTLE  P.  SOOY, 


Conductor 


Soprano 


ALEXANDER  MARK,  Violoncello 


PROGRAM 


-ar 

J.  S.  Bach  . . 

. . First  movement  of  the  Concerto  in  G major, 
(Brandenburg)  for  three  Violins, 

three  Violas,  three  Violoncelli 
and  Contrabass 

Lalo  .... 

. . Two  movements  of  the  Concerto  in  D minor, 

for  Violoncello  and  Orchestra 
Prelude  (lento;  allegro  maestoso) 

Intermezzo  (andantino  con  moto;  allegro  presto) 

Paul  Dukas  . 

. . Prelude  to  Act  III,  Ariane  et  Barbe-bleu 

In  memory  of 

FRANZ  SCHUBERT 

Born  January  31,  1797 
Died  November  19,  1828 

Song,  Die  Allmacht 

(Instrumentation  by  Felix  Mottl) 

Symphony  in  B minor  ( Unfinished ) 

Allegro  moderato 
Andante  con  moto 

Goldmark  ....  Overture  to  Sakuntala 


JORDAN  HALL  EXITS 

FLOG& 


BALCONY 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  November  17,  1928,  at  1:05 

Saturday  Recital 


^PROGRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Sonata 

in  D minor,  op.  31,  no.  2 

SOPHIE  ANGOFF  (Dorchester) 

Mozart Andante  from  the  Pianoforte  Trio  in  E major. 

Koechel  no.  542 

LOIS  LUTHER  (Brazil,  Ind.) 

MALCOLM  KNOTT  (Westfield) 

FAITH  DONOVAN  (Bangor,  Me.) 


Palmgren  ....  Rhapsody 

EUNICE  McCORMICK  (Newport,  R.  I.) 

Schumann  ....  Romanza  in  F$  major 

MILDRED  MARTIN  (Leaksville,  N.  C.) 

Ireland The  Island  Spell 

CLELIA  LUONGO  (Revere) 

Debussy Reflets  dans  l’eau 

VIRGINIA  BLAKENEY  (Monroe,  N.  C.) 

Palmgren  ....  Scherzo  in  E major 

BARBARA  WHITMAN  (Bangor,  Me.) 

Mozart Last  movement  of  the  Pianoforte  Trio 

in  E major.  Koechel  no.  542 

ESTHER  M.  LAPIDUS  (Somerville) 

MALCOLM  KNOTT  (Westfield) 

FAITH  DONOVAN  (Bangor,  Me.) 


The  Pianoforte  is  a Stein  way 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  November  22,  1928,  at  4:05 

Students’  c7^ecital 


Schumann 

PR OG  RAM 

. . . . First  movement  of  the  Pianoforte  Sonata 

in  G minor,  op.  22 

VERONA  DURICK  (Somerville) 

Chopin 

. . . . Nocturne  in  G major,  op.  37,  no.  2 

BERNADETTE  PARSONS  (Vermilion,  Ohio) 

Brahms 

. . . . Intermezzo 

MARION  REYNOLDS  (South  Hadley  Falls) 

Donaudy  . 

. . . . Song,  O del  mio  amato  ben 

MARY  LOUISE  COLTRANE  (Springfield,  Mo.) 

Liszt  . . 

. . . . Sposalizio 

ELLINOR  CARTER  (South  Portland,  Me.) 

Stojowski 

. . . . Chant  d’amour 

DOROTHY  EASTMAN  (San  Diego,  Calif.) 

Bridge  . . 

. ...  At  Dusk 

OLIVE  APPLETON  (Brockton) 

Delibes-Dohnanyi  . Waltz,  from  Naila 

MILDRED  LEVINSON  (Roxbury) 


N E W E N G 

land  Conservatory  of  Music 

RECITAL  HALL 

Saturday  Afternoon,  November  24,  1928,  at  1:05 

Saturday  Recital 


Mendelssohn 

PROGRAM 

. . . Scherzo  from  the  Pianoforte  Trio  in  D minor 

COLETTE  LIONNE  (Swampscott) 

HARRY  DICKSON  (Dorchester) 

JULIANNE  WUILLEUMIER  (Attleboro) 

Liszt  . . . 

. . . Consolation,  in  Db  major 

ELENA  MAZZARELLO  (Somerville) 

Mozart  . . 

. . . First  movement  of  the  Pianoforte  Sonata 

in  D major 

ANGELA  ANNICHIARICO  (Concord,  N.  H.) 

Liebich  . . 

. . . Music  Box 

VIRGINIA  PRIOR  (Dorchester) 

Rachmaninov 

. . Prelude  in  G minor 

MARION  RUBIN  (Roxbury) 

Beethoven  . 

. . . First  movement  of  the  Pianoforte  Sonata 

in  Fjf  major,  op.  78 

B.  IRENE  GOLDEN  (Roxbury) 

Dennee  . . 

. . Impromptu-Toccata 
JOSEPHINE  LILLEY  (Portsmouth,  N.  H.) 

gj 

c 

N 

> 

. . . First  movement  from  the  Pianoforte  Trio 

in  G major  (Koechel  no.  496) 

RUSSELL  W.  LEE  (Everett) 

CECILIA  PAYESKA  (Winchester,  N.  H.) 

FAITH  DONOVAN  (Bangor,  Me.) 

The  Pianoforte  is  a Stein  wav 


New  England  Conservatory  of  Musi 


RECITAL  HALL 

Thursday  Afternoon,  December  6,  1928,  at  4:05 

Students’  Recital 


Chopin  . . . 

PR OG  RAM 
. . Waltz  in  Cjf  minor 

ELEANOR  MILLER  (Bellwood,  Penn.) 

Debussy  . . . 

, . . Ballade 

EDITH  SEXTON  (Carlinville,  111.) 

Weckerlin 

. . . Menuet  de  Martini 

Deems  Taylor  . . L’abandonnee 
Donaudy  ....  Ah,  mai  non  cessate 


ADELAIDE  CROSS  (Rockland,  Me.) 

Debussy  . . . 

. . La  Cathedrale  engloutie 

LILLIAN  PERRON  (Fall  River) 

Rachmaninov 

. . Prelude  in  B minor 

HENRIETTA  COFFILL  (Beachmont) 

Brahms-Grainger  . Cradle  Song 


WAI  HING  LEI  (Canton,  China) 

Debussy  . . . 

. . La  terrasse  des  audiences  au  clair  de  lune 

LAURA  SHIELDS  (St.  Johnsbury,  Vt.) 

Jacques  Ibert 

. . Giddy  Girl 

Little  white  donkey 

MARY  MORRISSEY  (Medford) 

The  Pianoforte  is  a Stein  wav 

New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  December  8,  1928,  at  1:05 

Saturday  Recital 

‘ PROGRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Trio 

in  G minor,  op.  1,  no.  2 

HENRIETTA  COFFILL  (Beachmont) 

ANNA  SIEGEL  (Revere) 

JULIANNE  WUILLEUMIER  (Attleboro) 

MacDowell  . . . Intermezzo  in  A major 

MAID  A BECKETT  (Peabody) 

Beethoven  ....  First  movement  of  the  Pianoforte  Sonata 

in  D minor,  op.  31,  no.  2 

MELBA  SMITH  (Grand  Junction,  Colorado) 


Beethoven  ....  First  movement  of  the  Pianoforte  Sonata 

in  Bb  major,  op.  22 

EDITH  E.  BARR  (Revere) 


Brahms Rhapsody  in  G minor 

GLADYS  PHILLIPS  (Myra,  Cape  Breton,  N.  S.) 


Rachmaninov  . . Prelude  in  C$  minor 

ESTHER  MILLER  (Revere) 

Beethoven  ....  First  movement  of  the  Pianoforte  Trio 

in  Bb  major,  op.  1 1 

VIRGINIA  BLAKENEY  (Monroe,  N.  C.) 

ROBERT  COHEN  (Mattapan) 

EDWIN  STUNTZNER  (Attleboro) 


The  Pianoforte  is  a Steinway 


Hfelv  England  Conservatory  of  <dMusic 

BOSTON 


Dramatic  Recital 

given  by 

Students  of  the  Dramatic  ‘Department 

under  the  Direction  of 

CLAYTON  D.  GILBERT 

Music  furnished  by  The  Orchestral  Class 
FRANCIS  FINDLAY,  Conductor' 

JORDAN  HALL 

Friday  and  Saturday,  December  seventh  and  eighth 

1928 

AT  EIGHT  O’CLOCK 


PROGRAM 


I. 


CHILDREN  OF  THE  MOON 
A Tragedy  in  Two  Acts,  by  Martin  Flavin 
(Produced  by  special  arrangement  with  Samuel  French,  Ltd.) 


CHARACTERS 


Judge  Atherton 
Madam  Atherton 
Laura  Atherton 
Jane  Atherton 
Dr.  Wetherell 
Major  Bannister 
Walter 
Thomas 


Robert  Currier 
Ray  Gordon 
Louise  Black 
Lillian  Perron 
Francis  Laugh lin 
Rodman  Booth 
Edward  O’Hearne 
Norman  Strauss 


The  action  of  the  play  takes  place  on  the  evening  and  night  of  the 
same  day,  in  the  Atherton  residence  on  the  sea-coast. 

(There  will  be  no  wait  between  the  acts) 


II. 

THE  KEY  OF  THE  GARDEN  GATE 
A Fantastic  Comedy  in  Two  Scenes,  by  Laurence  Housman 


CHARACTERS 

Prunella  .... 

Ruth  Collins 

Prim  ) . . ( 

Ruth  Atkins 

Prude  >■  . (Her  Aunts)  -3 

Evelyn  Boring 

Privacy  ) . . . ( 

Lucille  Atkins 

Gardener  . . . . 

Richard  Purcell 

Pierrot  . . 

Norman  Strauss 

Scaramel,  his  servant 

Robert  Currier 

Kennel  .... 

Ruby  Gunther 

Coquette  .... 

Virginia  Barnard 

Doll  .... 

Kay  Smith 

Romp  .... 

Scene — A garden  of  long  ago 

(There  will  be  no  wait  between  the  scenes) 

Bernice  Spratler 

III. 

TWO  STUDIES  OF  SPRING 

( First  performance ) 

(») 

Morning 

CHARACTERS 

Helene  Hunter  . . . Dorothy  Bearce 

Philip  Parkhurst  . . . Hassler  Einzig 

Scene — A garden  between  the  Hunter  and  Parkhurst  estates 

(b) 

Night 

CHARACTERS 

The  Sailor  ....  Norman  Strauss 

The  Girl  ....  Phyllis  Blake 

Scene — A bench  in  a city  park 


IV. 

CARNIVAL  AT  NICE 
A Ballet  in  One  Scene 

By  Clayton  D.  Gilbert  and  Gilbert  Byron 
(First  performance  on  any  stage) 

Music  arranged  by  Gertrude  G.  Brailey 


CHARACTERS 


Clowns:  Vincent  Morgan 
Curtis  Plant 

Polish  Dancers:  Dorothy  Bearce 
Phyllis  Blake 

Grotesques:  Norman  Strauss 
Vincent  Morgan 


Military:  Lucille  Atkins 
Ruth  Atkins 
Bernice  Spratler 
Margaret  McKenzie 
Kay  Smith 
Ruby  Gunther 
Evelyn  Boring 
Virginia  Barnard 


The  Band:  Samuel  Quagenti,  Vincent  Petrucci,  Salvatore  Perrone, 
Kenneth  Kirkness,  Alphonse  Di  Crescentes,  Edward 
Henneberry. 

Tumbling  Troupe  from  the  Y.  M.  C.  A. 

Men,  women,  and  children  at  the  Carnival 
Scene:  A street  at  Nice 


INCIDENTAL  MUSIC 


Overture  Phedre,  Massenet 

Entr’actes 

(1)  Meditation,  from  “ Thai's,”  Massenet 

Menuet,  from  “Berenice,”  Handel 

Gavotte,  from  “Iphigenie  in  Aulis,”  Gluck 

(2)  Serenade,  from  “Les  Millions  d’Arlequin,”  Drigo 

“A  petits  pas,”  Marcietta,  Sudesi 

(3)  Loin  du  Bal  Gillet 


Autumn  and  Winter,  from  “The  Seasons,”  Glazounov 


Scenery  by  the  Ben  Craig  Scenic  Company 

Costumes  designed  by  Raymond  F.  Bowley  and  made  by  the  Hayden  Costume  Company 
Properties  by  Thomas  O’Brien 

Lighting  under  the  personal  direction  of  Monroe  Pevear 


Monday  evening,  December  tenth 

nineteen  hundred  and  twenty-eight 
at  a quarter  after  eight  o’clock 


PROGRAM 


Mozart  . 


Schumann 


Brahms 


. . . . Quartet  in  C major  (Kochel  no.  465) 

for  two  Violins,  Viola,  Violoncello 

I.  Adagio;  allegro 

II.  Andante  cantabile 

CfiCILE  ELfiONORE  FOREST 
IONE  COY 

MARGARET  HARDINGE  CLARK 
HARRIET  ELDRED  CURTIS 

III.  Menuet  (allegretto) 

IV.  Allegro  molto 

Miss  COY 
Miss  FOREST 
Miss.  CLARK 
Miss  CURTIS 

. . . . Songs:  Gruss 

Im  wunderschonen  Monat  Mai 
Ich  grolle  nicht 

RULON  Y.  ROBISON 

of  the  Faculty 


Address  by 

The  Honorable  Samuel  L.  Powers 
of  the  Board  of  Trustees 

. . . Sonata  in  A major,  for  Violin  and  Pianoforte 

Allegro  amabile 
Andante;  vivace 
Allegretto  grazioso 

HARRISON  KELLER 
ALFRED  DeVOTO 

of  the  Faculty 


The  Pianoforte  is  a Mason  & Hamlin 


Following  the  concert,  the  audience  is  cordially  invited  to  inspect 
the  new  addition  to  the  Conservatory  Building. 


New  England  Conservatory  of 


RECITAL  HALL 

Thursday  Afternoon,  December  13,  1928,  at 


DENTS’ 


PR OG RAM 

Bach Fantasia  in  C minor 

KATHERINE  SOUTHWORTH  (Bridgewater) 

Chopin Nocturne  in  C minor,  op.  48,  no.  1 

ELIZABETH  McGWIGAN  (Enfield,  N.  C.) 


Max  Bruch  . . . First  and  second  movements  of  the 

Violin  Concerto  in 

CECILIA  PAYESKA  (Winchester,  N.  H.) 


Chopin Nocturne  in  F$  major 

EDWARD  O’HEARNE  (Quincy) 

Lacombe Sarabande 

VIRGINIA  KNIGHT  (Portland,  Me.) 

Debussy  . . . . . . Nocturne 

FLORENCE  BARDEN  (Lebanon,  N.  H.) 

Chopin Nocturne  in  F major,  op.  15,  no.  1 

ELEANOR  E.  WALLACE  (Richmond,  Vt.) 

Debussy Masques 

GIOVANNI  PADOVANO  (Leominster) 


Music 


4:05 


G minor 


The  Pianoforte  is  a Stein  wav 


dfew  England  (Conservatory  of  idlCustL 


JUNIOR  DEPARTMENT 


RECITAL 


by  Pupils  of 


NORINE  ROBARDS 

and 

BASIL  PRANGOULIS 


RECITAL  HALL 

Thursday  Evening,  December  13,  1928,  at  8:15 


PR  O G R A M 


Paderewski 

. . Minuet  in  G major 
ELIZABETH  STONE 

Philipp  . . . 

. . Puck 

ELIZABETH  SMITH 

Braga  .... 

. . Serenata 

PHILIP  KUPENBERG 

J.  S.  Bach  . . 

. . Gavotte 

PAUL  FOHLIN 

Rubinstein  . . 

. . Melody  in  F major 

CELIA  CARRIS 

Grieg  .... 

| Birdling 
( Butterfly 

EVELYN  COYLE 

Schubert  . . 

. . Impromptu  in  Ab  major 

EVELYN  LOWELL 

Brahms  . . . 

. . Hungarian  Dance 

HARRY  KOTOWSKI 


PROGRAM 


. 

Hauser  . . . 

. . Cradle  Song 

ROSEMARY  HUGHES 

MacDowell  . 

. . Idyl 

EDITH  NOTARO 

Grieg  .... 

. . To  Spring 

CECIL  McCRARY 

Dancla  . . . 

. . Romance 

FRANK  ROSE 

Dancla  . . . 

. . Air  varie,  no.  5 

BARBARA  TOLMAN 

Schumann  . . 

. . Bird  as  Prophet 

Chopin  . . . 

. . Waltz  in  Db  major 
MARY  HAYES 

Beethoven  . . 

. . Scherzo  from  the  Pianoforte  Sonata  op.  14,  no.  2 
MIRIAM  ATLAS 

The  Pianoforte  is  a Steinway 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  'Director 


CONCERT 

By 

THE  CONSERVATORY  ORCHESTRA 


JORDAN  HALL 

FRIDAY  EVENING,  DECEMBER  FOURTEENTH 

1928 


The  Conservatory  Orchestra 


WALLACE  GOODRICH, 


Conductor 


PROGRAM 


Kff 

Dvorak  .... 

. Overture,  In  der  Natur 

Berlioz  .... 

. A Ball,  from  Symphonie  fantastique 

Bach 

. Aria  from  the  Christmas  Oratorio: 

Sleep,  beloved 

GLADYS  MILLER  (Collegiate  Class  of  1930) 


G.  W.  Chadwick 

. Allegretto  scherzando,  from  the  Symphony 

in  Bb  major,  no.  2 

E.  A.  MacDowell 

. Suite  for  Orchestra,  op.  42 

I.  In  a haunted  forest 
II.  Summer  Idyll 

III.  Song  of  the  Shepherdess 

IV.  Forest  spirits 

Saint-Saens  . . 

. Allegro  appassionato,  op.  70, 

for  Pianoforte  and  Orchestra 

WILLARD  DOELL 

AmbroIse  Thomas 

. Overture  to  Mignon 

The  Pianoforte  is  a Mason  & Hamlin 


JORDAN  HALL  EXITS 


FLOOR 


BALCONY 


New  England  Conservatory  of  Music 

RECITAL  HALL 

Saturday  Afternoon,  December  15,  1928,  at  1:05 


Saturday  Recital 

‘PROGRAM 

Beethoven 

. . . . First  movement  of  the  Pianoforte  Trio 

in  D major,  op.  70,  no.  1 

MARION  REYNOLDS  (South  Hadley  Falls) 

MALCOLM  KNOTT  (Westfield) 

JULIANNE  WUILLEUMIER  (Attleboro) 

Bach  . . 
Beethoven 

. . . Three-part  Invention  in  C minor 
. . . . Scherzo  from  Sonata,  op.  14,  no.  2 

MIRIAM  ATLAS  (Winthrop) 

Chopin 

. . . . Waltz  in  Ab  major 

JOSEPH  EISLER  (Moscow,  Russia) 

Sibelius  . 

. . . . Romance 

HELEN  CANTERBURY  (Searsport,  Me.) 

Scarlatti 

. . . . Two  Sonatas  in  D major 

a.  Allegro  molto 

b.  Allegrissimo 

NANCY  FOLLET  (Quincy) 

Bach-Saint-Saens  . Bourree 


MARJORIE  BLACK  (Malden) 

Debussy  . 

. . . . Jardins  sous  la  pluie 

MARION  EMERSON  (South  Lyme,  Ct.) 

Beethoven 

. . . . Scherzo  from  the  Pianoforte  Trio  in  C minor, 

op.  1,  no.  3 

MILDRED  LEVINSON  (Roxbury) 

MALCOLM  KNOTT  (Westfield) 

OLIVE  WILBUR  (Lansing,  Mich.) 

The  Pianoforte  is  a Stein  way 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Thursday  Morning,  December  20,  1928,  at  10  o’clock 

HOLIDAY  SONGS 

BY 

GEORGE  W.  CHADWICK 

The  £horal  Qlass  of  the  Depart  merit  of  "Public-School  TMusic 

Conducted  by 

MEMBERS  OF  THE  CLASS  IN  CONDUCTING  2 

FRANCIS  FINDLAY,  Instructor 


PROGRAM 


A Christmas  Greeting 


MERTON  RYLANDER,  Conductor 

New  Year’s  Song 

RUTH  GROSS,  Conductor 

A Child  is  born  in  Bethlehem 

ELEANOR  WALLACE,  Conductor 

The  Mistletoe  Bough 

LYDIA  TOLANDER,  Conductor 


GEORGE  HOYEN,  Conductor 


Prayer 
Evening 

CATHERINE  FERGUSON,  Conductor 

Chorus  of  Hebrews  from  the  Opera  “ Judith” 

MARY  LONG,  Conductor 

Angel  of  Peace 

A Valentine 
A May  Carol 
The  Runaway 
In  the  Hammock 
The  Immortal 


HAROLD  DODGE,  Conductor 

ELIZABETH  PRINCE,  Conductor 
MARION  KENNEDY,  Conductor 
ELEANOR  SCRIBNER,  Conductor 
ASSUNTA  DEFAZIO,  Conductor 
MAURICE  MINARD,  Conductor 
The  Piano  forte  is  a Stein  wav 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  January  5,  1929,  at  1:05 

Saturday  Recital 

TR  OGRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Trio 

in  E major,  opus  1,  no.  3 

CAROLINE  EUBANKS  (Macon,  Ga.) 

CECILIA  PAYESKA  (Winchester,  N.  H.) 

FAITH  DONOVAN  (Bangor,  Me.) 


Grieg Wedding  day  at  Troldhaugen 

MILDRED  DRINKWATER  (Wellesley  Hills) 

MacDowell  . . . Praeludium 

ROBERT  GAFFNEY  (Somerville) 

Bruch  Aria  from  Odysseus: 

Penelope  ein  Gewand  wirkend 

ANN  SACHER  (Hartford,  Conn.) 


Liszt Nocturne 

ELENA  MAZZARELLO  (Somerville) 

Debussy Jardins  sous  la  pluie 

BARBARA  WHITMAN  (Bangor,  Me.) 

Palmgren  ....  May  Night 

OLIVE  APPLETON  (Brockton) 

Schumann  ....  First  movement  of  the  Pianoforte  Trio 

in  D minor,  opus  63 

ELIZABETH  BATES  (Boston) 

DELWIN  SHAW  (Milo,  Me.) 

FAITH  DONOVAN  (Bangor,  Me.) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Mus 


RECITAL  HALL 

Thursday  Afternoon,  January  io,  1929,  at  4:05 


Students’  Recital 

PR  O G RAM 

Mendelssohn  . . . Prelude  and  Fugue  in  E minor 

GEORGE  ALBERT  VINCENT  (Denver,  Colo.) 


Bridge  Valse  capricieuse 

ELIZABETH  ROBERTS  (Eastman,  Ga.) 


Jensen-Niemann  . Murmuring  Zephyrs 

GLADYS  COYLE  (Worcester) 


MacMillan 

Gardner 


. . . Barcarolle 
. . . Prelude  in  C major 


for  Violin 


EDITH  STEVENS  (Beverly) 


Szymanowski  . . . Etude  in  Bb  minor 

HAZEL  SAUER  (Boston) 

Converse  ....  Echo 
Merikanto  ...  Miksi  laulau 

SYLVIA  ENGSTROM  (Helsingfors,  Finland) 


Toch Le  Jongleur 

ELLINOR  H.  CARTER  (South  Portland,  Me.) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 
RECITAL,  HALL 

Thursday  evening,  January  io,  1929,  at  8:15 


Pianoforte  fecit  a l 


BY 

ELIZABETH  T.  BATES 


COLLEGIATE  COURSE,  1929 


li 

Programme 


Bach Preludio  XX,  andante  molto  espressivo 

Fuga  XX,  andante  maestoso  ed  energico 

Beethoven  ....  Sonata,  op.  31,  no.  2,  in  D minor 


Allegro 

Adagio 

Allegretto 

Debussy La  plus  que  lente.  Valse 

Chopin Nocturne,  op.  37,  no.  2 

Scherzo,  op.  39 

Stevens Parrot  1 From  Robinson  Crusoe 

Cannibals’  dance  J Suite 

Liszt Rhapsody  hongroise,  no.  13 


Mason  and  Hamlin  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  January  12,  1929,  at  1:05 


Saturday  Recital 

Beethoven  . 

TR  OGRAM 

. . . Last  movement  of  the  Pianoforte  Trio 

in  C minor,  op.  1,  no.  3 

GEORGE  ALBERT  VINCENT  (Denver,  Colo.) 

MALCOLM  KNOTT  (Westfield) 

JULIANNE  WUILLEUMIER  (Attleboro) 

Chopin  . . 

. . Nocturne  in  Db  major 

IRVING  SPIVACK  (Chelsea) 

Bononcini  ....  Pieta,  mia  cara  bene 
Da  Gagliano  . . Dormi,  amore 


LUCY  COHEN  (Roxbury) 

Chopin  . . 

. . . First  movement  of  the  Pianoforte  Sonata 

in  Bb  minor 

RUSSELL  W.  LEE  (Everett) 

Philipp  . . 

. . . Feux-follets 

DOROTHY  MEEK  (Wellesley) 

Branscombe 
Chadwick  . 

. . . I send  my  heart  up  to  thee 

. . . Thou  art  so  like  a flower 

LALA  HOLT  (Attleboro) 

Liszt  . . . 

. . . La  Campanella 

IRVING  BARTLEY  (Canaan,  N.  Y.) 

The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Thursday  Afternoon,  January  17,  1929,  at  4:05  o’clock 


Beethoven 

CONCERT 

by 

The  Orchestral  Class 

Conducted  by 

STUDENTS  IN  CONDUCTING  3 

FRANCIS  FINDLAY,  Instructor 

PROGRAM 

Symphonic  no.  1 in  C major 

Adagio  molto:  allegro  con  brio 
A.  GEORGE  HOYEN,  Conductor 

Andante  cantabile  con  moto 
LYDIA  TOLANDER,  Conductor) 

Menuetto,  allegro  molto  e vivace 
MAURICE  U.  MINARD,  Conductor 

Adagio:  allegro  molto  e vivace 
RUTH  L.  GROSS,  Conductor 

Bizet  . . . 

First  Suite  from  L’Arlesienne. 

Prelude:  Allegro;  andantino;  allegro. 
CATHERINE  FERGUSON,  Conductor 

Prelude:  Andante  molto 
ASSUNTA  DeFAZIO,  Conductor 

Minuetto 

HAROLD  C.  DODGE,  Conductor 
Adagietto 

MARY  LONG,  Conductor 

Carillon 

MARION  KENNEDY,  Conductor 


I 


! 

| dfew  England  (Conservatory  of  EhCusic 

i 


LYRIC  ACTION  RECITAL 

(IN  COSTUME) 
by 

ETHEL  SLEEPER  RUSSELL 


Under  the  direction  of 

CLAYTON  D.  GILBERT 

J of  the  Dramatic  Department  1 


Assisted  by 

Carl  Feldman,  Pianist  i 

Harry  Dickson,  Violinist  ! 

Edwin  L.  Stuntzner,  Violoncellist 
Gertrude  G.  Brailey,  Pianoforte  Accompanist 

I NORMAN  I.  STRAUSS,  Stage  Manager  I 


RECITAL  HALL  j 

Thursday  Evening,  January  17,  1929,  at  8:15 


c Programme 


I.  Hungarian  Gipsy  Songs 

(a)  I Chant  My  Lay  \ 

(b)  Tune  Thy  Strings  } Dvorak 

(c)  Play  on  Gipsy Korbay 

(d)  Cloudy  Heights  of  Tatra Dvorak 

II.  Selections  by  Trio 

III.  Japanese  Songs 

(a)  Sayonara — A Japanese  Romance Cadman 

(1)  UI  Saw  Thee  First  When  Cherries  Bloomed”. 

(2)  uAt  the  Feast  of  the  Dead  I Watched  Thee”. 

(3)  ct All  my  Heart  is  Ashes” 

(4)  “The  Wild  Dove  Cries  on  Fleeting  Wing”. 

(b)  Fan  Song Bantock 

IV.  Selections  by  Trio 

V.  Songs  of  the  Hebrides M.  Kennedy-Fraser 

(a)  An  Island  Sheiling  Song 

(b)  Churning  Lilt 

(c)  The  Seagull  of  the  Land-Under-Waves 

(d)  Sea-Reiver’s  Song 

VI.  Selections  by  Trio 
VII.  Spanish  Songs 

(a)  The  Farewell Alvarez 

(b)  The  Goddess  in  the  Garden Granados 

(c)  The  Maja  and  the  Nightingale Granados 

(d)  The  Maids  of  Cadiz Delibes 


The  Pianoforte  is  a Mason  & Hamlin 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Friday  Evening,  January  18,  1929,  at  8:15 

CONCERT 

by 

ADVANCED  STUDENTS 

PROGRAM 


Mendelssohn  . . . Second  Organ  Sonata 

Grave;  adagio;  allegro  maestoso  e vivace 

VERA  MELONE  (New  Concord,  Ohio) 

Grieg In  the  Boat 

Woodland  Wandering 
From  Monte  Pincio 

Rossini Aria  from  Guillaume  Tell:  Selve  opaca 

ELIZABETH  ELY  (Boston) 

Chopin Ballade  in  G minor 

MARY  RUTH  MATTHEWS  (Mineral  Wells,  Texas) 

David Andante  and  Scherzo  capriccioso,  for  Violin 

FLORENCE  LEACH  (Wauregan,  Conn.) 

Poldowski  ....  L’heure  exquise 

Debussy Mandoline 

Gabriel  Faure  . . Automne 


MARIAN  WARFIELD  (Denver,  Colorado) 

Gabriel  Faure  . . Nocturne  in  Eb  minor 
Ravel Rigaudon 

NORA  GILL  (West  Roxbury) 


Mason  and  Hamlin  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

aturday  Afternoon,  January  19,  1929,  at  1:05 

Saturday  Recital 


H.  W.  Parker 

^r 

PROGRAM 

. . Prelude  from  the  Suite  for  Piano,  Violin, 

and  Violoncello,  op.  35 

MADELINE  BROOKS  (Johnston,  R.  I.) 

JENNIE  CANT  (Roxbury) 

FAITH  DONOVAN  (Bangor,  Me.) 

Hughes  . . . 

. . The  lark  in  the  clear  air 

C.  H.  Bennett  . . Serenade 

PAULINE  NEWINGTON  (South  Dartmouth) 


Brahms  . . . 

. . Rhapsody  in  B minor 

ROXANNA  HUNT  (Marshall,  Texas) 

Gretchaninov 
Carissimi  . . 

. . Berceuse 

. . Filli,  non  t’amo  piu 

LOUISE  MASTEN  (Lacolle,  Quebec) 

MacDowell  . 

. . Danse  andalouse 

ELEANOR  LOCKWOOD  (Mittineague) 

Chopin  . . . 

. . Polonaise  in  Eb  minor 

HARRY  LAWTON  (Westerly,  R.  I.) 

Beethoven  . . 

. . First  movement  of  the  Pianoforte  Trio 

in  B b major,  op.  1 1 

ELIZABETH  McGWIGAN  (Enfield,  N.  C.) 

MAUDE  SISSON  (Charleston,  N.  S.) 

FAITH  DONOVAN  (Bangor,  Me.) 

The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Thursday  Afternoon,  January  24,  1929,  at  4:05 

Students’  2^ecital 

W 

PROGRAM 

Beethoven First  movement  of  the  Pianoforte  Sonata 

in  E minor,  op.  90 

ELTON  YOUNG  (Farmington,  N.  H.) 

Scarlatti Sento  nel  core 

Pergolesi Se  tu  m’ami 

DORIS  PETERSON  (Lunenburg) 

Scriabin Two  Preludes,  op.  16 

PAULINE  C.  Van  BIBBER  (Brookline) 

Wilh.  Fr.  Bach-Stradel  . Concerto  in  D minor 

Maestoso  e pesante — cadenza — lento  e cantabile 
RUTH  ATKINS  (Hartford,  Conn.) 

F.  David Introduction  and  variations  for  Clarinet, 

. on  a theme  by  Schubert 

BRYANT  MINOT  (Wollaston) 

de  Severac Les  baigneuses  au  soleil 

MILDRED  KING  (Boston) 

Frank  Bridge Song,  Love  went  a’riding 

MARIANA  WATERS  (Springfield) 

Rachmaninov  Prelude  in  D major 

AMELIA  LAVINO  (Cambridge) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


RECITAL,  HALL 

Thursday  evening,  January  24,  1929,  at  8:15 

JUNIOR  DEPARTMENT 


of  ‘ XJiolin  zJACusic 

BY 

PUPILS  OF  RUTII  E.  AUSTEN 

PR OG  RAM 

. . Introduction  and  Polonaise 

ALPHONSO  ORLANDO 

. . German  Folk-song 

Impromptu 
FRANCIS  SHEA 
. . Long,  Long  Ago 

Cock-a-doodle-doo 
CATHERINE  LASSING 

. . See-Saw  Waltz 

Kohler Lullaby 

MICHAEL  BERESTICKI 

English  Folk-songs  Hark,  the  Tiny  Cowslip  Bell 
Portsmouth 
Polly  Oliver 
OWEN  HERENE 

Sitt Concerto  in  A minor 

First  movement 
MARION  SIMON 
Second  and  Third  movements 
EDITH  LUFTMAN 

Moskowski  ....  Cantabile 
Passepied 
PAUL  GIBAULT 


Simonetti  ....  Madrigal 

Gossec Gavotte 

MELVIN  THORNER 

Beethoven  ....  Minuet 

Bohm Alla  Turca 

KATHLEEN  KIERNAN 

Accolay Concerto  in  A minor 

EDWARD  MEEK 

Dancla Little  Symphony,  op.  109,  for  two  Violins 

EDITH  LUFTMAN  and  KATHLEEN  KIERNAN 


The  Pianoforte  is  a Steinwav 


Bohm  . . . 

Gruenberg  . 

Folk-songs  . 


Rttsth 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Friday  Evening,  January  25,  1929,  at  8:15 


In  Memory  of 

GEORGE  W.  BROWN,  Esq., 

Late  President  of  the  Hoard  of  Trustees 


CONCERT 

By 

The  Conservatory  Orchestra 

WALLACE  GOODRICH,  Conductor 


Soloist  : 

GEORGES  FOUREL,  of  the  Faculty,  Viola 

% ° g 

PROGRAM 

Schumann  ....  Overture  to  Byron’s  Manfred 

Handel Concerto  in  B minor,  for  Viola  and  Orchestra 

Adapted  by  Henri  Casadesus 
Allegro  moderato  — andante  ma  non  troppo — 
allegro  molto 

Wagner Good  Friday  Spell,  from  Parsifal 


Beethoven  ....  Allegretto  from  the  Symphony  in  A major,  no.  7 

Brahms Chorus  from  A German  Requiem: 

How  lovely  is  thy  dwelling-place 
the  conservatory  chorus 

Cesar  Franck  . . Chorale  in  B minor 

Arranged  for  Organ  and  Orchestra 
by  Wallace  Goodrich 

Organ:  Albert  W.  Snow,  of  the  Faculty 


New 


England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  January  26,  1929,  at  1:05 

Saturday  Recital 


‘PROGRAM 

Chopin Polonaise  in  C) + minor 

ELEANOR  LOCKWOOD  (Mittineague) 

Handel Aria,  Oh  sleep,  why  dost  thou  leave  me? 

AZALEA  GARLAND  (Bridgeton,  Me.) 

Beethoven First  movement  of  the  String  Quartet 

in  F major,  op.  18,  no.  1 


CECILIA  PAYESKA  (Winchester,  N.  H.) 
CAROLINE  PAUL  (Port  Royal,  S.  C.) 
MAUD  SISSON  (Charleston,  S.  C.) 
OLIVE  WILBUR  (Lansing,  Mich.) 


Griffes The  lake  at  evening 

MARIE  BURKE  (Brighton) 

Debussy Clair  de  lune 


BERNADETTE  PARSONS  (Vermilion,  Ohio) 

Concone Andante  in  Ab  major,  for  Clarinet 

JOSEPH  CELONA  (East  Boston) 

Tchaikovsky-Grainger  . Paraphrase  on  ccValse  des  Fleurs” 

ROSE  RUBIN  (Malden) 

Chopin Last  movement  of  the  Pianoforte  Trio 

in  G minor,  op.  8 

LUCILLE  MONAGHAN  (Glens  Falls,  N.  Y.) 

MALCOLM  KNOTT  (Westfield) 

VIOLET  HIRSH  (Brighton) 


The  Pianoforte  is  a Steinwav 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  January  31,  1929,  at  4:05  o’clock 


Students’  Recital 


TR O GRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Sonata 

in  C major,  op.  53  (Wald stein) 

FRANCES  VISALLI  (Lynn) 


Brahms Intermezzo  in  C major 

BERTHA  YOUNG  (Brownsville,  Texas) 

Gluck Spiagge  amate 

Franz Stille  Sicherheit 

MARGARET  HOGAN  (Worcester) 

Beethoven  ....  Rondo  from  the  Pianoforte  Sonata 

in  A b major,  op.  26 

VELMA  HARDEN  (Winthrop) 

Ireland  ....  The  Island  Spell 

CLARIBEL  LaMONTAGNE  (Lawrence) 

Gasparini  ....  Lasciar  d’amarti  per  non  penar 
Fourdrain  ....  Ohe!  Les  vieux  marins 

DOROTHY  W.  BOND  (Dedham) 

Debussy Jardins  sous  la  pluie 

CHARLOTTE  COHEN  (Lynn) 

Chopin Scherzo  in  Bb  minor 

EDGAR  BEAL  (Jonesport,  Me.) 


The  Pianoforte  is  a Stein  way 


New  England  Conservatory  of  Music 


RECITAL,  HALL 

Saturday  Afternoon,  February  2,  1929,  a t i 105 

Saturday  Recital 


PROGRAM 

Brahms  . . . 

. . Intermezzo,  op.  118,  no.  1 

BURDETTE  COUTS  (Eucyrus,  Ohio) 

Arensky  • * • 

. . Elegie  and  Scherzo  from  the  Pianoforte  Trio 

in  D minor,  op.  32 

MIRIAM  WILLOUGHBY  (Altoona,  Penn.) 

PIERINO  DiBLASlO  (Somerville) 

HARRIET  CURTIS  (Erie,  Penn.) 

13  EB  USSY  . . . 

. . Nocturne  in  Db  major 

PEARL  HILL  (Hartford,  Conn.) 

Palmgren  . . 

. . Why? 

RUTH  BUTLER  (Yarmouth,  N.  S.) 

CONCONE  . . . 

. . Andantino  amabile,  for  Bass  Clarinet 

ALBERT  KIZES  (Mount  Carmel,  Penn.) 

Chopin  . . . 

. . Three  Mazurkas:  A minor 

CJf  minor 
A b major 

JOSEPH  EISLER  (Moscow,  Russia) 

Schubert  . . 

. . First  movement  of  the  Pianoforte  Trio 

in  Bb  major,  op.  99,  no.  9 

GIOVANNI  PADOVANI  (Leominster,  Mass.) 

CECILIA  PAYESKA  (Winchester,  N.  H.) 

OLIVE  WILBUR  (Lansing,  Mich.) 

The  Pianoforte  is  a Steinwav 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  Director 


JOINT  RECITAL 

by 

HOMER  HUMPHREY,  Organist 

of  the  Faculty 

AND 

The  Choir  of  the  Second  Church  in  Boston 


JORDAN  HALL 

MONDAY  EVENING,  FEBRUARY  FOURTH 
1929 


The  Ghoir  of  the  Second  Ghurch  in  Boston 


d)  op  ran  os 

Mrs.  OHNEMUS 

Miss  GIVAN 

Mrs.  GLINES 

Miss  GODDARD 

Mrs.  MUDGE 

Mrs.  SLAMAN 


cl Altos 

Mrs.  RICE 

Miss  ANDREWS 

Mrs.  CARTER 

Mrs.  MURRAY 

Miss  RICH 


Tenors 


Mr.  POLLARD 

Mr.  KEYES 

Mr.  SLAMAN 

Mr.  WELSCH 


Basses 

Mr.  PARKER 

Mr.  GUINEY 

Mr.  HOLMES 

Mr.  MARTIN 

Mr.  RUSSELL 


HOMER  HUMPHREY 

Organist  and  Choirmaster 

o 


PROGRAM 


J.  S.  Bach  ....  Prelude  and  Fugue  in  G major 
Cesar  Franck  . . Chorale  in  B minor 


Music  of  the  Russian  Church 


Kastalsky  . . 
Rachmaninoff 
Tschaikowsky 


. “God  is  with  us” 

. The  Beatitudes 
. u Pater  noster” 

“O  praise  the  Name” 


S.  Karg-Elert 
G.  W.  Chadwick 
D. Buxtehude 
J.  Jongen  . . . 
Henry  Mulet 


. Chorale  Improvisation,  “Jesu,  hilf  siegen” 

. Cortege  (MSS.,  first  time) 

. Fugue  in  C 
. Priere,  op.  37,  no.  3 

. “Tu  es  petra  et  portae  inferi  non  praevalebunt 
ad  versus  te”  ( Esquisses  Byzantines ) 


Music  for  Christmas 


V ITTORIA  . . 

Praetorius  . . 
Old  Bohemian 
J.  S.  Bach  . . 
Old  French 
(Gevaert  Coll.) 
Felix  Woyrsch 
Old  French  . 
(Gevaert  Coll.) 


. “O  magnum  mysterium” 

. “Lo!  how  a rose  e’er  blooming” 
. “Come,  all  ye  shepherds” 

. Chorale,  “ Beside  Thy  cradle” 

. The  Neighbors  of  Bethlehem 

. “O  Heavenly  Child” 

. A Joyous  Christmas  Song 


JORDAN  HALL  EXITS 

FLOOR 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  February  7,  1929,  at  4:05 


Students’  Recital 

PROGRAM 

Beethoven First  movement  of  the  Pianoforte  Sonata 

in  E minor,  op.  90 

ELTON  YOUNG  (Farmington,  N.  H.) 

Schumann  ....  Novelette 

PRISCILLA  DUNCAN  (Portsmouth,  N.  H.) 

F.  David  . Introduction  and  variations  for  Clarinet, 

on  a theme  by  Schubert 

BRYANT  MINOT  (Wollaston) 

de  Severac Les  baigneuses  au  soleil 

MILDRED  KING  (Boston) 

Frank  Bridge Song,  Love  went  a’riding 

MARIANA  WATERS  (Springfield) 

Rachmaninov  Prelude  in  D major 

AMELIA  LAVINO  (Cambridge) 


The  Pianoforte  is  a Steinwav 


New  England  Conservatory  of  Music 


Satu  rday 

RECITAL,  HALL 

Afternoon,  February  9,  1929,  at  1:05 

Bach  . . . 

Saturday  Recital 

PROGRAM 

. . . Allegro  animato  from  the  Italian  Concerto 

ANNA  CHEIMITZ  (Dorchester) 

Beethoven  . 

. . . First  movement  of  the  Trio  in  C minor, 

op.  9,  no.  3,  for  Violin, 
Viola  and  Violoncello 

CYRIL  SAUNDERS  (Lynn) 

GEORGE  HUMPHREY  (Mingo  Junction,  Ohio) 

EDWIN  STUNTZNER  (Attleboro) 

Foote  . . . 
Merikanto 

. . . Onneton  (Finnish) 

SAIMA  LAYCOCK  (Salem  Center,  N.  H.) 

Beethoven-Busoni  . Ecossaises 


Schumann  . 

HELENA  DRAKE  (Houlton,  Maine) 

. . . Novelette  in  F major 

PRISCILLA  DUNCAN  (Portsmouth,  N.  H.) 

Godard  . . 

. . . En  courant 

ANNIE  ACKER  (Mobile,  Alabama) 

Messager 

Donaudy 

. . . La  maison  grise 

. . . Spirati  pur,  spirati 

HELEN  CHAMBLEE  (Redoak,  N.  C.) 

Brahms  . . 

. . . First  movement  of  the  Pianoforte  Trio 

in  B major,  op.  8 

CATHERINE  HEBERT  (West  Warwick,  R.  I.) 

PIERINO  DiBLASIO  (Somerville) 

HARRIET  CURTIS  (Erie,  Penn.) 

The  Pianoforte  is  a Stein  wav 

New  England  Conservatory  of  Music 


JORDAN  HALL 

Tuesday  Afternoon,  February  12,  1929,  at  2:00 


CONCERT 

By 

ADVANCED  STUDENTS 

Accompanied,  by 

The  Conservatory  Orchestra 

WALLACE  GOODRICH,  Conductor 


PR  O G R A M 

Handel Concerto  in  D minor,  no.  11, 

for  Organ  and  Orchestra 
THOMAS  W.  LANDER  (Wollaston) 

Mozart First  movement  of  the  Concerto  in  A major 

(Kochel  488)  for  Pianoforte  and  Orchestra 
DOROTHY  NYE  (Skowhegan,  Me.) 

Mendelssohn  . . . Allegro  and  Andante  from  the  Concerto 

in  E minor,  for  Violin  and  Orchestra 
PIERINO  DiBLASIO  (Somerville) 

Schumann  ....  First  movement  of  the  Concerto  in  A minor, 

» for  Pianoforte  and  Orchestra 

MARY  RUTH  MATTHEWS  (Mineral  Well,  Texas) 

Saint-Saens  . . . Introduction  and  Rondo  capriccioso, 

for  Violin  and  Orchestra 
HARRY  DICKSON  (Dorchester) 

MacDowell  . . . Concerto  in  D minor, 

for  Pianoforte  and  Orchestra 

I.  SYLVIA  LANGMAN  (Camden,  Maine) 

II.  and  III.  MARGERY  NEILSON  (W.  Hartford,  Conn.) 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  February  14,  1929,  at  4:05 


Students’  Recital 

PROGRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Sonata 

in  A b major,  op.  1 10 

GERTRUDE  SWEENEY  (Boston) 

Chopin Etude  in  C minor,  op.  25,  no.  12 

FRANCES  BOOTHBY  (West  Scarborough,  Maine) 

Debussy Clair  de  lune 

ELEANOR  MILLER  (Bellwood,  Penn.) 

Brahms Rhapsody  in  G minor 

HENRIETTA  COFFILL  (Beachmont) 

Engel Peau  d’Espagne 

MADELINE  BROOKS  (Johnston,  R.  I.) 

Philipp Feux-follets 

MAIDA  BECKETT  (Peabody) 

Chopin Ballade  in  Ab  major 

LOIS  LUTHER  (Brazil,  Ind.) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Friday  Evening,  February  15,  1929,  at  8:15 

CONCERT 

By 

ADVANCED  STUDENTS 
PROGRAM 

Rheinberg'er  . . . Fugue  from  The  Pastoral  Sonata  for  Organ 

MARION  FROST  (Newton  Highlands) 

Chopin Nocturne  in  C minor,  op.  48,  no.  1 

ELIZABETH  McGWIGAN  (Enfield,  N.  C.) 


Lotti Pur  dicesti,  o bocca  bella 

Gluc.k O del  mio  dolce  ardor 

Jommelli  ....  Chi  vuol  comprar,  la  bella  calandrina? 

GERTRUDE  HARVEY  (Brookline) 

Debussy Les  collines  d’Anacapri  • 

Rachmaninov  . . Etude  tableau 

ROBERT  EWING  (Malden) 

Mozart First  movement  of  the  Concerto  in  A major, 

for  Clarinet 

DOROTHY  PIKE  (Melrose  Highlands) 

Liszt-Busoni  . . . Paganini’s  Theme  and  Variations  in  A minor 

ELEANOR  PACKARD  (West  Somerville) 

Mozart Aria  from  Don  Giovanni: 

Batti,  batti,  o be!  Masetto 

Tirendelli  ....  Tre  petali 


Bettinelli  ....  Canta  Pierrot 

RUTH  COLLINS  (Ocala,  Fla.) 

Cesar  Franck  . . Piece  heroique 

arranged  for  Pianoforte  and  Organ  by  Harold  Schwab 
HAROLD  SCHWAB  (Eagle  Rocks,  Calif.) 

LAWRENCE  CAPON  (Newton  Centre) 


The  Pianoforte  is  a Stein  wav 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  February  16,  1929,  at  1:05 


MacDowell 

Saturday  Recital 

PROGRAM 

. . . Prelude  in  F minor 

DORIS  EDWARDS  (Somerville) 

Grieg  . . . 

. . . Nocturne 

DOROTHY  WRIGHT  (Merrimac) 

Beethoven  . 

. . . Last  movement  of  the  Sonata  in  G minor, 

op.  5,  no.  2,  for  Pianoforte  and  Violoncello 

REA  BUCKLEY  (Owosso,  Mich.) 

HARRIET  CURTIS  (Erie,  Penn.) 

Rachmaninov  . . Melodie,  in  E major 


DORIS  SMITH  (New  Bedford) 

Porter  . . 
MacDowell 

. . . Etude  melodique  (for  left  hand  alone) 
. . . Novellette 

ESTHER  LAPIDUS  (Somerville) 

Debussy  . . 

. . . Nocturne 

CHARLOTTE  L’HEUREUX  (Ware) 

Scriabin  . . 

. . . Two  Preludes,  op.  16 

PAULINE  VanBIBBER  (Brookline) 

Brahms  . . 

. . . Last  movement  of  the  Pianoforte  Trio 

in  E minor,  op.  101 
SYLVIA  LANGMAN  (Camden,  Maine) 

DELWIN  SHAW  (Milo,  Maine) 

FAITH  DONOVAN  (Bangor,  Maine) 

Tbe  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Tuesday  Afternoon,  February  19,  1929,  at  4:30  o’clock 


THE 

CONCERT 

by 

ORCHESTRAL  CLASS 

Conducted  by 

STUDENTS  IN  CONDUCTING  3 


Puccini 

FRANCIS  FINDLAY,  Instructor 

PR  0 G R A M 

Selection  from  the  opera,  Madama  Butterfly 

LAWRENCE  WHITE,  Conductor 

M.  E.  Slocum  . . . 

Anniversary  Waltz 
MAURICE  U.  MINARD,  Conductor 

Couperin  . . . . 

Sarabande 

CHRISTINE  WILSON,  Conductor 

Krebs 

Bourree 

MARGARET  TENNANT,  Conductor 

Gluck  

Dance  of  the  Sylphs 

ELEANOR  WALLACE,  Conductor 

Gretry 

Gavotte 

ELIZABETH  PRINCE,  Conductor 

Mattheson  . . . 

Minuet,  Air 

MARTHA  BIRCHBY,  Conductor 

Rameau  .... 

Rigaudon 

ELEANOR  SCRIBNER,  Conductor 

Delibes 

Ballet  Music  from  Sylvia 

1.  Valse  lente 
FLORENCE  LEACH,  Conductor 

2.  Pizzicato 

MARIAN  MOSES,  Conductor 

3.  Marche  et  Cortege  de  Bacchus 
HENRI  PILLER,  Conductor 

New  England  Conservatory  of  Music 


RECITAL  HALL 

Wednesday  Evening,  February  20,  1929,  at  8:15 

PIANOFORTE  RECITAL 

By 

IRVING  DANA  BARTLEY 

Class  0/1928 


PR  0 G RA M 

Beethoven  . 

. . . Variations  in  F major 

Bach-Tausig 

. . . Toccata  and  Fugue  in  D minor 

Brahms  . . 

. . . Intermezzo  in  A minor 

Romanze 

Intermezzo  in  Eb  minor 

Chopin  . . 

. . . Ballade  in  F minor 

Nocturne  in  Db  major 
Etude  in  A minor 

Mana-Zucca 

. . . Valse  brillante 

Liszt  . . . 

. . . Benediction  de  Dieu  dans  la  solitude 

Paganini-Liszt  . . La  campanella 


The  Pianoforte  is  a Mason  & Hamlin 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Thursday  Morning,  February  21,  1929,  at  10:15 

AN  HOUR  OF  SONG 

by 

The  Choral  Class  of  the  Department  of  Public  School  Music 

Conducted  by 

STUDENTS  IN  CONDUCTING  2 


FRANCIS  FINDLAY,  Instructor 

MARION  KENNEDY 
MAURICE  U.  MINARD 
MERTON  RYLANDER 

Pianoforte  Accompanists 

5r 

TRO  G RA  M 

Protheroe  . . . 

. Mariner’s  song 

RUTH  GROSS,  Conductor 

Goring-T  homas 

. Night  hymn  at  sea 

A.  GEORGE  HOYEN,  Conductor 

Roentgen  . . . 

. The  tide  rises 

MARY  LONG,  Conductor 

Miessner  . . . 

. When  ships  put  out  to  sea 

MERTON  RYLANDER,  Conductor 

Chadwick  . . . 

. Chorus  of  Pilgrim  women 

MAURICE  U.  MINARD,  Conductor 

Arcadelt  . . . 

. Ave  Maria 

MARGARET  TENNANT,  Conductor 

Borowski  . . . 

. The  pine  tree 

MARTHA  BIRCH  BY,  Conductor 

Chadwick  . . . 

• Little  Lac  Grenier 

LYDIA  TOLANDER  Conductor 

Chadwick  . . . 

. Buie  Annajohn 
CATHERINE  FERGUSON,  Conductor 

Carpenter  . . . 

. The  home  road 
CHRISTINE  WILSON,  Conductor 

The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  February  21,  1929,  at  4:05  o’clock 

Thursday  Recital 

|| 

PROGRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Sonata 

in  Eh  major,  op.  8 1 

C.  ALBERT  VINCENT  (Denver,  Col.) 

Beethoven  ....  Rondo  from  the  Pianoforte  Sonata  in  E major, 

op.  14,  no.  1 

BESSIE  SIMONS  (East  Aurora,  N.  Y.) 

Beethoven  ....  Finale  of  the  Pianoforte  Sonata  in  Cjf  minor, 

op.  27,  no.  2 

VERONA  DURICK  (Somerville) 

Chopin Etude  in  F minor,  op.  25,  no.  2 

VALENTINE  PALTON  (Boston) 

Pataky Die  Lotusblumen 

ANICETA  SHEA  (Newport,  R.  I.) 

Chopin Nocturne  in  C$  minor,  op.  27,  no.  1 

DOROTHY  MEEK  (Wellesley) 

Gabriel  Faure  . . Impromptu 

SYLVIA  LANGMAN  (Camden,  Maine) 

Debussy Minstrels 

IVA  MAYBERRY  (Newcastle,  Penn.) 


The  Pianoforte  is  a Steinway 


New  England 


Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  February  28,  1929,  at  4:05 

Students’  Recital 

PROGRAM 

MacDowell  . . • First  movement  of  the  Pianoforte  Sonata 

in  D minor  (Norse) 

MARION  R.  REYNOLDS  (South  Hadley  Falls) 


Schumann  , . . . Romanze  in  FJJ  major 

FRANCES  GELORMINI  (West  Medford) 

Recli Bergerette 

Bizet • L’amour  est  un  oiseau  rebelie  (Carmen) 

ROBERTA  ROBINSON  (Essex  Falls,  N.  J.) 

Brahms Rhapsody  in  B minor 

ELEANOR  MOONEY  (Lancaster,  N.  H.) 

Vieuxtemps  . . . Reverie,  for  Violin 


CAROLINE  PAUL  (Port  Royal,  South  Carolina) 


Ibert Le  petit  ane  blanc  (The  little  white  donkey) 

A giddy  girl 

MARY  HUNTLEY  (Danvers,  Mass.) 


Martin Wayfarer’s  night-song 

Lehmann  ....  Myself  when  young  (In  a Persian  Garden) 
Keel Trade  Winds 


THOMAS  McLAUGHLIN  (Elm  Grove,  West  Virginia) 

Dennee Etude  Scherzo-caprice 

CELIA  K A DISH  (Brockton) 


The  Pianoforte  is  a Steinwav 


New  England  Conservatory  of  Music 


BROWN  HALL 

Thursday  Evening,  February  28,  1929,  at  8:15 


Recital  of  Songs  for  two  Voices 

by 

RUTH  LAHAN  | 

LEONE  REYNOLDS  / Class  °f  *927 

Pianoforte  Accompanist:  Howard  Slayman 


PR  OG  RAM 

Rossini La  Regata  Veneziana 

Coates  Bird  songs  at  eventide 

Rubinstein  ....  Wanderer’s  Nachtlied 

Delibes Dome  epais  (Lakme) 

Mozart Sull’aria  (Le  Nozze  di  Figaro) 

L’Abbe  Clari  . . II  musico  ignorante 

Spontini L’addio  (La  Vestale) 

Mozart Via  resti  servita  (Le  Nozze  di  Figaro) 


Massenet  . . 
Humperdinck 
Saint-Saens 
Mendelssohn  . 


. C’est  le  soir  (Le  Roi  de  Lahore) 
. Wiegenlied 
. The  unfortunate 
. The  maybells 


Cowen  . . ...  Do  you  ask  what  the  birds  say? 

Caracciolo  . . . Nearest  and  dearest 


Tosti The  Serenade 

Frank There  were  three  merry  maidens 

Hildach Passage-birds  farewell 


Steinway  Pianoforte 


NEW  ENGLAND 
CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  ’Director 

CONCERT 

by 

The  Conservatory  Orchestra 


JORDAN  HALL 

FRIDAY  EVENING,  MARCH  FIRST 
1929 


The  Conservatory  Orchestra 

WALLACE  GOODRICH,  Conductor 


Soloist: 

LUCILLE  MONOGHAN 

( Class  of  1928 ) 


Mason  & Hamlin  Pianoforte 


PROGRAM 


I 

Bach Chorale  from  the  Church  Cantata: 

Sleepers,  wake,  a voice  is  calling 

Brahms Tragic  Overture 

Debussy Nuages 

F.  S.  Converse  . . Fantasie,  for  Pianoforte  and  Orchestra 


Bizet Suite  no.  i from  the  incidental  music  to 

Daudet’s  L’Arlesienne  : 

Prelude 
Minuetto 
Adagietto 
Le  Carillon 


JORDAN  HALL  EXITS 


FLOOR 


New  England  Conservatory  of  Music 


RECITAL-  HALL 

Saturday  Afternoon,  March  3,  1929,  at  1:05 


Saturday  Recital 

■PROGRAM 

Chopin  . . 

. . . Etude  in  Ab  major,  op.  25,  no.  1 

ELEANOR  ABELL  (Enosburg  Falls,  Vt.) 

Brahms  . . 

. . . . Intermezzo 

VIRGINIA  KIMBALL  (Swampscott) 

Stojowski 

. . . . Chant  d’amour 

EUNICE  McCORMICK  (Newport,  Rhode  Island) 

Converse 

. . . , First  movement  of  the  Violoncello  Sonata 

ELIZABETH  BATES  (Boston) 

VIOLET  HIRSH  (Brighton) 

Chaloff  . . 

. . . Prelude  in  Eb  major 

MARTHA  BUCK  (Streeter,  North  Dakota) 

Alabiev-Liszt  . . Le  Rossignol 


FLORENCE  TOWLE  (Woodfords,  Maine) 

Gliere  . . 

. . . Romance 

MONA  GREEN  (Harrison,  Maine) 

Beethoven  . 

. . . Last  movement  of  the  Pianoforte  Trio 

in  C minor,  op.  I,  no.  3 

EVANGELINE  TUBBS  (Lewiston,  Maine) 

ALFRED  KISHKIS  (South  Boston) 

EDWIN  STUNTZNER  (Attleboro) 

The  Pianoforte  is  a Steinwav 

RECITAL  HALL 

Thursday  Afternoon,  March  7,  1929,  at  4:05  o’clock 

Thursday  Recital 


PROGRAM 

Bach  . . . 

. . . Allegro  animato  from  the  Italian  Concerto 

CHARLOTTE  FINE  (Roxbury) 

Gluck  . . . 

. . . O del  mio  dolce  ardor 

Recitative  and  Aria  from  La  Favorita: 

O mio  Fernando 

ALICE  F.  RITCH  (Scranton,  Penn.) 

Schytte  . . 

. . . f irst  movement  of  the  Pianoforte  Sonata 

in  B b major, op.  53 

DORA  GAGE  (Chelsea) 

Franz  . . . 

. . . Tempest  and  Storm  Furies  Shrieking 

Out  of  my  soul’s  great  sadness 

Schumann  . 

. . . In  the  forest 

MARGARET  HALL  (Pomona,  Calif.) 

Ireland  . . 

. . . The  Island  Spell 

BARBARA  WHITMAN  (Bangor,  Maine) 

Weckerlin  . 
Donaudy 

. . . Menuet  de  Martini 
. . . Spirati  pur,  spirati 

LOUISE  MASTEN  (Lacolle,  Quebec) 

The  Pianoforte  is  a Stein  wav 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Evening,  March  7,  1929,  at  8:15 

PIANOFORTE  RECITAL 

By 

MIRIAM  WILLOUGHBY 


Class  of  1928 

PR  0 G RA M 

ZlPOLI  . . . , 

. . . Suite  in  B minor 

Preludio 

Corrente 

Aria 

Gavotta 

Schumann  . 

. . . Sonata  in  Fjj  minor 

Adagio 

Allegro  vivace 

Rachmaninov 

. . Barcarolle 

Chopin  . . 

. . . Prelude  in  Cjj  minor 

Ballade  in  Ab  major 

Arensky  . . 

. . . Bigarrure 

Philipp  . . 

. . . Clair  de  lune 

Sapellnikoff 

. . . Danse  des  elfes 

The  Pianoforte  is  a Mason  & Hamlin 


New  England  Conservatory  of  Music 


BROWN  HALL 

Friday  Evening,  March  8,  1929,  at  8:15 

CONCERT 

By 

ADVANCED  STUDENTS 

Beethoven  ....  Vivace  from  the  Pianoforte  Sonata 

in  E major,  op.  109 

ELLINOR  CARTER  (South  Portland,  Maine) 


Peri  Nel  puro  ardor 

Schubert  . . . . So  lasst  mich  scheinen 

Schubert  ....  Gretchen  am  Spinnrade 

SYLVIA  ENGSTROM  (Helsingfors,  Finland) 

Chopin Ballade  in  F minor 

IRVING  BARTLEY  (Canaan,  N.  Y.) 

Bach Arioso  and  Gavotte,  for  Violin 

MARGARET  H.  CLARK  (Worcester) 

Gabriel  Faure  . . Theme  and  variations,  in  Cff  minor 
ISABEL  CROCKFORD  (Petersburg,  Va.) 

Bononcini  ....  L’esperto  nocchiero 
Schubert  ....  Impatience 


THOMAS  McLAUGHLIN  (Elm  Grove,  West  Va.) 

Griffes Scherzo  in  Eb  minor 

CLAYTON  A.  WILLIAMS  (St.  Louis,  Mo.) 

Beethoven  ....  Quintet  in  Eb  major,  op.  16,  for  Pianoforte, 

Oboe,  Clarinet,  Horn,  and  Bassoon 
Grave — allegro  non  troppo 
Andante  cantabile 

Rondo  (allegro  non  troppo) 

JEANNETTE  GIGUERE  (Chelsea) 

ETHEL  HARDING  DURANT 
DOROTHY  PIKE  (Melrose  Highlands) 

JOHN  B.  DOLAN  (Somerville) 

LLOYD  MILLS  (West  Scarborough,  Maine) 


Stein  way  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  March  9,  1929,  at  1:05 

Saturday  Recital 


TR  OGRAM 


Beethoven  . 

. . . Last  movement  of  the  Pianoforte  Trio 

in  El?  major,  op.  1,  no.  1 
EVELYN  LINCOLN  (Brockton) 

DORIS  COWAN  (South  Hadley  Falls) 

FAITH  DONOVAN  (Bangor,  Maine) 

CmJDT  TT.Tf> 

lJI  U K iyr^  o , . 

. . . 

Veracini 

. . . A Pastoral 

Bizet  . . . 

. . . Aria,  Je  dis  que  rien  ne  m’epouvante  (Carmen) 

ESTHER  SANDS  (Port  Chester,  N.  Y.) 

Mozart  . . 

. . . Ouartet  in  D major,  for  Strings  (Kochel  575) 

Allegro 

FLORENCE  LEACH  (Wauregan,  Conn.) 

JENNIE  CANT  (Roxbury) 

JAMES  ULMER  (Los  Angeles,  Calif.) 

VIOLET  HIRSH  (Brighton) 

Andante 

JENNIE  CANT 
FLORENCE  LEACH 
JAMES  ULMER 
VIOLET  HIRSH 

Liszt  . . . 

. . . Waldesrauschen 

RUSSELL  W.  LEE  (Everett) 

Stojowski 

. . . Danse  humoresque 

KATHERINE  VOORHEES  (Needham) 

Beethoven  . 

. . . Last  movement  of  the  Pianoforte  Trio 

in  D minor,  op.  70,  no.  1 

HENRY  CLAY  (Brownsville,  Texas) 

MALCOLM  KNOTT  (Westfield) 

JULIANNE  WUILLEUMIER  (Attleboro) 

Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Evening,  March  14,  1929,  at  8:15 

PIANOFORTE  RECITAL 

By 

ELEANOR  PACKARD 

Class  of  1928 

PR OGRAM 

Beethoven  ....  Sonata  in  F minor,  op.  57  (Appassionato) 

Allegro  assai 
Andante  con  moto 
Allegro  ma  non  troppo 


Liszt-Busoni  . . . Paganini’s  Variations  on  a Theme  in  A minor 


Schumann  ....  Kreisleriana,  no.  3 

Chopin Nocturne  in  C#  minor 

Finale  from  the  Sonata  in  B minor 


Ravel Jeux  d’eaux 

Converse  ....  From  the  Hills 
I.  Campfires 

Sparkling  firelight. 

Crackling  logs,  fragrant  smoke; 
Stealthy  foot-steps,  darkness — 
And  the  umknown  beyond.  . . 

II.  The  Dancers 

The  drum,  rhythm,  color. 
Warm  lights,  smiles. 

White  arms. 

And  the  endless  shuffle. 


6a  Id  win  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  March  16,  1929,  at  1:05 


Mozart  . . 

Saturday  Recital 

TR  OGRAM 

. . . First  movement  of  the  Pianoforte  Trio 

in  G major  (Kochel  496) 
FRANCES  BOOTH  BY  (We*  Scarboro,  Maine) 

MALCOLM  KNOTT  (Springfield) 

JULIANNE  WUILLEUMIER  (Attleboro) 

Stradella  . 
Parker  . . 

. . . Col  mio  sangue  comprerei 

. . . Across  the  fields 

ROMAYNE  PERRY  (Kennebunk,  Maine) 

Beethoven  . 

. . . Allegro  vivace  from  the  Pianoforte  Sonata 

in  A major,  op.  2,  no.  2' 
B.  IRENE  GOLDEN  (Roxbury) 

Bach-Saint-Saens  . Gavotte  in  B minor 

ELENA  MAZZARELLO  (Somerville) 


Beethoven  . 

. . . First  movement  of  the  Pianoforte  Concerto 

in  C major 

ROBERT  GAFFNEY  (Somerville) 

Orchestral  accompaniment  on  a 
Second  Pianoforte 

by  FLORA  BROWN  (Medford) 

Woodford-Finden  Kashmiri  Song 


MacDowell 

JACK  La  ZAREFF  (New  York  City) 

. . . Bluette 

PRISCILLA  J.  WHITE  (Brockton) 

Schubert 

. . . First  movement  of  the  Pianoforte  Trio 

in  Eb  major,  op.  99 

MARY  E.  HUNTLEY  (Danvers) 

JENNIE  CANT  (Roxbury) 

JULIANNE  WUILLEUMIER  (Attleboro) 

The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


Beethoven  . 


Chopin 


Debussy  . . 
H.  Piller 
Moszkowski 


RECITAL  HALL 
Monday  Evening,  March  18,  at  8:15 


PIANOFORTE  RECITAL 

by 


CARL  FELDMAN 


Class  0/1927 


PROGRAM 

. . . Sonata  in  D major,  op.  10,  no.  3 

Presto 

Largo  e mesto 

Menuetto 

Rondo 


Two  Preludes:  in  Fjf  minor 
in  Bb  minor 
Ballade  in  F major 


. . . Feux  d’artifice 
. . . La  danse  feerique 
. . . Etude  in  Gb  major 


Mason  & Hamlin  Pianoforte 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Tuesday  Evening,  March  19,  1929,  at  8:15 

CONCERT 

by 

The  Class  in  Brass  Ensemble 

under  the  direction  of 
LOUIS  KLOEPFEL,  of  the  Faculty 

ASSISTED  BY 

ADVANCED  STUDENTS 

PROG  RAM 

Fucick  March:  Entrance  of  the  Gladiator 

Fr.  von  Suppe  . . Overture:  Morning,  Noon  and  Night  in  Vienna 
John  Ireland  . . Chelsea  Reach 

GIOVANNI  PADOVANO  (Medford) 

Schubert  ....  Ballet-music  from  Rosamunde 

Szulc Mandoline 

Hue Air  des  oiseaux 

Delibes Les  filles  de  Cadix 

ADELAIDE  CROSS  (Rockland,  Maine) 

Johann  Strauss  . . Waltzes:  On  the  beautiful  blue  Danube 

Intermission 

Wagner Prayer,  from  Lohengrin 

Vieuxtemps  . . . Adagio  religioso,  for  Violin 

NAOMI  TROMBLEY  (Longmeadow,  Mass.) 

Komsak Fairy  Tales 

Eilenberg  ....  Mill  in  the  forest 

Delibes-Dohnanyi  Waltz,  from  NaIla 

MILDRED  LEVINSON  (Roxbury) 

Martin  Schroeder  March 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 
RECITAL  HALL 

Wednesday  Evening,  March  20,  1929,  at  8:15 

PIANOFORTE  RECITAL 

By 

SYLVIA  LANGMAN 

Class  of  1928 


PR  O G R A M 


I. 


Bach  French  Suite  no.  6 

Allemande 

Courante 

Sarabande 

Polonaise 

Bourree 

Schumann  ....  Humoreske,  op.  20 

II. 

Chopin Waltz  in  E minor 

Prelude,  op.  28,  no.  8 
Scherzo  in  Cj}  minor 

III. 

Gabriel  Faure  . . Impromptu  in  F minor 

Goossens Punch  and  Judy  Show 

Stevens Babillard 

Saint-Saens  . . . Toccata  in  F major 


Mason  & Hamlin  Pianoforte 


New  England  Conservatory  of  Mus 


RECITAL,  HALL 

Thursday  Afternoon,  March  21,  1929,  at  4:05  o’clock 


Thursday  Recital 


PROGRAM 

Debussy Nocturne 

CLELIA  LUONGO  (Revere) 

Scarlatti  ....  Sento  nel  core 
Pergolesi  . . . . Se  tu  m’ami 

DORIS  PETERSON  (Lunenburg) 

Schuett Tendre  aveu 

VIRGINIA  SARGENT  (Rockport) 

Arensky Autumn 

Mrs.  H.  A.  Beach  . Ah,  Love,  but  a day 

GLADYS  WILLIAMS  (Gloucester) 
Debussy Clair  de  lune 

EDYTH  BARR  (Revere) 

Arthur  Whiting  . Humoresque 

KATHERINE  McILROY  (Lewiston,  Maine) 

Cesar  Franck  . . La  Procession 


Besly Time,  you  old  gipsy 

DOROTHY  DUMMER  (Rockport) 

Debussy Feux  d’artifice 


CATHERINE  HEBERT  (West  Warwick,  R.  I.) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Evening,  March  21,  1929,  at  8:15 


PIANOFORTE  RECITAL 

h 

DOROTHY  MARSTON  NYE 


Class  of  1928 

PROGRAM 

Bach  . . 

. . . . Prelude  in  F$  minor 

Beethoven 

. . . . Allegro  con  brio,  from  the  Sonata  in  C major, 

op.  2,  no.  3 

Paderewski  . . . Theme  with  Variations 


Debussy  . 

. . . . Danse  des  Delphes 

Prelude  in  A minor 

Chopin 

. . . . Impromptu  in  C$  minor 

Nocturne  in  B major 
Scherzo  in  B minor 

Mason  & Hamlin  Pianoforte 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  director 


CONCERT 

by 

The  Conservatory  Orchestra 


JORDAN  HALL 

FRIDAY  EVENING,  MARCH  TWENTY-SECOND 


The  Conservatory  Orchestra 

WALLACE  GOODRICH,  Conductor 


Soloist:  HOWARD  GODING 
of  the  Faculty 


Mason  & Hamlin  Pianoforte 


PROGRAM 


I 

Mendelssohn  . . . Overture,  Fingal’s  Cave  (The  Hebrides) 

Tchaikovsky  . . . Concerto  in  B b minor,  for  Pianoforte 

and  Orchestra 

Allegro  non  troppo  e molto  maestoso;  allegro  con 
spirito 

Andante  semplice;  prestissimo 
Allegro  con  fuoco;  allegro  vivo 


Wagner Siegfried’s  Passage  to  Briinnhilde’s  Rock, 

from  Siegfried 


Goldmark  ....  Overture,  In  the  Spring 


JORDAN  HALL  EXITS 

FLOOE 


Main  Exii 


BALCONY 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  March  23,  1929,  at  1:05 


Saturday  <rRecital 

TROG  RA  M 

Beethoven  , 

. . . . First  movement  of  the  Pianoforte  Trio 

in  C minor,  op.  1,  no.  3 

NORA  GILL  (West  Roxbury) 

ROLAND  HEALD  (Leeds,  Maine) 

FAITH  DONOVAN  (Bangor,  Maine) 

Schumann 

. . . . Arabesque 

LEAH  LAPPIN  (Dorchester) 

Schumann  . 
Schumann 

. . . Der  Ring 
. . . . Widmung 

MARY  LOUISE  COLTRANE  (Springfield,  Mo.) 

Schumann 

, . . . Traumeswirren 

BERNADETTE  PARSONS  (Vermilion,  Ohio) 

Griffes  . . 

. . . The  lake  at  evening 

MARION  BLAINE  (Barnett,  Vt.) 

Brahms  . . 

LOUIS  AMIRO  (Wakefield) 

Dvorak  . . 

Op.  21 

MILDRED  LEVINSON  (Roxbury) 

MALCOLM  KNOTT  (Springfield) 

FAITH  DONOVAN  (Bangor,  Maine) 

Steinway  Pianoforte 


SA(yV>  England  (conservatory  of  CMusic 


CONCERT 

under  the  auspices  of 

ALPHA  CHAPTER 
KAPPA  GAMMA  PSI  FRATERNITY 

i 

GEORGE  W.  BROWN  HALL 

Monday  Evening,  March  25,  1929 
at  8:20  o’clock 


KAPPA  GAMMA  PSI  STRING  ORCHESTRA 

AND 

KAPPA  GAMMA  PSI  GLEE  CLUB 

FRANCIS  FINDLAY,  Conductor 


Soloist  : 

RULON  Y.  ROBISON 

of  the  Faculty 


Steinway  Pianoforte 


PROGRAM 


I 

Handel First  movement  of  Concerto  Grosso  IX. 

Grieg Herzwunden 

Der  Friihling 


K T 'F  STRING  ORCHESTRA 
Di  Lasso Matona,  lovely  maiden 


Morley Now  is  the  Month  of  Maying 

Weelkes The  Nightingale 

K r 'F  GLEE  CLUB 

Schubert  ....  Forellen  Quintet,  op.  114 


STUART  MASON,  Piano 
CLARENCE  F.  KNUDSON,  Violin 
HENRI  A.  EKERLENS,  Viola 
ALEXANDER  MARK,  Violoncello 
MAX  O.  KUNZE,  Contrabass 


Folk  Songs : 

Serbian Song  of  the  Forge 

Swedish Varmeland 

French Sweet  day  is  softly  dying 

Russian Cossack  Song 

K r 'F  GLEE  CLUB 


Chadwick  ....  Andante  for  Strings 

K F 'F  STRING  ORCHESTRA 

Respighi Nevicata 

Reynaldo  Hahn  . Serenade,  “La  Barchetta” 

De  Falla  ....  Seguedille 

Mr.  ROBISON 

Fuchs Serenade  in  E minor,  for  String  Orchestra 

I.  Romanze 

II.  Minuetto 

III.  Allegretto  grazioso 

IV.  Finale  alia  zingarese 

K T ❖ STRING  ORCHESTRA 


K r * STRING  ORCHESTRA 


VIOLINS 


Malcolm  Mark 
Delwin  Shaw 
Basil  Prangoulis 
Ottavio  DeVivo 


Francis  Smith 
Edward  Gerry 
Malcolm  Knott 
Alfred  Kishkis 


Roland  Heald 
VIOLAS 


George  Humphrey 


Stanley  Slominski 


VIOLONCELLOS 

Alexander  Mark  Edwin  Stuntzner 


CONTRABASS 
Stanley  Hassell 


K r * GLEE  CLUB 


FIRST  TENORS 

Rowland  Halfpenny  Bower  Murphy 

Alexander  Mark  Edward  O’Hearn 

SECOND  TENORS 

Ottavio  DeVivo  Bryant  Minot 

Alfred  Kishkis  Basil  Prangoulis 

Francis  Smith 
FIRST  BASSES 

Louis  Amiro  Edward  Henneberry 

Philip  Ferrero  Harrow  Kindness 

George  Gibson  Vincent  Morgan 

SECOND  BASSES 

Raymond  Bell  Malcolm  Mark 

Stanley  Hassell  Merton  Rylander 

Edwin  Stuntzner 


NEW  ENGLAND  CONSERVATORY  OF  MUSIC 

GEORGE  W.  BROWN  HALL 
Tuesday  Evening,  March  26,  1929,  at  8:15  o’clock 

SONG  RECITAL 

By 

NANCY  KESSLER,  Gontralto 

Reginald  Boardman,  Accompanist 

PR OG  RAM 

Handel Rendi’l  sereno  al  ciglio 

Paisiello  ....  Chi  vuol  la  zingarella 

Nerini  Rose  ne  croyez  pas 

Cui La  statue  de  Tsarkoie-selo 

Meyerbeer  ....  Aria  from  Le  Prophete:  Ah!  mon  fils! 

Hildach Madchenlied 

Giehrl Mir  traumte  von  einem  Konigskind 

Schubert  ....  Der  Tod  und  das  Madchen 

Giehrl Elselein  (Volksliedchen) 

Wagner Aria  from  Das  Rheingold: 

Weiche,  Wotan!  weiche! 

Armstrong-Gibbs  . Ann’s  Lullaby 
Araby 

Charles  Gibson  . . Dreams  (MSS.  First  time  in  public) 

Violin  Obbligato  by  MARGARET  CLARK 

Deems  Taylor  . . Twenty,  Eighteen 

Fiske The  Bird 

Herman Gifts 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  March  28,  1929,  at  4:05  o’clock 


Thursday  Recital 

Vi 

PROGRAM 

Bach First  movement  of  the  Italian  Concerto 

CHARLOTTE  FINE  (Roxbury) 

Handel Andante  and  allegro  from  the  Violin  Sonata 

in  A major 

ISABEL  McDonald  (Brookline) 

Brahms Intermezzo 

LOUISE  FRIEDMAN  (Dorchester) 

Schumann  ....  Pianoforte  Sonata  in  Fit  minor,  op.  11 
RUTH  CULBERTSON  (Mancelona,  Mich.) 


The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  March  30,  1929,  at  1:05 


Saturday  Recital 

TR  OGRAM 

Beethoven  ....  First  movement  of  the  Trio  in  C minor, 

op.  1,  no.  3 

IRVING  SPIVACK  (Chelsea) 

HARRY  DICKSON  (Dorchester) 

FAITH  DONOVAN  (Bangor,  Maine) 


Griffes The  Lake  at  evening 

MARION  BLAINE  (Barnett,  Vt.) 

Ronald Pluck  this  little  flower 

Chadwick  ....  Dear  love,  when  in  thine  arms  I lie 
BEATRICE  ROYCE  (New  Bedford) 

Debussy Clair  de  lune 

ELLAENOR  WALLACE  (Coaticook,  Canada) 

MacMillan  . . . Barcarolle  1 f v.  ,. 

Gardner  ....  Prelude  in  C major  J °r  10  in 

EDITH  STEVENS  (Beverly) 

Debussy La  Cathedrale  engloutie 

ZETTA  BLUMENTHAL  (Savannah,  Ga.) 

Rachmaninov  . . Prelude  in  Cjf  minor 

RAY  GORDON  (Boston) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL-  HALL 

Thursday  Afternoon,  April  4,  1929,  at  4:05  o’clock 

Thursday  Recital 


11 

Beethoven  . 

. . P'irst  movement  of  the  Pianoforte  Sonata 

in  Eb  major,  op.  8itf 

MILDRED  CLEMONS  (Brockton) 

Carpenter  . 
Jensen  . . 

. . May  the  Maiden 
. . O lass’  dich  halten 

JULIA  METRIK  (Worcester) 

Liszt  . . . 

, . . Etude  in  Db  major 

VIRGINIA  BLAKENEY  (Monroe,  N.  C.) 

Saint-Saens 

. . O beaux  reves  evanouis 

Aria  from  Etienne  Marcel 

Mozart  . . . 

. . Voi  che  sapete 

Aria  from  Le  Nozze  di  Figaro 

MARJORIE  DAVIES  (Boston) 

Cyril  Scott  . 
A.  Blackman  . 

• ■ Elegie  | for  yiolin 

. . intermezzo  j 

CLARA  BAKER  (Boston) 

Stojowski  . . 

. . Chant  d’  amour 

SOPHIE  ANGOFF  (Dorchester) 

Tosti  ... 

. . Song,  Mattinata 

* 

CORINNE  WILSON  (Putnam,  Conn.) 

Debussy  . . . 

. . Bruyeres 

CLARIBEL  LaMONTAGNE  (Lawrence) 

The  Pianoforte  is  a Steinway 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Wednesday  Evening,  April  17,  1929 
at  8:15 


ORGAN  RECITAL 

by 

THOMAS  W.  LANDER 

( Class  of  i()2gy  Collegiate ) 


PROGRAM 

Dunham Fantasia  and  Fugue 

Parker Allegretto  from  the  Sonata  in  Eb  minor 

Bossi Chorale 

Guilmant  ....  Scherzo  from  the  5th  Sonata 
Vaughn  Williams  . Rhosymedre 

Bach Toccata  in  D minor 

Widor  Scherzo  from  the  4th  Symphony 

Cesar  Franck  . . Chorale  in  A minor 
Bossi Etude  symphonique 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  April  18,  1929,  at  4:05  o’clock 

Thursday  Recital 

PROGRAM 

Brahms Rhapsody  in  B minor 

ROXANA  HUNT  (Marshall,  Texas) 

Gluck Recitative  and  aria  from  La  Favorita: 

O del  mio  dolce  ardor 
O mio  Ferrando 

Mrs.  ALICE  RITCH  (Scranton,  Penn.) 

Grieg Nocturne  in  C major 

MAURIE  GAULL  (Roxbury) 

Pataky Song,  Die  Lotusblume 

ANN  SACHER  (Hartford,  Conn.) 

Debussy Sarabande 

CHALLIS  WILSON  (Harvard,  Mass.) 

Porpora-Kreisler  . Menuett,  for  Violin 

KENNETH  KIRKNESS  (Somerville) 

Gabriel  Faure  . . Au  cimitiere 

Les  roses  d’lspahan 

ANICETA  SHEA  (Newport,  R.  I.) 

MacDowell  . . . Moto  perpetuo 

MURIEL  THOMAS  (Waverley) 


The  Pianoforte  is  a Steinway 


Jfelv  England  (Conservatory  of  zdACusic 

1 - -_=^ 

I 

JUNIOR  DEPARTMENT 

s 

1 

RECITAL 

<2jy  pupils  of 

NORINE  ROBARDS 

S 


RECITAL  HALL 

Thursday  Evening,  April  18,  1929 
at  8:15  o’clock 


PR  O G R A M 


12 

Kuhlau  .... 

. Sonatina,  op.  55,  no.  1 
LEO  KAHN 

Gluck  .... 
Corelli  .... 

. Minuet 
. Gigue 

BETTY  DONOVAN 

Henry  Goodrich 

. Caprice,  arr.  from  Haydn 
Bourree,  arr.  from  Mouret 
MIRIAM  McCORMACK 

Poldini  .... 

. Margot’s  Wooden  Shoes 
MARGARET  RAY 

Handel  .... 
Heller  ... 

. Courante 
. Scherzino 

REGINALD  THOMAS 

Schubert  . . . 

. Valse  noble 

RUTH  McCRARY 

Jensen 

. Two  Waltzes,  op.  33 

DOROTHY  COLPITTS 

Beethoven  . . . 

. Sonatina  in  G major 
Allegretto 
Scherzo 

JOSEPH  de  VARRON 

Handel  .... 

. Gavotte  in  Bb  major 
EVELYN  KLEIN 

Kluhau  .... 

. Rondo  from  Sonata,  op.  59,  no.  1 

HELEN  WENETSKY 


PR  O G R A M 


Haydn  . . . . 

C.  P.  E.  Bach  . . 

VON  WlLM  . . . 

Beethoven  . . . 

Schumann  . . . 
Helen  Hopekirk 

MacDowell  . . 
Scarlatti  . . . 

Beethoven  . . . 

Scarlatti  . . . 

Scharwenka  . . 

Schubert  . . . 
Chopin  . . . . 


. Gipsy  Rondo 

ELIZABETH  STONE 

. Solfeggietto 

. Humoreske 

ELIZABETH  SMITH 

. First  movement,  Sonata  in  F minor,  op.  2,  no.  i 

albert  does 

. Scherzino  from  uCarnival  Pranks  in  Vienna” 

EVELYN  COYLE 

. Rigaudon 

MARGARET  McMAHON 

. Hungarian 

EDITH  NOTARO 

. Sonata  in  F major 

cecil  McCrary 

. First  movement,  Sonata  in  G major,  op.  79 

MARY  HAYES 

. Pastorale 

. Polish  Dance 

rose  pagliarulo 

. Minuetto,  Sonata  in  B minor 

. Nocturne  in  F minor,  op.  55,  no.  1 

MIRIAM  ATLAS 


Steinway  Pianoforte 


NEW  ENGLAND  CONSERVATORY  OF  MUSIC 


RECITAL  HALL 

Saturday  Afternoon,  April  20,  1929,  at  1:05 


Saturday  Recital 

PR O GRAM 

Beethoven  ....  First  movement  of  the  Pianoforte  Trio 

in  Eb  major,  op.  70,  no.  2 

RUTH  ATKINS  (Hartford,  Conn.) 

MALCOLM  KNOTT  (Springfield) 

VIOLET  HIRSH  (Brighton) 


Brahms Rhapsody  in  G minor 

CORA  RUSTON  (Triumph,  Minn.) 

Vieuxtemps  . . . Adagio  religioso  from  the  4th  Violin  Concerto 

ROLAND  HEALD  (Leeds,  Maine) 

Chopin Nocturne  in  Bb  minor 

MARTHA  BUCK  (Streeter,  North  Dakota) 

Jeanne  Behrend  . The  old  scissors  grinder 

FERN  COLDREN  (Wilkes  Barre,  Penn.) 

Godard Adagio  pathetique,  from  the 


Concerto  romantique,  for  Violin 

LILLIAN  TAITT  (Colon,  Panama) 


Debussy Minstrels 

RUTH  LAYMAN  (Brookline) 

Mozart Finale  of  the  Pianoforte  Trio  in  E major, 

K.  no.  542 

DOROTHY  MEEK  (Wellesley) 

MALCOLM  KNOTT  (Springfield) 

VIOLET  HIRSH  (Brighton) 


Steinway  Pianoforte 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  Director 


Twentieth  Annual  Competition 

for 

THE  MASON  & HAMLIN  PRIZE 


JORDAN  HALL 
APRIL  THE  TWENTY-FOURTH 
1929 


By 

STUDENTS  OF  THE  PIANOFORTE  DEPARTMENT 

in  the  Senior  Class  of  The  Conservatory  Course 


and 

POST-GRADUATE  STUDENTS 

Who  are  Candidates  for  the  Soloists’  Diploma 


JUDGES: 

MR.  SERGE  KOUSSEVITZKY  MISS  MYRA  HESS 

MR.  HAROLD  BAUER 


PROGRAM 


Each  contestant  will  play  the  following  prescribed  selections, 
and  one  additional  piece  of  personal  choice: 


Chopin Etude  in  F major,  op.  io,  no.  8 

Albeniz Triana  (from  Iberia) 


U^a?nes  of  Contestants 


% 

In  order  of  their  appearance,  with  additional  selection  to  be  played  by  each: 


Bach-Liszt  . 

ELISABETH  JOANNE  SCHULZ 
. . . Fugue  in  A minor 

Bach  . . . 

LUCILLE  MONAGHAN 
. . . Prelude  in  Bb  minor  (Book  I.,  no.  22) 

Liszt  . . . 

IRVING  DANA  BARTLEY 
. . . La  Campanella 

Bach  . . . 

CHARLES  EDWARD  O’NEILL 
. . . Chromatic  Fantasie 

Chopin  . . 

DONALD  JAMES  VAN  WART 
. . . Scherzo  in  B minor 

Ravel  . . . 

ELEANOR  PACKARD 
. . . Jeux  d’eaux 

MILDRED  LEVINSON 

Delibes-Dohnanyi  Waltz  from  Naila 

Announcement  of  Judges’  Decision 


The  Pianoforte  is  a Mason  & Hamlin 


The  (JWason  c^  //amlin  T*rize 


I 

In  the  year  1909  the  Mason  & Hamlin  Pianoforte  Company,  through 
its  President,  Henry  L.  Mason,  Esq.,  offered  an  Annual  Prize  of  a Grand 
Pianoforte,  to  be  competed  for  by  candidates  for  the  Soloists’  Diploma  in 
the  graduating  class  of  the  Conservatory.  The  prize  was  to  be  awarded 
to  the  student  giving  the  best  performance  in  the  opinion  of  the  judges, 
who  were  to  be  three  in  number,  one  of  them  being  the  Conductor  of  the 
Boston  Symphony  Orchestra. 

The  first  competition  was  held  in  April,  1910,  with  six  contestants. 
Since  that  time  a contest  has  been  held  annually,  with  an  average  of 
seven  competitors. 

In  19 1 1 the  conditions  of  the  contests  were  altered  to  admit  each  year, 
under  certain  restrictions  as  to  length  of  study  in  the  Conservatory,  any 
members  of  the  Senior  Class,  and  also  post-graduate  candidates  for  the 
Soloists’  Diploma  in  Pianoforte. 

Under  the  rules  now  in  force,  students  are  eligible  each  year  to  enter 
the  competition  who  have  attended  the  Conservatory  for  not  less  than  two 
years,  and  who  have  been  registered  continuously  since  October  15  th  of 
the  preceding  calendar  year,  as  follows : 

(a)  Members  of  the  Senior  Class  in  the  Conservatory 

Course ; 

(b)  Post-graduate  students  who  are  candidates  for  the 

Soloists’  Diploma  in  the  Conservatory  Course, 
who  have  been  registered  in  the  Pianoforte  De- 
partment continuously  since  their  graduation; 
and 

(c)  Third-  and  fourth-year  students  in  the  pianoforte 

course  leading  to  the  degree  Bachelor  of  Mu- 
sic, who  have  not  previously  competed  for  this 
prize. 


For  the  competitions  of  1910  and  1911  no  selections  were  prescribed 
for  performance.  Since  that  time  either  all  the  pieces  to  be  performed 
have  been  prescribed,  or  two  have  been  prescribed  and  choice  of  a third 
left  to  each  contestant. 

At  the  suggestion  of  Mr.  Koussevitzky,  the  winner  of  the  competition 
in  1928  was  invited  by  the  Trustees  of  the  Boston  Symphony  Orchestra 
to  appear  as  soloist  in  one  of  the  concerts  of  the  orchestra.  This  per- 
formance took  place  on  December  14th,  1928,  in  one  of  the  regular  series 
of  concerts  in  Sanders  Theatre,  Cambridge. 


Judges  o f the  (Competitions 


Harold  Bauer 1912, 

Alfredo  Casella 1927 

George  W.  Chadwick,  Director,  1910, 

Max  Fiedler 1910, 

Arthur  Foote  1911, 

Felix  Fox 1928 

Carl  Friedberg 1917 

Ossip  Gabrilowitsch 1916 

Rudolph  Ganz 1918, 

Heinrich  Gebhard 1913 

Philip  Hale 1919 

Myra  Hess 1929 

Edward  Burlingame  Hill  . . .1921 

Ernest  Hutcheson 1921, 

Serge  Koussevitzky  1925 , 

C.  M.  Loeffler 1910, 

Guy  Maier  1924 

Benno  Moiseiwitsch 1927 

Pierre  Monteux 1920, 

Dr.  Karl  Muck 1913, 

Horatio  Parker  1918 

Lee  Pattison 1924 

Henri  Rabaud 1919 

Harold  Randolph  1912, 

Mme.  Olga  Samaroff 1926 

Ernest  Schelling 1915, 

Sigismund  Stojowski 1922 

Mme.  Antoinette  Szumowska  .1918 
Wallace  Goodrich  (acting  for  the 

Director) 1915 


14,  '25,  '29 


ii, 

'11, 

’19 


12,  '13,  14, 

’l2 


[6,  ’20 


'20,  25 


’23,  ’26 
’26,  ’27, 
’i7,  ’28 


’28,  ’29 


21,  22 

’14,  'is, 


23 


, 23,  24 
’16,  ’17 


22 


PRESCRIBED  WORKS 

1910-1929 

Opus 


No.  Year 


Albeniz 

Triana  (Iberia) 

’29 

J.  S.  Bach" 

Prelude  and  Fugue  in  C major,  Book  II. 

No.  1 

’14 

“ “ E major 

9 

’12 

Prelude  in  C ti  minor 

I. 

4 

’18 

“ Cj  major 

I. 

3 

’18 

“ E b minor 

I. 

8 

’24 

Fugue  in  G minor 

I. 

16 

’13 

“ E minor 

II. 

10 

’23 

Chromatic  Fantasie 

’i9 

Italian  Concerto  (first  m.) 

’22 

French  Suite  No.  5 (Allemande  and  Courante) 

’26 

Fugue  (Chromatic  Fantasie) 

’27 

Bach-Liszt 

Organ  Fantasie  in  G minor 

’25 

Beethoven 

Sonata  in  C minor  (I.) 

13 

’22 

“ C major  (I.) 

53 

’16, 

“ F minor  (I.) 

57 

’1 7 

“ D minor  (Allegro  and  Adagio) 

3I^’i8 

“ Eb  major  (I.) 

81  a 

’14 

“ E major  (I.) 

109 

’15, 

Theme  and  variations 

’i3 

“ Ab  major  (I.) 

1 10 

’19 

“ C minor  (I.) 

1 1 1 

’24 

Adagio  from  Sonata  in  D minor 

3I^’l2 

Brahms 

Finale  of  the  Sonata  in  Ftt  minor,  No. 

2 

’20 

10 

10 

25 

10 

15 

27 

10 

36 


Chopin  Prelude  in  B[?  minor  Op.  28  No.  16 

“ F$  minor  28 

“ G$  minor  28 

Etude  in  Cjf  minor 
“ C minor 

“ A minor 

“ F major 

Nocturne  in  F major 
“ C$  minor 
Etude  in  F major 
Scherzo  in  B minor 
Impromptu  in  Fjf  major 
Scherzo  from  Sonata  in  Bb  minor 

Debussy  L’Isle  joyeuse 

Reflets  dans  l’eau 

Liszt  Etude  in  Eb  major,  No.  5 (Feux-follets) 

Concert  Etude  in  F minor,  No.  2 

Mozart  Fantasie  in  C minor  (Sonata  No.  18) 

Scarlatti  Sonata  in  A major,  No.  17 


12/25 

’25 

’25 

’14 

’i5 

’13/28 

’29 

’16 

’24 

’18 

’19 

>l7 

’20/27 

’16 

’16 


15 

’26 


21 

’17 


WORKS  OFFERED  OF  CANDIDATES’  CHOICE 

1910-1929 


Albeniz 

Bach 


Bach-Busoni 

Bach-Liszt 

Balakirev 

Beethoven 


Brahms 


Chabrier 

Chadwick 

Chopin 


Debussy 


El  Puerto 

Gavotte  in  B minor 

Chromatic  Fantasie 

Prelude  in  Bb  minor  (Book  I.,  no.  22) 

Chaconne  in  D minor 

Fugue  in  A minor 

Islamey 

Sonata  in  D major,  op.  10,  no.  3 (Rondo) 
Sonata  in  C major,  op.  53  (Rondo  and  Finale) 
Sonata  in  F minor,  op.  57  (first  movement) 
Sonata  in  E minor,  op.  109  (first  movement) 
Sonata  in  F minor  (first  movement) 

Fugue  in  Bb  major 

Variations  on  a theme  by  Handel 

Bourree  fantasque 

Dans  le  canot 

Sonata  in  B minor  (Finale) 

Etudes:  in  Gb  major,  op.  10,  no.  5 
in  C minor,  op.  10,  no.  12 
in  Ab  major,  op.  25,  no.  1 
in  F minor,  op.  25,  no.  2 
Nocturne  in  Db  major,  op.  27,  no.  2 
Impromptu  in  F$  major,  op.  36 
Polonaises:  in  Eb  major 
in  Ab  major 
Ballades:  in  G minor 
in  Ab  major 
in  F major 
Scherzo  in  Cjf  minor 
Scherzo  in  B minor 
Berceuse 
Feux  d’  artifice 
L’Isle  joyeuse 
Jardins  sous  la  pluie 
Reflets  dans  l’eau 


Delibes-Dohnanyi 

Dohnanyi 

Glinka-Balakirev 

Henselt 

Jadassohn 

Liszt 


MacDowell 

Moszkowski 

Mozart 

O’Donnell 

Paganini-Liszt 

Rachmaninov 

Ravel 

Rheinberger 

Rubinstein 

Saint-Saens 

Schumann 

Schytte 

Stojowski 

Tchaikovsky 

Verdi-Liszt 

WlHTOL 


Waltz  from  Naila 
Tolle  Gesellschaft 
The  Lark 
Si  j’^tais  oiseau 
Scherzo,  op.  35,  no.  3 
Au  bord  d’une  source 
Benediction  de  Dieu  dans  la  solitude 
Concert  etudes:  in  F minor 
in  D b major 

Feux-follets 
Gnomenreigen 
Hungarian  Rhapsody  no.  1 2 
no.  13 

La  Campanella 
Polonaise  in  E major 

S.  Francois  de  Paule  marchant  sur  les  dots 

Sonnetto  del  Petrarca  123 

Spozalizio 

Waldesrauschen 

Concert  Etude 

Ungarisch 

Caprice  espagnole 

Fantasie  in  D minor 

Before  the  dawn 

Etudes:  in  Eb  major 
in  A minor 

Prelude  in  G major 
Jeux  d’eaux 
Toccata,  op.  12 
Etude  in  Eb  major,  op.  23 
Valse  caprice 
Toccata  in  F major 
Novelette  in  F major 
Sonata,  op.  22  (Andantino) 

Sonata,  op.  53  (first  movement) 

Chant  d’amour 
Troika 

Rigoletto  Fantasie 
Berceuse  in  B major 


W timers  of  the  zJbfason  & ffamlin  Competitions 

1910-1928 

1910  Julius  Louis  Chaloff 

1 91 1  Grace  Bertha  Nicholson 

1912  Charles  Lorenzo  Shepherd 

1913  Sara  Helen  Littlejohn 

1914  Herbert  Ring  wall 

1915  Howard  Monroe  Goding 

1916  . . Fannie  Levis 

1917  Martha  Baird 

1918  Sue  Kyle  Southwick 

1919  Naomi  Howard  Bevard 

1920  Jesus  Marfa  Sanroma 

1921  Walter  Leonard  Hansen 

1922  Alice  Marjorie  Rathbun 

Honorable  Mention  to  Harold  H.  Logan 

1923  Florence  Levy 

1924  George  Auger  Gibson 

Honorable  Mention  to  Margaret  C.  Mason 

1925  Elizabeth  Hunt  Travis 

1926  Ruth  Culbertson 

Honorable  Mention  to  Elisabeth  Joanne  Schulz 

1927  Luise  Hedwig  Bube 

1928  Leon  Vartanian 


JORDAN  HALL  EXITS 


¥LOO& 


BALCONY 


New  England  Conservatory  of  Mu 

RECITAL  HALL 

Thursday  Afternoon,  April  25,  1929,  at  4:05  o’clock 


Thursday  Recital 

PR OG  RAM 

Brahms Rhapsody  in  G minor 

MARY  DAVIS  (Cookeville,  Tenn.) 

Chopin Etude  in  C minor 

VINCENT  MORGAN  (Worcester) 

Brahms Intermezzo 

ANNE  LEVINE  (Roxbury) 

Daquin Le  coucou 

ESTHER  LAPIDUS  (Somerville) 

A.  Holy Legende  (for  Harp) 

ARTISS  de  VOLT  (Boston) 

Ravel La  Vallee  des  cloches 

ELIZABETH  McGWIGAN  (Enfield,  N.  C.) 

Brahms Ballade  in  D major 

G.  RAYMOND  BELL  (Franklin,  Penn.) 


Steinway  Pianoforte 


NEW  ENGLAND 
CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  Director 


CONCERT 

by 

The  Conservatory  Orchestra 

AND 

The  Conservatory  Chorus 


JORDAN  HALL 

FRIDAY,  APRIL  THE  TWENTY-SIXTH 
1929 


The  Conservatory  Orchestra 


AND 

The  Conservatory 

WALLACE  GOODRICH, 


Soloists  : 


Chorus 

Conductor 


RULON  Y.  ROBISON,  of  the  Faculty 
and  ADVANCED  STUDENTS 


PROGRAM 


I 


G.  W.  Chadwick  . Chorus  from  the  Columbian  Ode 

(for  the  opening  of  the  World's  Fair  held  at  Chicago  in  1892 ) 

Over  the  wide,  the  unknown,  far  to  the  shores  of  Ind, 

On  through  the  dark,  the  dark  alone,  like  a feather  blown  by  the  wind, 
Into  the  west  away,  sped  by  the  breath  of  God, 

Seeking  the  clearer  day  where  only  His  feet  have  trod. 

From  the  past  to  the  future  we  sail,  we  slip  from  the  leash  of  kings; 
Hail ! spirit  of  Freedom,  Hail ! Hail ! 

Hail ! Hail ! unfurl  thine  impalpable  wings, 

Receive  us,  protect  us  and  bless  thy  knights  who  brave  all  for  thee. 
Though  death  be  thy  soft  caress  by  that  touch  shall  our  souls  be  free. 
Hail ! spirit  of  Freedom,  Hail ! 

Onward  and  ever  on  till  the  voice  of  despair  is  stilled, 

Till  the  haven  of  peace  is  won,  and  the  purpose  of  God  fulfilled. 

HARRIET  MONROE. 


Arthur  Foote  . . One  of  Four  Character  Pieces 

after  the  Rubiayat  of  Omar  Khayyam 

A Book  of  Verses  underneath  the  Bough , 

A Jug  of  Wine , a Loaf  of  Bread — and  Thou 
Beside  me  singing  in  the  Wilderness — 

Oh,  Wilderness  were  Paradise  enow ! 


J.  S.  Bach  ....  Chorale  from  the  Cantata : 

Herz  und  Mund  und  That  und  Leber 
(B.  G.  147) 

Jesus  bleibet  meine  Freude, 

Meines  Herzens  Trost  und  Saft. 

Jesus  wehret  allem  Leide, 

Er  ist  meines  Lebens  Kraft, 

Meiner  Augen  Lust  und  Sonne, 

Meiner  Seele  Schatz  und  Wonne. 

Darum  lass’  ich  Jesum  nicht 
Aus  dem  Herzen  und  Gesicht. 


Georg  Henschel  . Morgenhymne 

Bald  ist  der  Nacht  ein  End’  gemacht; 

Schon  ftihl  ich  Morgenlufte  wehen  ; 

Der  Herr,  der  spricht  “Es  werde  Licht” ! 

Da  muss  was  dunkel  ist,  vergehen. 

Vom  Himmelszelt  durch  alle  Welt  ^ 

Die  Engel  Freude-jauchzend  fliegen; 

Der  Sonne  Strahl  durchflammt  das  All, 

Herr,  lass’  uns  kampfen,  lass’  uns  siegen. 

R.  REINICK. 


Wagner Aria  from  Die  Walkure: 

Winterstiirme  wichen  dem  Wonnemond 


Mr.  ROBISON 


Ernest  Schelling  . A Victory  Ball  ( After  the  poem  by  Alfred  Noyes) 

A Bacchanale  Traversed  by  a Vision 

A Vision  of  troops  marching  on  irresistibly,  inexorably — 

Nothing  stops  them  — not  those  who  fall  by  the  way — 

Not  those  whose  fate  is  written  in  fiery  stormy  skies. 

On  they  march  to  victory  or  disaster — in  either  case  desolation  — 
suffering  — death. 


Wilhelm  Gericke  . Chorus  of  Homage 


Nightingales  sang  yesterday, 

Now  the  larks  are  singing, 

Mystic  meaning  has  the  lay, 
New-born  rapture  bringing. 

Spring-time ! what  a magic  spell 
Through  the  soul  is  going ! 

And  hushed  Nature  heard  it  swell, 
All  the  buds  are  growing. 


Bearing  blessings  o’er  the  Earth, 
Rings  the  wondrous  story, 

While  in  mortal  hearts  have  birth 
Echoes  of  its  glory. 

Sunlight  dances  in  the  skies 
When  two  hearts  are  plighted, 
Thro’  the  gates  of  Paradise 
Float  the  pair  united. 


May  bells,  too,  a dainty  chime 
To  the  twain  are  sending; 

Love  that  blooms  in  violet  time 
Finds  no  wintry  ending. 


TR.  LOUIS  C.  ELSON. 


Vincent  d’Indy  . . La  Chevauchee  du  Cid 

Scene  hispano-moresqne 

Ma  cavale  et  ma  lance ! 

Sus  au  More  et  vengeance  ! 

Casque  au  front,  dague  au  poing, 

Cuirasse  sur  pourpoint ! 

Foudre  et  sang  que  d’armures! 

Que  de  belles  blessures ! 

Ho,  Ho,  Hop  ! Au  galop  ! 

Sus  aux  fils  du  noir  Chamelier, 

Reprenons  a ces  races  viles 

Nos  champs  d’or  et  nos  blanches  villes. 

Ho ! Seigneur  Cavalier ! En  avant ! 

Criniere  echevelee, 

Pousse  dans  la  melee, 

Mes  eperons  sanglants 
Vont  labourer  tes  flancs. 

Tu  fremis  sous  la  bride, 

Et  ton  beau  col  se  ride. 

Ho,  Ho,  Hop  ! Au  galop  ! 

Nos  bras,  en  amoureux  collier, 

T’enlaceront  avec  folie ; 

Tu  choisiras  la  plus  jolie, 

O gentil  Cavalier. 

Vois  lk-bas  leur  croissant  briber 
Ou  nos  pennons  brillaient  naguere; 

Pousse  ton  bon  cheval  de  guerre. 

En  avant,  Seigneur  Cavalier ! 

Comme  un  rayon  d’orage, 

Dans  l’essaim  plein  de  rage 
Des  dards  mortels  et  prompts 
Nous  dtincelerons; 

Ho-la ! La  trompe  sonne, 

En  avant,  ma  lionne  ! 

Ho,  ho ! Au  galop ! 

ROBERT  DE  BONNIILRES. 


% 


Baritone  Solo: 

thomas  McLaughlin 


Iaint-Saens 


Jmetana 


Final  scene  of  Act  I.,  Samson  et  Dalila 

Chorus  of  Philistine  Maidens:  Trio 
Dance  of  the  Priestesses  of  Dagon 
Aria:  “Printemps  qui  commence” 

MARION  WARFIELD 
Mr.  ROBISON 

Mr.  McLaughlin 


. . Overture  to  Die  Verkaufte  Braut 


JORDAN  HALL  EXITS 


FLOOtt 


BALCONY 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  April  27,  1929,  at  1:05 


Beethoven  . 

Saturday  Recital 

m 

PROGRAM 

. . . Trio  in  D major,  op.  9,  no.  2, 

for  Violin,  Viola,  and  Violoncello 

Allegretto 
Andante 
, Menuetto 
Rondo 

HARRY  DICKSON  (Dorchester) 

GEORGE  HUMPHREY  (Mingo  Junction,  Ohio) 

EDWIN  STUNTZNER  (Attleboro) 

J.  S.  Bach  . 

. . . Prelude  and  Fugue 

(Well  Tempered  Clavichord,  Vol.  2,  no.  9) 

DOROTHY  ROSS  (Jamaica  Plain) 

Puccini  . . 
Meyerbeer  . 

. . . uO  mio  babbino  caro”  from  Gianni  Schicchi 
. . . “ Addio,  .terra  nativa”  from  L’Africana 

GERTRUDE  BENSON  (Brighton) 

Grieg  . . . 

. . . Hochzeitstag  auf  Troldhaugen 
ADELLE  CALLENDER  (Boston) 

Chopin  . . 

. . . Scherzo  in  B minor 

HENRY  CLAY  (Brownsville,  Texas) 

Brahms  . . 

. . . Finale  of  the  Pianoforte  Trio  in  C minor, 

op.  101 

BARBARA  WHITMAN  (Bangor,  Maine) 

MAUD  SISSON  (Charleston,  S.  C.) 

FAITH  DONOVAN  (Bangor,  Maine) 

Steinway  Pianoforte 


The  Vignettes  of  1929 

‘ Presented  by 

Beta  Chapter,  Mu  Phi  Epsilon 


April  the  twenty-ninth 
1929 


Recital  Hall 


8:15  P.  M. 


Program 


i.  The  Boston  Women’s  Sympathy  Orchestra 


2.  The  Jousting  Jesters 


CAROLYN  EUBANKS 
ELIZABETH  TRAVIS 


3.  The  Ghastly  Octet 

Featuring  uThe  Danse  Macabre”  by  Saint  Saens 
Arranged  for  String  Quartet  by  Ruth  Austen 


4.  Raggedy  Ann  and  Raggedy  Andy 

RUTH  LOBAUGH 

DOROTHY  PIKE 

MAE  TAYLOR,  “Little  Girl” 


Program 


5.  Romeo  and  Juliet  uas  she  never  was  before” 

Isabel  McDonald 
RUTH  AUSTEN 


6.  Old  Chestnuts  Revue 


7.  Triangle  Song 


<iAll  are  most  (Cordially  Incited  to  remain  for 
‘ Dancing  and  Refreshments 
in  Rrown  Jfall 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  May  2,  1929,  at  4:05  o’clock 

Thursday  Recital 

PR OG RAM 

Rachmaninov  . . Prelude  in  G major 

VIRGINIA  BLAKENEY  (Monroe,  N.  C.) 

Donaudy  ....  Come  l’allodoletta 
Handel Come  and  trip  it 

HELEN  CHAMBLEE  (Red  Oak,  N.  C.) 

Chopin Etude  in  F minor,  op.  25,  no.  2 

REVA  FINKS  (Portland,  Maine) 

Bruch  . . ...  . Andante  from  the  Violin  Concerto  in  G minor 

T.  WILLIAM  REIVO  (Fitchburg) 

Debussy Arabesque  in  G major 

RUBY  LEONG  (Honolulu,  H.  I.) 

Chopin Etude  in  C^  minor,  op.  25,  no.  7 

FRANCES  MASSEY  (Ocala,  Fla.) 

Carpenter  ....  May  the  maiden 
Paisiello Chi  vuol  la  Zingarella 

RUBY  O.  GUNTHER  (Toledo,  Ohio) 

Albeniz Zortzico 

VIRCINIA  KIMBALL  (75  Banks  Road,  Swampscott) 


Steinway  Pianoforte 


NEW  ENGLAND ' CONSERVATORY  OF  MUSIC 


GEORGE  W.  BROWN  HALL 


Thursday  Evening,  May  2,  1929,  at  8:15 


- 

VIOLIN  RECITAL 

by 

I ONE  COY 

Class  of  1925 
assisted  by 

RUTH  CULBERTSON,  Pianoforte  Accompanist 
Class  of  1926 

AND 

EDWARD  JENKINS,  Pianoforte 
Class  of  1926 

Brahms 

PROGRAM 

. . . . • Sonata  in  G major 

Vivace,  ma  non  troppo 
Adagio 

Allegro  molto  moderato 

Jenkins 

Sonata  Fantaisie  for  Violin  and  Pianoforte 

Bach  . 

Arioso 

Hubay 

Zephyr 

Strauss 

Rimsky-Korsakov  . Hymn  to  the  Sun  (. Arr . Franko 
Novacek Perpetuum  mobile 


The  P i a n o f o r t e ' i s a Steinway 


JA(V'te’  England  Conservatory  of  <dhCusic 


CONCERT 

by  the 

CHORAL  CLASS 

of  the  Department  of  Public-School  Music 
and  the 

ORCHESTRAL  CLASS 

Francis  Findlay,  Conductor 


%%  ■ 


JORDAN  HALL 

FRIDAY  EVENING,  MAY  THE  THIRD 

NINETEEN  hundred  and  twenty-nine 
at  8:15 


Mozart 


Chadwick  . . 
Chadwick  . . 
Mabel  Daniels 


Beethoven  . . 
Stanford  . . 


'Program 

Overture  to  Don  Giovanni 


Choruses  with  orchestra 
. . Commemoration  Ode 

. . Fathers  of  the  Free 
. . Peace  with  a Sword 


Violin  solo  with  orchestra 

Romance  in  F 
HARRY  DICKSON  (1929) 


. . Phaudrig  Crohoore 
Irish  Ballad for  chorus  and  orchestra 


Texts  of  the  (fhoral  ^Pieces 

*8?  *8? 

COMMEMORATION  ODE 

From  the  poem  by  James  Russell  Lowell 

Salute  the  sacred  dead, 

Who  went  and  who  return  not. 

Say  not  so,  say  not  so! 

We  rather  seem  the  dead, 

That  stay’d  behind. 

Blow,  trumpets,  blow! 

All  your  exultations  blow! 

For  never  shall  their  aureoled  presence  lack: 
They  come,  they  come  transfigured  back, 
Secure  from  change  in  their  high-hearted  ways. 

Beautiful  evermore, 

And  with  the  rays  of  morn 

On  their  white  shields  of  expectation, 

Beautiful  evermore. 


FATHERS  OF  THE  FREE 

Elmer  Ellsworth  Brown 

With  kindling  hearts  again  we  tread 
The  pathway  of  the  mighty  dead, 

Where  meet  and  pass  their  spirits  high 
Who  tasting  death  disdained  to  die. 

We  hail  thee,  fathers  of  the  free 
And  prophets  of  our  destiny, 

Who  from  their  starry  heights  control 
The  tides  that  flood  a nation’s  soul. 

In  high  humility  we  claim 
Our  birthright  in  their  hallowed  fame. 
With  widening  vision  we  would  rise 
To  the  horizon  of  their  eyes. 

God  of  our  Fathers,  grant  that  we 
Who  keep  their  sacred  memory 
Fail  not  when  prophecy  again 
Shall  smite  and  rouse  the  souls  of  men. 


PEACE  WITH  A SWORD 
Abbie  Farwell  Brown 

Peace ! how  we  love  her  and  the  good  she  brings 
On  broad,  benignant  wings! 

And  we  have  clung  to  her,  how  close  and  long, 
While  she  has  made  us  strong. 

Now  we  must  guard  her,  lest  her  power  cease 
And  in  the  harried  world  be  no  more  peace ; 

E’en  with  a sword, 

Help  us,  O Lord ! 


For  us  no  patient  peace,  the  weary  goal 
Of  a war-sickened  soul. 

No  peace  flung  to  us  from  a tyrant’s  hand, 

Sop  to  a servile  land. 

No  peace  bending  the  knees  before  a calf  of  gold, 
With  nerveless  fingers  impotent  to  hold 
The  freeman’s  sword, 

Not  this  — O Lord! 


America’s  strong  arm  holds  high  and  free 
That  “placid  peace  we  seek  in  liberty” ; 
Yea,  with  a sword 
Help  us,  O Lord! 


Unfurl  the  banners  that  defied  a king, 
Then  tattered  colors  bring 
That  made  the  nations  one  from  sea  to  sea 
In  godly  liberty. 

To  peace  at  last  in  lands  from  horror  freed, 
America,  your  conq’ring  armies  lead! 

Won  by  the  sword! 

Thy  peace,  O Lord! 


PHAUDRIG  CROHOORE 
( Patrick  O'Connor) 

J.  Sheridan  Le  Fanu 

Oh!  Phaudrig  Crohoore  was  the  broth  of  a boy 
An’  he  stood  six  feet  eight; 

An’  his  arm  was  as  round  as  another  man’s  thigh  — 

Tis  Phaudrig  was  great ! 

An’  his  hair  was  as  black  as  the  shadows  of  night, 

An’  hung  over  the  scars  left  by  many  a fight; 

An’  his  voice,  like  the  thunder,  was  deep,  strong,  and  loud, 
An’  his  eye  like  the  lightning  from  under  the  cloud. 

An’  all  the  girls  liked  him,  for  he  could  spake  civil, 

And  sweet  when  he  liked  it,  for  he  was  the  divil, 

An’  there  wasn’t  a girl  from  thirty-five  under, 

Divil  a matter  how  cross,  but  he  could  get  round  her. 

But  of  all  the  sweet  girls  that  smiled  on  him,  but  one, 

One  was  the  girl  of  his  heart. 

An’  he  loved  her  alone; 

For  warm  as  the  sun,  as  the  rock  firm  and  sure, 

Was  the  love  of  the  heart  of  Phaudrig  Crohoore, 

An’  he’d  die  for  one  smile  from  his  Kathleen  O’Brien, 

For  his  love,  like  his  hatred,  was  strong  as  the  lion. 

But  Michael  O’Hanlon  loved  Kathleen  as  w^ell 
As  he  hated  Crohoore,  an’  that  same  was  like  hell. 

But  O’Brien  liked  him,  for  they  were  the  same  parties, 

The  O’Briens,  O ’Hanlons,  and  Murphys  and  Cartys, 

An’  they  all  went  together  and  hated  Crohoore, 

For  it’s  many’s  the  batin’  he  gave  them  before. 

An’  O’Hanlon  made  up  to  O’Brien,  and  says  he, 

“I’ll  marry  your  daughter  if  you’ll  give  her  to  me.” 

An’  the  match  was  made  up,  an’  when  Shrovetide  came  on, 
The  company  assembled,  three  hundred  if  one. 

There  was  all  the  O ’Hanlons,  an’  Murphys,  an’  Cartys, 

An’  the  young  boys  and  girls  of  all  of  them  parties. 

The  O’Briens,  of  course,  gathered  strong  on  that  day, 

An’  the  pipers  and  fiddlers  were  tearin’  away; 

There  was  roarin’  an’  jumpin’,  an’  jiggin’,  an’  dingin’, 

An’  jokin’,  an’  blessin’,  an’  kissin’,  an’  singin’, 

An’  they  wor  all  laughin’,  why  not,  to  be  sure? 

How  O’Hanlon  came  inside  of  Phaudrig  Crohoore. 

An’  they  talk’d,  an’  they  laugh’d  the  length  of  the  table, 
Atin’  an  drinkin’  all  while  they  were  able; 

An’  with  pipin’  an’  fiddlin’  an’  roarin’  like  thunder, 

Your  head  you’d  think  fairly  was  splittin’  asunder. 


An’  the  priest  call’d  out,  “Silence,  ye  blackguards,  agin,” 

An’  he  took  up  his  prayer-book,  just  goin’  to  begin, 

An’  they  all  held  their  tongues  from  their  funnin’  an’  bawlin’, 

So  silent,  you’d  notice  the  smallest  pin  failin’. 

And  the  priest  was  just  beginnin’  to  read 

When  the  door  sprang  back  to  the  wall,  an’  in  walked  Crohoore. 

An’  he  walked  slowly  up,  watch’d  by  many  a bright  eye, 

As  a black  cloud  moves  on  thro’  the  stars  of  the  sky, 

An’  none  strove  to  stop  him,  for  Phaudrig  was  great, 

’Till  he  stood,  all  alone,  just  opposite  the  sate, 

Where  O’Hanlon  and  Kathleen,  his  beautiful  bride, 

Were  sittin’  so  illigant  out  side  by  side. 

An’  he  gave  her  one  look  that  her  heart  almost  broke, 

An’  he  turned  to  O’Brien,  her  father,  and  spoke, 

An’  his  voice,  like  the  thunder  was  deep,  strong,  and  loud 
An’  his  eye  shone  like  lightning,  from  under  the  cloud. 

“I  did  not  come  here  like  a tame,  crawlin’  mouse, 

But  I stand  like  a man  in  my  enemies’  house, 

In  the  field,  on  the  road,  Phaudrig  never  knew  fear 
Of  his  foemen,  an’  God  knows  he  scorns  it  here, 

So  lave  me  at  aise,  for  three  minutes  or  four, 

To  spake  to  the  girl  I’ll  never  see  more.” 

And  to  Kathleen  he  turn’d,  an’  his  voice  changed  its  tone, 

For  he  thought  of  the  days  when  he  called  her  his  own, 

An’  his  eye  blazed  like  lightning  from  under  the  cloud 
On  his  false-hearted  girl,  reproachful  and  proud, 

An’  says  he,  “Kathleen  bawn,  is  it  true  what  I hear, 

That  you  marry  of  your  free  choice  without  threat  or  fear? 

If  so,  spake  the  word,  an’  I’ll  turn  an’  depart, 

Cheated  once,  an’  once  only  by  woman’s  false  heart.” 

Oh,  sorrow  and  love  made  the  poor  girl  dumb, 

An’  she  tried  hard  to  spake,  but  the  words  wouldn’t  come; 

For  the  sound  of  his  voice,  as  he  stood  there  forninst  her, 

Went  cold  on  her  heart,  as  the  night  wind  in  winter, 

An’  the  tears  in  her  blue  eyes  stood  tremblin’  to  flow, 

An’  pale  was  her  cheek,  as  the  moonshine  on  snow. 

Then  the  heart  of  bold  Phaudrig  swell’d  high  in  its  place, 

For  he  knew  by  one  look  in  that  beautiful  face 

That,  tho’  strangers  and  foemen  there  pledged  hands  might  sever, 

Her  true  heart  was  his,  an’  his  only,  forever. 

An’  he  lifted  his  voice  like  the  eagle’s  hoarse  call, 

An’,  says  Phaudrig,  “She’s  mine  still,  in  spite  of  you  all!” 

Then  up  jump’d  O’Hanlon,  an’  a tall  boy  was  he, 

An’  he  look’d  on  bold  Phaudrig  as  fierce  as  could  be, 


An’,  says  he,  “By  the  holy,  before  you  go  out, 

Bold  Phaudrig  Crohoore,  you  must  fight  for  a bout.” 
Then  Phaudrig  made  answer,  “I’ll  do  my  endeavor!” 

An’  with  one  blow  he  stretched  bold  O’Hanlon  forever. 

In  his  arms  he  took  Kathleen,  an’  stepped  to  the  door, 
An’  he  leaped  on  his  horse  an’  he  flung  her  before, 

An’  they  all  were  so  bother’d  that  not  a man  stirred 
’Till  the  galloping  hoofs  on  the  pavement  were  heard, 
And  up  they  all  started,  like  bees  in  a swarm, 

An’  they  riz  a great  shout,  like  the  burst  of  a storm ; 

An’  they  roar’d,  an’  they  ran,  an’  they  shouted  galore, 
But  Kathleen  and  Phaudrig,  they  never  saw  more. 

But  them  days  are  gone  by,  an’  he  is  no  more, 

An’  the  green  grass  is  growin’  o’er  Phaudrig  Crohoore. 
For  he  could  not  be  aisy  or  quiet  at  all: 

As  he  lived  a brave  boy,  he  resolved  so  to  fall; 

An’  he  took  a good  pike,  for  Phaudrig  was  great, 

An’  he  fought,  an’  he  died,  in  the  year  ’ninety-eight. 

An’  the  day  that  Crohoore  in  the  green  field  was  killed, 
A strong  boy  was  stretch’d,  an’  a strong  heart  was  still’d. 


New  England  Conservatory  of  Music 


RECITAL  HALL 

t 

Saturday  Afternoon,  May  4,  1929,  at  1:05 

Saturday  Recital 

% 

PROGRAM 

Giordani Caro  mio  ben 

Salvator  Rosa  . . . Vado  ben  spesso 

RONALD  FINDLAY  (Boston) 

Haydn Variations  in  F minor 

CECILY  RICHARDSON  (Blythe  Dale,  Bermuda) 

Beethoven First  movement  of  the  Violoncello  Sonata 

in  F major,  op.  17 

CORINNE  SUTHERLAND  (North  Attleboro) 

. OLIVE  WILBUR  (Lansing,  Mich.) 

Brahms Intermezzo  in  Eb  major 

( Schlaf’sanft , mein  Kind’ 1} 

ELIZABETH  WEEMS  (Shubuta,  Miss.) 

Bach  Air  for  Violin 

Chaminade-Kreisler  . Serenade  espagnole 

ALFRED  KISHKIS  (South  Boston) 

Heller  Etude  no.  2 on  Der  Freischutz 

FLORENCE  TOWLE  (Portland,  Maine) 

Bruch Adagio  and  Finale  from  the  Violin  Concerto 

in  G minor 

MARGARET  CLARK  (Worcester) 

Chopin Scherzo  in  B minor 

HENRY  CLAY  (Brownsville,  Texas) 


Steinway  Pianoforte 


ANNUAL 


“POPS” 

CONCERT 

(§igma  <ijilpha  lota 


GEORGE  W.  BROWN  HALL 
MONDAY  EVENING,  MAY  THE  SIXTH 

NINETEEN  HUNDRED  AND  TWENTY-NINE 

8 :jo  until  i 


Program 


FINNISH 


SYLVIA  ENGSTROM 


ORIENTAL 

Vocal  Solo:  ALICE  RITCH 
Dance:  DOROTHY  EASTMAN 

Vere  Melone,  Frances  Massey,  Burdette  Couts 
Eleanor  Packard 
(National  Folk-Songs  used) 


DUTCH 


RUBY  GUNTHER 


ITALIAN 

(a ) NAOMI  TROMBLEY  FAITH  DONOVAN 

ELEANOR  PACKARD 

( b ) “Carnival  of  Venice” 

BERNADETTE  and  JEANNETTE  GIGUfiRE 


Program 


V.  SOUTHERN 

ALICE  RITCH  and  LILLIAN  PERRON 


vi.  CZECHO-SLAVAKIAN 

Soloists:  DOROTHY  WELDAY 
RUBY  GUNTHER 
Dorothy  Dummer,  Doris  Peterson 
(National  Folk-Songs  used) 


CHINESE 


RUTH  COLLINS 


Stage  Settings,  Ippocrates  Pappoutsakis 


(Chaperones 

% 

Mrs.  Blanche  Sawyer 
Mrs.  Charles  Glaster 
Mrs.  Adeline  Ferguson 


New  England  Conservatory  of  Music 


GEORGE  W.  BROWN  HALL 
Tuesday  Evening,  May  7,  1929,  at  8:15  o’clock 

SONG  RECITAL 

by 

MAURINE  PALMER,  Contralto 

(Mrs.  David  Blair  McClosky) 

(Class  of  1929,  Collegiate ) 

Elsie  Wild  ScHRiFTGiESSER,  Pianoforte  Accompanist 

PROGRAM 

Stradella  ....  Pieta,  Signore 
Sarri Sen  corre  l’agnelletta 


Chausson  . . . . Le  temps  des  Lilas 

Fourdrain  ....  Alger!  Le  soir 
Poldowski  ....  L’heure  exquise 

Masse Chanson  du  Tigre,  from  Paul  et  Virginie 


Brahms Sapphische  Ode 

Hugo  Wolf  . . . Der  Freund 

Brahms Der  Tod,  das  ist  die  kiihle  Nacht 

Hugo  Wolf  . . . Er  ist’s 


Ballantine  . . . My  Star 

Carpenter  ....  The  sleep  that  flits  on  babys’  eyes 

Carew Sunday 

Clokey When  Mother  sings 

Chadwick  ....  Sweetheart,  thy  lips  are  touched  with  flame 


Mason  & Hamlin  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  May  9,  1929,  at  4:05  o’clock 

Thursday  Recital 

PR  O G RAM 

Bach Prelude  and  Fugue  in  G minor 

KITTY  WOODS  (Harrisville,  W.  Va.) 

Schumann  ....  Des  Abends 

MARTHA  GOSS  (York  Village,  Maine) 

Gounod Aria  from  Cinq^mars:  O splendida  notte 

Felicien  David  . . Aria  from  La  Perle  du  Bresil: 

Charmant  oiseau 

ESTHER  SANDS  (Port  Chester,  N.  Y.) 

Chopin Prelude  in  Db  major,  op.  28,  no.  15 

Palmgren  ....  May  night 

DOROTHY  EASTMAN  (San  Diego,  Calif.) 

Debussy Prelude 

BURDETTE  COUTS  (Bucyrus,  Ohio) 

James  Rogers  . . . Autumn 
Woodman  ....  All  the  world’s  in  love 

DOROTHY  WELDAY  (Steubenville,  Ohio) 

Debussy Valse,  La  plus  que  lente 

MARTHA  OWEN  (Youngstown,  Ohio) 


Steinway  Pianoforte 


NEW  ENGLAND  CONSERVATORY  OF  MUSIC 


JORDAN  HALL 

Friday  Evening,  May  io,  1929,  at  8:15 


CONCERT 

by 

ADVANCED  STUDENTS 


PR  0 G RA M 

Bach Prelude  in  C minor,  for  the  Organ 

RUTH  K.  BLECKER  (Lebanon,  Penn.) 

Cesar  Franck  . . La  procession 

Moret Joli  berger 

Besly Time,  you  old  gypsy  man 

DOROTHY  DUMMER  (Rockport) 


Debussy  . . 


MacMillen 

Hubay 


DE  SEVERAC  . 


. . La  terrasse  des  audiences  au  clair  de  lune 

LAURA  SHIELDS  (St.  Johnsbury,  Vt.) 


4 


for  Violin 


Barcarolle 
Hejre  Kati 

EDITH  STEVENS  (Beverly) 


. . Les  baigneuses  au  soleil 

MILDRED  KING  (Nashville,  Tenn.) 


Schubert  ....  Du  bist  die  Ruh’ 

Brahms Erinnerung 

Hugo  Wolf  . . . Verborgenheit 

GEORGE  GARLAND  (Exeter,  N.  H.) 

Elizabeth  Schulz  . Fete  mauresque 

ELIZABETH  SCHULZ  (Dorchester) 


Cesar  Franck  . . Chorale  in  B minor,  for  the  Organ 

MARJORIE  JOHNSTON  (Mittineague) 

Chopin Fantasie  in  F minor 

AMELIA  LA  VINO  (Cambridge) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


Horatio 


Brahms 


Spohr 


Debussy 


Dvorak 


Debussy 
Ibert  . 


RECITAL  HALL 

rday  Afternoon,  May  ii,  1929,  at  1:05 


Saturday  Recital 


PROGRAM 

Parker  . First  and  second  movements  of  the  Suite 
in  A minor  for  Pianoforte, 

Violin,  and  Violoncello 

RAY  GORDON  (Boston) 

CAROLINE  PAUL  (Port  Royal,  S.  C.) 

OLIVE  WILBUR  (Lansing,  Mich.) 


Rhapsody  in  G minor 

EVA  GARR  (Winthrop) 

First  movement  of  the  Eighth  Violin  Concerto 

( Gesangsscena ) 

LOUIS  PERULLO  (Revere) 

Clair  de  lune 

CONSTANCE  CARLEZON  (Boston) 

First  and  second  movements  of  the 

String  Quartet  in  F major,  op.  96 

I.  FLORENCE  LEACH  (Wauregan,  Conn.) 

DORIS  COWAN  (South  Hadley  Falls) 

JAMES  ULMER  (Los  Angeles,  Calif.) 

VIOLET  HIRSH  (Brighton) 

II.  JENNIE  CANT  (Roxbury) 

DORIS  COWAN  (South  Hadley  Falls) 

JAMES  ULMER  (Los  Angeles,  Calif.) 

FLORENCE  LEACH  (Wauregan,  Conn.) 

The  little  shepherd 

The  giddy  girl 

NEONA  TOWNE  (Dover-Foxcroft,  Maine) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Tuesday  Afternoon,  May  14,  at  2:00  p.  m. 

CONCERT 

By 

CANDIDATES  FOR  THE  SOLOISTS’  DIPLOMA 

AND 

ADVANCED  STUDENTS 

Accompanied  by 

The  Conservatory  Orchestra 

WALLACE  GOODRICH,  Conductor 
PR  O G R A M 

Paderewski  . . . First  movement  of  the  Concerto  in  A minor 

for  Pianoforte  and  Orchestra 

ISABEL  G.  CROCKFORD  (Petersburg,  Va.) 

Grieg Second  and  third  movements  of  the  Concerto 

in  A minor  for  Pianoforte  and  Orchestra 
DONALD  Van  WART  (Malden) 

Louis  Aubert  . . . Fantaisie,  for  Pianoforte  and  Orchestra 

MIRIAM  L.  WILLOUGHBY  (Altoona,  Penn.) 


Rimsky-Korsakov  . Concerto  in  Cjj  minor  for  Pianoforte  and 

Orchestra 

ELEANOR  PACKARD  (West  Somerville) 

Puccini Aria  from  La  Boheme:  Mi  chiamano  Mimi 

RUTH  LAHAN  (Fall  River) 

Saint-Saens  . . . Africa.  Fantaisie  for  Pianoforte  and  Orchestra 

MILDRED  LEVINSON  (Roxbury) 

Rachmaninov  . . Second  movement  of  the  Concerto 

in  Fjf  minor  for  Pianoforte  and  Orchestra 
AMELIA  LAVINO  (Cambridge) 

Liszt Concerto  in  Eb  major  for  Pianoforte  and 

Orchestra 


IRVING  D.  BARTLEY  (Canaan,  N.  Y.) 


The  Pianoforte  is  a Mason  & Hamlin 


New  England  Conservatory  of  Music 


GEORGE  W.  BROWN  HALL 
Tuesday  evening,  May  14,  1929,  at  8:15 


VIOLIN  RECITAL 

h 


MARGARET  CLARK 


Class  of  1925 


assisted  by 

RUTH  CULBERTSON,  Pianist 
Class  of  1926 


%% 

TR  OGRAM 

Brahms Sonata  in  D minor,  op.  108 

Allegro 

Adagio 

Un  poco  presto  e con  sentimento 
Presto  agitato 


Bruch Concerto  in  G minor,  op.  26 

II.  Adagio 
III.  Allegro  energico 


Bach-Kreisler  . . Gavotte  in  E major 


Bach Arioso 

Sarasate  ....  Romanza  andaluza 

de  Falla  ....  Jota 


Mason  & Hamlin  Pianoforte 


New  England  Conservatory  of  Music 


BROWN  HALL 

Wednesday  Evening,  May  15,  1929,  at  8:15 


CONCERT 

by  the 


FELDMAN  STRING  QUARTET 

MORRIS  FELDMAN  . . First  violin 

CYRIL  SAUNDERS  . . Second  violin 

ROBERT  MACDONALD  . Viola 
JOSEF  SUTER  ....  Violoncello 


PROGRAM 

Beethoven  ....  Quartet  in  A major,  op.  18,  no.  5 

Allegro 
Menuetto 
Andante  cantabile 
Allegro 

Darius  Milhaud  . Quatuor  a cordes 

Rvthmique 
Intime,  contenu 
Vif,  tres  rythme 

Haydn  Quartet  in  D major,  op.  64,  no.  5 

Allegro  moderato 
Adagio  cantabile 
Menuetto  (allegretto) 

Finale  (vivace) 


New  England’ Conservatory  of  Music 


RECITAL  HALL 

* 

Thursday  Afternoon,  May  16,  1929,  at  4:05  o’clock 

Students’  Recital 

PROGRAM 

Mozart  .....  Minuet  and  Rondo  alia  turca,  from  the 

Pianoforte  Sonata  in  A major 

REA  BUCKLEY  (Owosso,  Mich.) 

Nardini Allegro  moderato,  for  violin 

JAMES  H.  ULMER  (Los  Angeles,  Calif.) 

MacDowell  . . .To  the  sea 
Starlight 
In  mid-ocean 

MADELIENE  BROOKS  (Johnston,  R.  I.) 

Mozart Duet  from  Don  Giovanni: 

La  ci  darem  la  mano 

ESTHER  SANDS  (Port  Chester,  N.  Y.) 

JOHN  SHELDON  (Bath,  Maine) 

Debussy  . . . . . La  danse  de  Puck 

EVELYN  LINCOLN  (Brockton) 

Poenitz Fantasie  for  two  harps 

ARTISS  de  VOLT  (Boston) 

PRISCILLA  SMITH  (Melrose  Highlands) 

Liszt Les  jeux  a la  Villa  d’Este 

ELLINOR  CARTER  (Portland,  Maine) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  May  18,  1929,  at  1:05 

Saturday  Recital 

1 

PROGRAM 

Brahms First  movement  of  the  Pianoforte  Trio 

in  B major,  op.  8 

EDNA  NITKIN  (Chelsea) 

MALCOLM  KNOTT  (Springfield) 

FAITH  DONOVAN  (Bangor,  Maine) 

Bach Prelude  in  Eb  minor 

DOROTHEA  GARLAND  (Gloucester) 

Brahms Capriccio  in  F$  minor 

ISOBEL  KYNOCH  (Williamstown,  Vt.) 

Chopin Polonaise  for  Violoncello  and  Pianoforte,  op.  3 

(edited  by  J.  Adamowski) 

MILDRED  LEVINSON  (Roxbury) 

FAITH  DONOVAN 

Chopin Mazurka  in  A minor,  op.  17,  no.  4 

Mazurka  in  Bb  minor,  op.  7,  no.  1 

EDNA  NITKIN 

Boellmann  ....  Variations  symphoniques,  for  Violoncello 

EDWIN  STUNTZNER  (Attleboro) 

Henschel  ....  The  spinning  wheel 
Bemberg II  passa 

EVELYN  LAMOREY  (Barre,  Vt.) 

Hoffman  ....  Cavatine,  for  Clarinet 

HELEN  KERR  (Elizabeth,  N.  J.) 

Mendelssohn  . . . Scherzo  of  the  Pianoforte  Trio  in  D minor, 

op.  49 

LOIS  LUTHER  (Brazil,  Ind.) 

MALCOLM  KNOTT  (Springfield) 

VIOLET  HIRSH  (Brighton) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


BROWN  HALL 

Tuesday  Evening,  May  21,  1929,  at  8:15 

RECITAL 

of  Compositions  for  Two  Violins 

h 

IONE  COY  and  CECILE  FOREST 

Accompanied  by 

MADELINE  MEREDITH,  Pianist 

‘ PROGRAM 

C.  Ph.  E.  Bach  . . Sonate 

Allegretto  amabile 

Andantino  semplice  ed  espressivo 

Allegro  con  brio 


Eugene  Goossens 


. Trio,  op.  6 

Impromptu 

Serenade 

Divertissement 


Florent  Schmitt  . Traversee  heureuse 
Scintillement 

Paul  Juon  . . . . Idylle 

Douleur 

Bizarrerie 


Vivaldi-Nachez  . Concerto  in  A minor 

Allegro 

Larghetto 

Allegro 


The  Pianoforte  is  a Steinway 


New  Eng 

land  Conservatory  of  Music 

RECITAL  HALL 

Thursday  Afternoon,  May  23,  1929,  at  4:05  o’clock 

Students’  Recital 


Bach  . . . 

‘ PROGRAM 
. . Prelude  and  Fugue  in  F minor 

BARBARA  WHITMAN  (Bangor,  Maine) 

Chopin  *.  . 

. . Nocturne  in  Bb  minor,  op.  9,  no.  1 

EUNICE  McCORMICK  (Newport,  R.  I.) 

Secchi  . . . 

Wagner  . . 

. . . Lungi  dal  caro  bene 

. . Traume 

DORIS  E.  PETERSON  (Lunenburg) 

Chaminade 

. . . Autumn 

MADELEINE  GUAY  (Swampscott) 

Cesar  Cui  . 

. . . Orientale 

HELENA  DRAKE  (Houlton,  Maine) 

Chopin  . . 

. . . Impromptu  in  Fff  major 

WAI  HING  LEI  (Canton,  China) 

Meyerbeer  . 
Griffes  . . . 

. . . Aria  from  Les  Huguenots:  Lieti,  Signor 

. . We’ll  to  the  woods  and  gather  may 

AZALEA  GARLAND  (Bridgton,  Maine)  » 

Leschetizky 

. . . Intermezzo  in  octaves 

EDWARD  HENNEBERRY  (Manchester) 

Steinway  Pianoforte 

1 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Friday  Evening,  May  24,  1929,  at  8:15 


PIANOFORTE  RECITAL 

by 


LAURA  GERTRUDE  SHIELDS 

Class  of  1 928 


PROGRAM 

Bach Prelude  and  Fugue  in  Bb  major 

Beethoven  ....  First  movement  of  the  Pianoforte  Sonata,  op.  54 

Chopin Berceuse 

Scherzo  in  E major 


Griffes Lake  at  evening 

Juon Intermezzo  grotesque 

Arensky Etude  in  Fjf  major 

Newsom Fairy  Legends 

The  Dusk  Fairies 
The  Dream  Fairies 

Debussy La  terrasse  des  audiences  du  clair  de  lune 


Liszt Ballade  no.  2 


Mason  & Hamlin  Pianoforte 


IA  r; 


j 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Saturday,  May  25,  1929,  at  12  o’clock 

DEMONSTRATION 

of  the  work  of  the 
CHILDREN’S  CLASSES 
under  the  direction  of 

SENIOR  STUDENTS  IN  PUBLIC-SCHOOL  MUSIC 

( Class  of  IQ2Q ) 

FRANCIS  FINDLAY,  Supervisor 


PROGRAM 

VIOLIN  CLASSES 
Class  1 A 

Herfurth  . . . . In  a Garden 

Italian Santa  Lucia 

CATHERINE  FERGUSON,  Instructor.  ANNA  CZURLES,  Accompanist 

Class  I B 

Position  and  Bow  Drills 
Foster  Old  Black  Joe 

MARTHA  BIRCHBY,  Instructor.  MERTON  RYLANDER,  Accompanist 

Class  I C 

Herfurth  ....  Waltz 
French  Song  . . . The  Clown 

MARION  KENNEDY,  Instructor.  LYDIA  TOLANDER,  Accompanist 


Class  2 

Spilman Flow  Gently,  Sweet  Afton 

Old  Melody 

Carey America 


ELEANOR  WALLACE,  Instructor.  CHRISTINE  WILSON,  Accompanist 


Class  3 

Gluck Musette 

Tchaikovsky  . . . Morning  Prayer 
Schumann  ....  Hunter’s  Song 

HAROLD  DODGE,  Instructor 


Bohm Introduction  and  Polonaise 


Violin  Solo:  EDWARD  MEEK.  RUTH  GROSS,  Accompanist 

FOLK  DANCING  AND  RHYTHM  CLASSES 
Class.  A B 
Rhythm  Drill 

Old  English  . . . Ring  a Ring  o’  Roses 

The  Holiday,  The  Mulberry  Bush 

LUCILLE  WILLIAMS,  Instructor.  ELINOR  SCRIBNER,  Accompanist 

Class  CD 

Rhythm  Drill 

Lithuanian  . . . Noriu  Miego 


Swedish Carrousel 

Danish Shoemaker’s  Dance 


ANNA  CZURLES,  Instructor.  MARGARET  TENNANT,  Accompanist 

Class  E 

Rhythm  Drill 

Beethoven  ....  Minuet  in  G 

MERTON  RYLANDER,  Instructor 

Class  F 

Rhythm  Drill 

Gaul Windflower 

LYDIA  TOLANDER,  Instructor 

Class  G 

Rhythm  Drill 

German  melody  . The  Pine  Tree 

MARTHA  BIRCHBY,  Instructor 


Class  EFG 

Swedish Gustave’s  Toast 

Swedish Tantoli 


Norwegian  . . . Mountain  March 

LYDIA  TOLANDER,  Instructor.  MARY  LONG,  Accompanist 


RHYTHM  ORCHESTRAS 


Class  i 

Anonymous  . . . The  Dancing  Lesson 
Anonymous  ....  Jump  Jim  Crow 

ELIZABETH  PRINCE,  Instructor.  MAURICE  MINARD,  Accompanist 

Class  2 

Smith Jackey  Frost 

German  tune  . . Point  Lightly,  Partner 

ANNA  CZURLES,  Instructor.  MARY  LONG,  Accompanist 


BUGLE  CLASS 

( Calls  to  be  announced ) 

MAURICE  MINARD,  Instructor 


Zeller Nightingale  Song 

Trumpet  Solo:  EDWARD  MEEK.  RUTH  GROSS,  Accompanist 


SINGING  CLASSES 
Class  A A 

Anonymous  ....  Shoemaker  Song 

Birge Fido  and  his  Master 

Bartholomew  . . Whip-poor-will 

Swinging  down  the  Lane  ( Orchestra ) 

RUTH  GROSS,  Instructor.  LUCILLE  WILLIAMS,  Accompanist 


Class  AB 

Weidig Little  White  Mouse 

Terhune  ....  I had  a little  Doggie 

Collin  Before  and  After  Dark 

ELINOR  SCRIBNER,  Instructor.  LUCILLE  WILLIAMS,  Accompanist 

Class  C 

Baum  . . ...  Fairy  Signals 

Allen Marching 

Earhart  ....  The  Meadowlark 


ELIZABETH  PRINCE,  Instructor.  ASSUNTA  De  FAZIO,  Accompanist 


Class  D 

Welsh  song  . . . All  through  the  Night 
French  song  . . . Before  the  Roses  Come 

Wendt Spring’s  coming 

ASSUNTA  De  FAZIO,  Instructor.  ELIZABETH  PRINCE,  Accompanist 

Class  E 

Baldwin Winter  Night 

MARION  KENNEDY,  Instructor 

Class  EF 

Beethoven  ....  Autumn  Dreams 
Sprague Lullaby 

MARION  KENNEDY,  Instructor.  LYDIA  TOLANDER,  Accompanist 

Class  F 

Russian  song  . . . The  Messenger 

Lally Spring  Signals 

LYDIA  TOLANDER,  Instructor.  MERTON  RYLANDER,  Accompanist 

Class  G 

Sullivan Lullaby  of  an  Infant  Chief 

Russian  song  . . . The  Troika  Bells 
Scottish  song  . . . Skye  Boat  Song 

MARGARET  TENNANT,  Instructor.  ELEANOR  WALLACE,  Accompanist 


ALL  SINGING  CLASSES  UNITED 

MAURICE  MINARD,  Conductor.  MARION  KENNEDY,  Accompanist 


Ward 


America  the  Beautiful  ( first  stanza) 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  May  25,  1929,  at  1:05 


Mendelssohn 

Saturday  Recital 

t 

PROGRAM 

. . . First  movement  of  the  Pianoforte  Trio 

in  D minor,  op.  49 

KATHERINE  VOORHEES  (Needham) 

MALCOLM  KNOTT  (Springfield) 

FAITH  DONOVAN  (Bangor,  Maine) 

Schumann  . 

. . . Novellette  in  F major 

LAWRENCE  GREENE  (Boston) 

Horsman 

. . . In  the  yellow  dusk 

The  bird  of  the  wilderness 

NADYNE  ROBERTS  WATERS  (Wyoming,  Ohio) 


Liszt  . . . 

. . . Gnomenreigen 

HENRY  CLAY  (Brownsville,  Texas) 

J.  S.  Bach 

. . . First  movement  of  the  Violin  Concerto 

in  E major 

CARLYLE  NELSON  (Visalia,  Calif.) 

Debussy  . . 

. . . General  Lavine  ( eccentric ) 

VIENNA  KANGAS  (Newport,  R.  I.) 

Mendelssohn 

. . . Scherzo  from  the  Pianoforte  Trio  in  C minor, 

op.  66 

EDWARD  O’HEARNE  (Quincy) 

HARRY  DICKSON  (Dorchester) 

FAITH  DONOVAN 

Saint-Saens 

. . . Toccata  in  F major 

ADELLE  CALLENDER  (Boston) 

Rubinstein  . 

.'  . . Finale  of  the  Pianoforte  Trio  in  Bb  major, 

op.  52 

WILLA  SEMPLE  (East  Florenceville,  Canada) 

HARRY  DICKSON 

OLIVE  WILBUR  (Lansing,  Mich.) 

The  Piano  forte  is  a Steinwav 

New  England  Conservatory  of  Music 


RECITAL  HALL 

Monday  Evening,  May  27,  1929,  at  8:15  o’clock 

CONCERT  OF 

ORIGINAL  COMPOSITIONS 

by 

Members  of  Kappa  Gamma  Psi  Fraternity 
PROGRAM 

Vincent  Morgan  . . First  movement  of  the  Pianoforte  Trio 

in  C minor 

MALCOLM  MARK 
ALEXANDER  MARK 
VINCENT  MORGAN 

Francis  Smith  . . . Lullaby 

Minuet  for  Violin  and  Piano 
Nocturne 

Alexander  Mark  . Two  Sketches  for  String  Quartet 

(a)  Celtic  Miniature 

(b)  Poeme 

MALCOLM  MARK 
DELWIN  SHAW 
GEORGE  HUMPHREY 
ALEXANDER  MARK 

Edward  O’Hearne  . Four  Songs 

( a ) Nocturne  in  a deserted  brickyard 

(Carl  Sandburg) 

( b ) Silver 
ALICE  ritch 

(r)  Song  (Richard  LeGallienne) 

( d ) Irish  Lullaby  (Edward  O’Hearne) 

FRED  STONE 

Suite  for  Flute 

(a)  Dance 

( b ) Mood 

(c)  Waltz 

JAMES  PAPPOUTSAKIS 

Earl  Clay  ....  Quartet  for  four  Trumpets 

CHARLES  PERRY 
BOWER  MURPHY 
CLEMENT  SCHULER 
EARL  CLAY 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Afternoon,  June  i,  1929,  at  1:05  o’clock 

Students’  ^cital 


J.S.  Bach  . 

PROGRAM 

. . . Prelude  and  Fugue  in  F minor 

LEAH  LAPPIN  (Dorchester) 

Franz  . . . 

R.  Strauss  . 

. . . Gute  Nacht 

. . . Zueignung 

MARGARET  HOGAN  (Worcester) 

J.  S.  Bach 

. . . Bourree  in  E major 

STANLEY  BENTLEY  (Milton) 

Wihtol  . . 

. . . Berceuse 

MONA  GREENE  (Harrison,  Maine) 

Lili  Boulanger  . . Nocturne,  for  Violin 


MAUDE  SISSON  (Charleston,  S.  C.) 

J.  S.  Bach 

. . . Prelude  in  F#  major 

ALICE  McKEOWN  (Hubbard  Woods,  111.) 

Chopin  . . 

. . . Polonaise  in  C minor 

PRISCILLA  DUNCAN  (Portsmouth,  N.  H.) 

Mendelssohn 

. . . First  movement  of  the  Pianoforte  Trio 

in  C minor,  op.  66 

ISOBEL  KYNOCH  (Williamstown,  Vt.) 

CECILIA  PAYESKA  (Winchester,  N.  H.) 

VIOLET  HIRSH  (Brighton) 

Steinway  Pianoforte 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  Director 


3ftt  itemortam 

HENRY  MORTON  DUNHAM 

A Member  of  the  Faculty 
1876-1929 


JORDAN  HALL 

Monday  Evening,  June  3,  1929,  at  8:15  o’clock 


Bach 


Dvorak 


Dunham  . 


Dunham 


Order  of  Exercises 

x 


. . . . Chorale-prelude  for  the  organ: 

An  Wasserfliissen  Babylon 
HOMER  HUMPHREY 


Two  movements  of  the  Quartet  in  F major, 
op.  96,  for  two  violins,  viola,  and  violoncello. 


I.  Allegro 

CfiCILE  E.  FOREST 
IONE  COY 

MARGARET  H.  CLARK 
HARRIET  CURTIS 

II.  Lento 

IONE  COY 
CECILE  E.  FOREST 
MARGARET  H.  CLARK 
HARRIET  CURTIS 

. , . . In  Memoriam,  for  the  organ 

HAROLD  SCHWAB 


Address  by  G.  W.  Chadwick,  T)irefior 


Sonata  in  G minor,  for  the  organ 
Allegro  moderato 
Adagio 

Allegro  molto 


WALLACE  GOODRICH 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Tuesday  Afternoon,  June  4,  1929,  at  4:00  o’clock 

RECITAL 

By 

PUPILS  OF  THE 

‘ Vocal  Normal  Department 

•8? 


PROGRAM 

Del  Riego  ....  Homing 

ETHEL  WATSON 

Treharne  ....  Corals 

ZELLA  MORRIS 

Donaudy  . . . . O del  mio  amato  ben 

RUTH  STRICKLAND 

Scott Lullaby 

BERTHA  B.  TRUSSELL 

Chadwick  ....  Dear  love,  when  in  thine  arms  I lie 


THELMA  CHRISTENSEN 

Reichardt  . . . Wenn  die  Rosen  bliihen 

ANNE  FISHMAN 


Brahms Cradle  song 

ELANOR  DI  PIETRO 

Wood Do  you  know  my  garden  ? 

LAURA  SCHRAGO 

Tosti Donna,  vorrei  morir 

EVELYN  SCHLAFER 

Friml At  twilight 

OLLY  DI  NAPOLI 

Huhn Invictus 


SAMUEL  LEVIN 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Tuesday  Evening,  June  4,  1929,  at  8:15 

JUNIOR  DEPARTMENT 

RECITAL  OF  VIOLIN  MUSIC 

by 

PUPILS  OF  RUTH  E.  AUSTEN 

% 

PROGRAM 

Dancla Little  Symphony,  op.  109,  no.  2,  for  two  Violins 

MELVIN  THORNER  and  HERBERT  SIMS 

Folk-Songs  ....  Song  of  Spring 
Loch  Lomond 

JAMES  CONLIN 

Gruenberg  ....  March 

ANNA  SILVERSTEIN 
Methfessel  . . . Joy  of  Youth 

Roeckel Mama’s  Favorite  Tune 

FRANCIS  SHEA 

Beriot  Melody 

Hartel Jolly  Uncle 

MARIAN  CAMPANA 

Bloch Lullaby 

ELIZABETH  ELLS 

Rosas Over  the  Waves  Waltz 

DORIS  MILEY 

Koschat Forsaken 

Hartel Austrian  Folk  Song 

HELENE  GARDNER 

Dancla Theme  and  Variations 

ANNA  CHOPEK 

Sitt Concerto  in  A minor 

First  movement 
WALTER  ROBAK 
Second  and  third  movements 
MARION  SIMON 

Beethoven Minuet 

Rimsky-Korsakow — Kreisler  . Hindoo  Chant 

ALICE  SMITH 

Bach-Sitt  ....  Sarabande 

Mozart Minuet  from  String  Quartet  XVII. 

EDITH  LUFTMAN 
KATHLEEN  KIERNAN 
RUTH  AUSTEN 
OLIVE  WILBUR 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Thursday  Afternoon,  June  6,  1929,  at  4:05  o’clock 

Students’  5^ecital 


Schumann 

PROGRAM 

. . . . Scherzino  from  Faschingsschwank 

BLANCHE  GARNER  (Bethany,  Okla.) 

Brahms-Grainger  . Lullaby 


ANNIE  ACKER  (Mobile,  Ala.) 

Godard  . 

. . . . Adagio  pathetique,  for  Violin 

STELLA  GORSE  (Simsbury,  Conn.) 

Scriabin  . 

. . . . Nocturne  for  the  left  hand  alone 

JOHN  S.  RICHARDSON  (Lexington,  Ky.) 

Brahms 

. . . . Capriccio 

HELEN  WINEBRIGHT  (Montrose,  Colo.) 

Samuel  Gaines  . . My  flower  of  life 
Vaughn  de  Leath  . Wild  geese 


THELMA  HUGHES  (West  Chester,  Pa.) 

JuON  . . 

. . . . Intermezzo  grotesque 

OLIVE  APPLETON,  (Brockton) 

Weber 

. . . . Perpetual  Motion 

DOROTHY  MEEK  (Wellesley) 

Steinway  Pianoforte 

New  England  Conservatory  of  Music 


BROWN  HALL 

Friday  Afternoon,  June  7,  1929,  at  4:00  o’clock 


INFORMAL  RECITAL 

h 

ADVANCED  STUDENTS 

I 

PROGRAM 


Albert  Stoessel  . Suite  antique,  for  two  violins  and  pianoforte 

Tempo  di  Bourree 
Aria 

Rigaudon 

Gigue 

CfiCILE  FOREST  (Fall  River) 

IONE  COY  (Cleveland,  Ohio) 

MADELINE  MEREDITH  (Brookline) 


Mozart  . 


Chopin 

Schumann 


. Aria  from  II  Flauto  Magico:  Ah!  lo  so 

Alleluia 

MAE  TAYLOR  (Sidney  Mines,  N.  S.) 

. Nocturne  in  Cjf  minor 
. Kreisleriana,  no.  3 

ELEANOR  PACKARD  (Somerville) 


Beethoven  ....  First  movement  of  the  Quartet  in  F major, 
op.  59,  no.  1,  for  two  violins,  viola,  and 
violoncello 

FLORENCE  LEACH  (Wauregan,  Conn.) 

JENNIE  CANT  (Roxbury) 

JAMES  ULMER  (Los  Angeles) 

VIOLET  HIRSH  (Brighton) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


Scriabin 


Tartini 


Chopin 


Veracini 


Chopin 


Grieg  . 


RECITAL  HALL 

V* 

Saturday,  June  8,  1929,  at  1:05  o’clock 

Saturday  Recital 

PROGRAM 

Study  in  CjJ  minor 

JEANETTE  BLAKE  (Jamaica  Plain) 

Sonata  in  G minor,  for  Violin 

E.  RUTH  ANDERSON  (Quincy  Shores) 

Nocturne  in  Bb  minor,  op.  9,  no.  1 

ALFRED  AIELLO  (Somerville) 

. . . . A Pastoral 

DOROTHY  BEARDSLEY  (Pittsfield) 

Nocturne  in  F minor,  op.  15,  no.  1 

MIRIAM  ATLAS  (Winthrop) 

First  movement  of  the  Sonata  in  A minor, 

op.  36,  for  Pianoforte  and  Violoncello 

ISOBEL  KYNOCH  (Williamstown,  Vt.) 

VIOLET  HIRSH  (Brighton) 


Steinway  Pianoforte 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Friday  Evening,  June  14,  1929,  at  8:15  o’clock 
JUNIOR  DEPARTMENT 


PIANOFORTE  RECITAL 

h 

PUPILS  OF  MARY  AMROCK 


Chadwick  . . 
Schumann  . . 


Gluck  (1774)  . 
Mouret  (1742) 


PRO  GRAM 

Ye  Robin 
Soldier’s  March 

HARVEY  CARMAN 

Minuet 
Bourree 

LILLIAN  ARONOFF 


Arranged  by  Henry  Goodrich 


Haydn Allegretto 


Beethoven  . 
Old  French 

Haydn 
Rogers 

Heller 
Schumann 

Beethoven 

Handel 

Bach  . . 
Schubert 

Poldini 

Mozart  . 

Beethoven 

Heller  . . 
Prokofiev  . 

Mendelssohn 

Beethoven  . 
ScHARWENKA 

Mozart  . . 
Paderewski 

Chopin  . . 


Allegro 

FLOSSIE  GOLDSTEIN 

Romanza  (Allegretto) 

Gavotte  and  Musette 

PHYLISS  SHAPIRO 

Rondo  in  G 
Valse  Glissando 

SUMNER  KATZE 

Curious  Story 
Knight  Rupert 

HELEN  STENBERG 

Fur  Elise 

HELEN  CARRIS 

Gavotte  in  B flat 

LILLIAN  POLCARI 

Solfeggietto 

Moment  musical,  no.  3 

RITA  HERLIHY 

Poupee  valsante 

KATHLEEN  KIERNAN 

Turkish  March  from  the  Sonata  in  A major 

TERESA  TERENZIO 

From  the  Sonata  in  G major: 

Allegro  ma  non  troppo 

MARGARET  MURPHY 

Warrior  song 
Gavotte 

JOSEPH  WEISBERG 

Spring  Song 

ELSA  SCHONARTH 

Bagatelle,  no.  1 
Polish  Dance,  no.  1 
EDNA  SHAPIRO 

Allegro  from  the  Sonata  in  G major 
Minuet,  no.  1 

MARTHA  GARBER 

Polonaise  in  A major 

MELVIN  SHAPIRO 


Steinway  Pianoforte 


NEW  ENGLAND 

CONSERVATORY  OF  MUSIC 

G.  W.  Chadwick,  T)irector 


CONCERT 

by 

The  Conservatory  Orchestra 

WALLACE  GOODRICH,  Conductor 


IN  HONOR  OF  THE  VISITING  DELEGATES  TO 
THE  BIENNIAL  CONVENTION  OF 
THE  NATIONAL  FEDERATION  OF  MUSIC  CLUBS 


JORDAN  HALL 

Friday  Afternoon,  June  14,  1929,  at  3:30  o’clock 


PROGRAM 


Edward  MacDowell  . In  a Haunted  Forest  — from  the  Suite 

in  A minor,  op.  42,  for  orchestra 


Arthur  Foote  ....  One  of  Four  Character  Pieces  after  the 

Rubaiyat  of  Omar  Khayyam 

A Book  of  Verses  underneath  the  Bough, 

A Jug  of  Wine,  a Loaf  of  Bread — and  Thou 
Beside  me  singing  in  the  Wilderness — 

Oh,  Wilderness  were  Paradise  enow  ! 


Ernest  Schelling  . . . A Victory  Ball.  Fantasy  for  orchestra, 

* after  the  poem  by  Alfred  Noyes 

A vision  of  troops  marching  on  irresistibly,  inexorably — 

Nothing  stops  them  — not  those  who  fall  by  the  way  — 

Not  those  whose  fate  is  written  in  fiery  stormy  skies. 

On  they  march  to  victory  or  disaster  — in  either  case 
desolation  — suffering  — death. 


Horatio  Parker 


. . Aria  from  Hora  Novissima: 

O bona  patria 

OLIVE  MACY  APPLETON 


G.  W.  Chadwick  . . . Overture,  Rip  van  Winkle 

In  commemoration  of  the  fiftieth  anniversary  of  its  first 
performance  at  the  Royal  Conservatory  of  Music  at 
Leipzig,  June  20,  1879. 

conducted  by  the  composer 


Mary  Howe Poema  for  orchestra  (MSS.) 


F.  S.  Converse  ....  Fantasie  for  pianoforte  and  orchestra 

(MSS.) 


LUCILLE  MONAGHAN 


John  Alden  Carpenter  Two  movements  from  the  Suite: 

Adventures  in  a Perambulator 

III.  The  Hurdy-gurdy 

Then  suddenly  there  is  something  else.  I think  it  is  a sound. 

We  approach  it.  My  ear  is  tickled  to  excess.  I find  that  the 
absorbing  noise  comes  from  a box  — something  like  my  music 
box,  only  much  larger,  and  on  wheels.  A dark  man  is  turning  the 
music  out  of  the  box  with  a handle,  just  as  I do  with  mine.  A 
dark  lady,  richly  dressed,  turns  when  the  man  gets  tired.  They 
both  smile.  I smile  too,  with  restraint,  for  music  is  the  most  in- 
sidious form  of  noise.  And  such  music ! So  gay ! I tug  at  the 
strap  over  my  stomach.  I have  a wild  thought  of  dancing  with 
my  nurse  and  my  perambulator — all  three  of  us  together.  Sud- 
denly, at  the  climax  of  our  excitement,  I feel  the  approach  of  a 
phenomenon  that  I remember.  It  is  the  Policeman.  He  has 
stopped  the  music.  He  has  frightened  away  the  dark  man  and 
the  lady  with  their  music  box.  He  seeks  the  admiration  of  my 
Nurse  for  his  act.  He  walks  away,  his  buttons  shine,  but  far  off 
I hear  again  the  forbidden  music.  Delightful  forbidden  Music ! 

V.  Dogs 

We  pass  on.  Probably  there  is  nothing  more  in  the  World.  If 
there  is,  it  is  superfluous  — There  IS.  It  is  Dogs!  We  come 
upon  them  without  warning.  Not  one  of  them  — all  of  them.  First, 
one  by  one ; then  in  pairs ; then  in  societies.  Little  dogs,  with 
sisters  ; big  dogs,  with  aged  parents.  Kind  dogs,  brigand  dogs, 
sad  dogs  and  gay.  They  laugh,  they  fight,  they  flirt,  they  run. 

And  at  last,  in  order  to  hold  my  interest,  the  very  littlest  brigand 
starts  a game  of  “ Follow  the  Leader,”  followed  by  all  the  others. 

It  is  tremendous ! 


Edgar  Stillman  Kelley  At  the  Wedding  of  Aladdin  and  the 

Princess,  from  the  Chinese  Suite, 
Aladdin,  op.  io 


Within  the  heart  of  old  San  Francisco,  existed,  previous  to  the 
fire  of  1906,  an  inner  city  known  as  Chinatown  — a fragment  of 
Asia  which  with  its  brilliant  costumes,  mural  decorations  and 
bizarre  architecture  contrasted  sharply  with  the  neighboring 
structures  of  the  Americans.  The  quaint  music  heard  in  the 
1 theatre,  temples  and  tearooms  suggested  the  possibility  of  giving 
a distinct  local  color  to  an  orchestral  version  of  the  Aladdin  story, 
and  the  thematic  material  was  accordingly  gathered  by  the  com- 
poser from  the  Chinese  sources  with  this  end  in  view. 


Mason  & Hamlin  Pianoforte 


The  Conservatory  Orchestra 


First  Violins 
Cecile  E.  Forest, 

Concertmaster 
Naomi  E.  Trombley 
Basil  Prangoulis 
Thoralf  B.  Johnson 
Silvio  J.  Martone 
Florence  Leach 
Doris  Cowan 
Harry  Dickson 
Delwin  M.  Shaw 
Pierino  Di  Blasio 
Malcolm  Mark 
Malcolm  H.  Knott 
Roland  Heald 
Edith  M.  Stevens 
Gabrielle  S.  Diehl 
Francis  B.  Smith 
Kenneth  Kirkness 

Second  Violins 
Cyril  J.  Saunders 
Isabel  MacDonald 
Maude  Sisson 
Anna  A.  Siegel 
Jennie  M.  Cant 
Edward  D.  Gerry 
Cecilia  Payeska 
Clara  Baker 
, Caroline  Paul 
James  Ulmer 
Betty  Fox 
Alfred  Kishkis 
Paul  Bauguss 
Arthur  L.  Clark 
Hernando  Lopez 

V IOLAS 

George  Humphrey 
Frederick  King 
Vincent  R.  Bangs 
Robert  Cohen 
Harry  Krichevsky 
Robert  McDonald 


I.  Pappoutsakis 
Robert  A.  MacDonald 
Newman  Goldschmidt 

VlOLONCELLI 
Alexander  Mark 
Violet  Hirsh 
Edwin  Stuntzner 
Olive  M.  Wilbur 
Faith  Donovan 
Julianne  Wuilleumier 
G.  Clyde  MacDonald 
Elinor  Hodgson 
Martha  Ingalls 

Contrabasses 
Max  O.  Kunze, 

Instructor 
Minnie  A.  Wass 
Betty  Hawthorne 
Edna  Hayes 
Eugene  Del  Papa 
Stanley  Hassell 

Flutes 

George  P.  Madsen 
Ralph  E.  Johnson 
Wilbur  L.  Schramm 

also  Piccolo  • 

J.  Pappoutsakis 

also  Piccolo 

Oboes 
Cldment  Lenom, 

Instructor 

Otto  Dietrich 
Mary  J.  McRae 
Mary  L.  Moore 

English  Horn 
Mary  L.  Moore 

Clarinets 
Dorothy  Pike 
Bryant  A.  Minot 
Albert  L.  Kizes 
Helen  Kerr 


Bass  Clarinet 
Albert  L.  Kizes 
Bassoons 

Boaz  Piller,  Instructor 
Henri  Piller 
Lloyd  Mills 

CONTRABASSOON 
Boaz  Piller 

Horns 

George  Boettcher, 

Instructor 

John  B.  Dolan 
Marcel  Lannoye 
David  A.  Marshall 
Leslie  D.  Rupert 
Ralph  W.  Russell 
Louis  D.  Meyers 
Trumpets 
Earl  V.  Clay 
Bower  M.  Murphy 
Clement  Schuler 
LeRoy  Anderson 
Trombones 
Joseph  Orosz 
Jack  P.  Barres 
Louis  Counihan 
Minot  Smith 

Tuba 
Stanley  Hassell 
Harps 
Artiss  de  Volt 
Priscilla  Smith 

Celesta 
Lucille  Monoghan 
Tympani 
Salvatore  Perrone 
Percussion 
Joseph  Bloom 
Walter  Howe 
Julian  Friedman 
Irving  Webster 


Librarian,  Stanley  Hassell 


N EW  E 


n d Con 


tor 


Musi 


RECITAL  HALL 

Wednesday  Afternoon,  June  19,  1929,  AT  4;O0  O>clock 

JUNIOR  DEPARTMENT 

• Program  by  "Pupils  of 

ALEENE  E.  GROSSART 

"PROGRAM 


Schumann  . . 

. The  Merry  Peasant 
Slumber  Song 

RUTH  berow 

SCHARWENKA  . . 

. Polish  Dance 

flora  galassi 

Beethoven  . . . 

. Minuet  in  G 

ELEANOR  ZALESTKAS 

Dennee  .... 

. Chase  of  the  Butterflies 
GERTRUDE  O'MALLEY 

Krogman  . . . 

. Primrose  Dance 

LAURA  DuBRUIEL 

Turner  .... 

. Serenata 

HELEN  BURIN 

Schumann  . . . 

. Traumeri 

Strauss  .... 

. Blue  Danube 

IRENE  RICHMOND 

Ellemereich  . . 

. Spinning  Song 

MAE  KAHN 

Schumann  • . . . 

. Soldier’s  March 

Rogers  .... 

. Ring  around  a Rosy 
ANNA  FRANKS 

Kirschner  . . . 

. Consolation 

RUTH  EPSTEIN 

Beethoven  . . . 

. Minuet  in  G 

BETTY  EDWARDS 

Heller  .... 

. Avalanche 

CHARLES  EDWARDS 

Schuett  .... 

. Canzonetta 

ESTHER  EDWARDS 

Scharwenka  . . 

. Barcarolle 

MURIEL  COHEN 

Krogman  . . . 

. Robin’s  Lullaby 

SELMA  FINKELSTEIN 

Torjussen  . . . 

. To  the  rising  sun 

JESSIE  BELLE  HUNT 

"Brown  .... 

. Pixie’s  Good-Night  Song 
ELEANOR  FINKELSTEIN 

Durand  .... 

. Waltz 

ALBA  PALIUCCA 

Rogers  .... 

. Waltz 

DOROTHEA  LEVENSON 

Wollenhaupt  . 

. Etude 

ELIZABETH  KOSTERELON 

Jonas 

. Liebeslied 

JENNIE  LIND 

Biederman  . . 

. Slumber  Song 

EDWARD  GOODMAN 

Rogers  .... 

. Swing  Me  Higher 

DOROTHEA  TEKLEY 

Krentzlin  . . . 

. Turkish  Rondo 

ANNA  CHESERONI 

Steinway  Pianoforte 

$ 


. 


New  England  Conservatory  of  Music 


JORDAN  HALL 

Thursday  Evening,  June  20,  1929,  at  8:15 


CONCERT 


UNDER  THE  AUSPICES  OF  THE 

GRADUATING  CLASS 


Program 

"SIZ 

Beethoven  ....  Trio  for  violin,  viola  and  violoncello,  op.  9, 

no.  2 

I.  allegretto 
IV.  Rondo  (allegro) 

HARRY  DICKSON  (Dorchester) 

GEORGE  NORWOOD  HUMPHREY  (Mingo  Junction,  Ohio) 
ALEXANDER  MARK  (Arlington) 


Gluck Ariette  from  II  Parnasso  confuso 

Mozart Alleluja 

MARGARET  HOGAN  (Worcester) 

Debussy Clair  de  lune 

EDWARD  NELSON  O’HEARN  (Quincy) 

Karg-Elert  . . . Ave  Maria,  for  the  organ 

VERA  MELONE  (New  Concord,  Ohio) 

Hubay Hejre  Kati,  for  violin 

PIERINO  Di  BLASIO  (Somerville) 

R.  Strauss  ....  Allerseelen 

Sjogren The  Seraglio’s  garden 

Rachmaninov  . . . All  things  depart 

MARIAN  ALICE  WARFIELD 

Liszt Hungarian  Rhapsody,  no.  10 

MILDRED  LEVINSON  (Roxbury) 


Steinway  Pianoforte 


dfeVp  England  (conservatory  of  dMusic 

=1 

! 

i 

! 

i 

I 

i 

^ I 


REFLECTIONS 

(u  To  hold  as  ’ twere , a mirror  up  to  nature!' ) 


BY 


THE  CLASS  OF  1929 


I 

JORDAN  HALL 

FRIDAY,  JUNE  TWENTY-FIRST 

NINETEEN  HUNDRED  AND  TWENTY-NINE 

at  2:00  p.  m. 


Overture,  “ Pique  Dame  ” 


von  Suppe 


PROLOGUE 

Time:  1940.  Place:  Conservatory  Reception  Hall 

Ida  Claire Elinor  Scribner 

Ophelia  Pulse  Ruth  Atkins 

Vanilla  E Claire  James  Ulmer 

Chocolate  E Claire Marion  Kennedy 

Normal  Pulse  Pierino  Di  Blasio 

ACT  I. 

Scene  I.  REGISTRATION 


Registrar Eleanor  Abell 

Assistant  Registrar Anna  Siegal 

Cashier Priscilla  White 

Bursar George  Humphrey 

Dolly  Carnation Dorothea  Garland 

Country  Girl Evelyn  Lincoln 

Composer Harold  Dodge 

Commuter Dean  Tabor 

Flapper Mildred  Levinson 

Weary  Waiters Ruth  Lewis,  Clara  Baker,  R.  Perry 

Gate  Girls Ruth  Gross,  Ann  Sacher 


Solos  by  CLARA  BAKER,  ADELAIDE  CROSS 
Selections  from  u The  Fortune  Teller  ” ....  Victor  Herbert 

Scene  II.  EXAMINATION 


Head  Proctor Norman  Strauss 

Assistant  Proctors Dean  Tabor,  Lydia  Tolander 

Messenger Harold  Dodge 

Students  


ACT  II. 

PROPHECY 

A.  Anne  and  Toots  ....  Results  of  Harmony 
ANNE  SACHER,  RUTH  GROSS 


B.  A Study  in  Black  and  White 

CAROLINE  PAUL  RUTH  SIEGAL  CLARA  BAKER 
HARRY  DICKSON  JAMES  ULMER  GEORGE  HUMPHREY 
ROLAND  HEALD  PIERINO  Di  BLASIO 

Minuet,  ADELAIDE  CROSS,  ANNE  LEE  COOLEY 

C.  Breath  of  Spain 

DORIS  PETERSON 

D.  La  Poupee  

MARIE  BURKE 

E.  Echoes  of  Naples  .... 

Vocal  Solos,  Mrs.  RAY  GORDON,  PEGGY  HOGAN 
Marimba  Solo,  SALVATORE  PERRONE 
Mandolin,  Guitar  Players,  FRANK  SCIMONE 

IPPOCRATES  PAPPOUTSAKIS 
PIERINO  Di  BLASIO 
Flute  Player,  JAMES  PAPPOUTSAKIS 

Dancers,  KAY  SMITH,  DOROTHY  BEARCE,  EVELYN  BORING 
Chorus,  DOROTHY  BOND,  ZELM A LARSSON,  DOROTHY  BEARDSLEY 
LYDIA  TOLANDER,  ELEANOR  WALLACE 
RUSSELL  LEE,  FRANCES  BAKER 
ESTHER  LAPIDUS,  RUTH  BLECKER 
HELEN  THOMPSON 

F.  Hills  of  Vermont  .... 

ALTA  NICHOLSON 

G.  Kris  Kross  Kickers  . . . 

Kris  Kross,  ADELAIDE  CROSS 

Kickers,  ANNE  LEE  COOLEY,  VIRGINIA  BLAKENEY 
MARION  KENNEDY,  MILDRED  LEVINSON 
ELIZABETH  PRINCE,  HELEN  WINEBRIGHT 


H.  Sweet  Girl  Graduates  of  the  Conservatory 

RUTH  BLECKER,  PEGGY  HOGAN 
DOROTHY  BOND,  MARIE  BURKE 

/.  Finale:  1929  Ensemble 

Class  Song,  MARION  REYNOLDS 


(Class  Dag  (Ennnmttrr 


Elinor  Scribner,  Chairman 
Adelaide  Cross  Ruth  Atkins 

Ruth  Blecker  Marion  Reynolds 


Harry  Dickson 


©rrijrstra 

Harry  Dickson,  Conductor 
Marion  Reynolds,  Accompanist 


‘E'S? 


Costumes  by  Wolff  Fording  & Co. 

Period  Gowns  by  Mrs.  A.  W.  Keyton 

Scenery  by  Ben  Craig  Scenic  Co. 

Lighting  by  R.  T.  Ayres 


HI? 


Acknowledgments  to 

Clayton  D.  Gilbert,  Norman  Strauss,  and  Gilbert  Byron 


New  England  Conservatory  of  Music 


RECITAL  HALL 

Saturday  Evening,  June  22,  1929,  at  8:15  o’clock 

JUNIOR  DEPARTMENT 

RECITAL 

BY  PUPILS  OF 

BRYAN  STURM 


PR  O G R A M 

Merrill The  Apple  Tree  Swing 

MARJORIE  PENNELL 

Freeman Playing  Tag 

Putting  Dolly  to  Sleep 

MOLLIE  MARGOLIS 

Henry  Goodrich  . Song  of  the  Brook 
The  Bagpipe 

LORRAINE  HANSON 

Davies  Hanging  Gardens 

LILLIAN  SAFER 

Krogman  ....  The  Merry  Bobolink 

MARY  KELLY 

Hopekirk  ....  My  Jolly  Rag  Doll 

CATHERINE  SORGI 

Grant-Schaefer  . Over  the  Waves 

MARIE  WATSON 

Rogers Chinatown 

HOWARD  TURKANIS 
Grieg Elfin  Dance 

ELIZABETH  GREEN 

Franke Sylphides  Waltz 

JAMES  DENEHY 

Wachs  Nadia 

MARJORIE  SHEPHERD 

Haydn  Gipsy  Rondo 

ATHENE  BURKE 

Nevin Narcissus 

MARTHA  WAUGH 

Mozart  .....  Andante  from  Sonata  in  C major 

ESTHER  LEE 

Dett Juba  Dance 

EVELYN  EKSTROM 

Grieg To  Spring 

IRENE  DONAHUE 

Haydn  First  movement,  Sonata  in  D major 

MILDRED  STEWART 

Chopin Prelude  op.  28,  no.  7 

Prelude  op.  28,  no.  20 

Grieg Nocturne  op.  54,  no.  4 

MARIAN  MacQUARRIE 
Beethoven  ....  Country  Dance 

Grainger  ....  Country  Gardens 

ESTHER  SLACK 


Steinway  Pianoforte 


NEW  ENGLAND 


CONSERVATORY  OF  MUSIC 


EDWIN  P.  BROWN 

PRESIDENT 


GEORGE  W.  CHADWICK 

DIRECTOR 


COMMENCEMENT 

EXERCISES 

1 929 


JUNE  THE  TWENTY-FIFTH 

JORDAN  HALL 
BOSTON 

MASSACHUSETTS 


PROGRAMME 


The  accompaniments  are  played  by  the  Conservatory  Orchestra, 


CONDUCTED  BY  THE  DEAN  OF  THE  FACULTY 

Rheinberger 

. . . First  movement  of  the  Sonata  in  Db  major, 

for  the  Organ 

MARJORIE  AMELIA  JOHNSTON 
Mittineague,  Massachusetts 

WlENIAWSKI 

. . . First  movement  of  the  Concerto  in  D minor, 
no.  2,  for  Violin  and  Orchestra 

HARRY  DICKSON 
Dorchester,  Massachusetts 

Meyerbeer  . 

. . . Aria  from  Le  Prophete:  Ah,  mon  fils! 

MAURINE  PALMER 
Boston,  Massachusetts 

Handel  . . 

. . . Andante  and  Allegro  moderato  from  the  Con- 

certo  in  B minor  for  Viola  and  Orchestra 
(arr.  by  Henri  Casadesus) 

GEORGE  NORWOOD  HUMPHREY 
Mingo  Junction,  Ohio 

Mozart  . . 

. . . First  movement  of  the  Concerto  in  C major 

r 

(Kochel  no.  467)  for  Pianoforte  and  Orchestra 

LUCILLE  MONAGHAN 
Glens  Falls,  New  York 

VlEUXTEMPS 

. . . Andante  religioso  from  the  Concerto  in  D minor, 
no.  4,  for  Violin  and  Orchestra 

NAOMI  “TROMBLEY 
Longmeadow,  Massachusetts 

PROGRAMME 

(CONTINUED) 

Mozart Aria  from  Le  Nozze  di  Figaro: 

Non  so  piu,  cosa  son,  cosa  faccio 

ADELAIDE  ESTELLA  CROSS 
Rockland,  Maine 


Paderewski  . . . First  movement  of  the  Concerto  in  A minor, 

for  Pianoforte  and  Orchestra 

LAURA  GERTRUDE  SHIELDS 
St.  Johnsbury,  Vermont 


Mason  & Hamlin  Pianoforte 


ADDRESS  TO  THE  GRADUATING  CLASS  BY 
THE  HONORABLE  JOSEPH  E.  WARNER 
ATTORNEY-GENERAL  OF  THE  COMMONWEALTH  OF  MASSACHUSETTS 


ANNOUNCEMENT  OF  AWARD  OF  ENDICOTT  PRIZES  IN  COMPOSITION 


ANNOUNCEMENT  OF  AWARD  OF  MAJOR  SCHOLARSHIPS 
FOR  THE  SCHOOL  YEAR  1929-1930 


CONFERRING  OF  DEGREES  IN  THE  COLLEGIATE  COURSE,  AND 
PRESENTATION  OF  DIPLOMAS  IN  THE  CONSERVATORY 
COURSE,  BY  THE  DIRECTOR 


COLLEGIATE  COURSE 


Candidates  for  the  Degree  Bachelor  of  Music 

THOMAS  WALTER  LANDER 
With  concentration  in  Organ 

*MAURINE  PALMER 

With  concentration  in  Voice 

Candidates  for  the  Degree  Bachelor  of  School  Music 


Subject  of  Thesis : 

HESTER  McFAGUE 

The  Development  of  Music  Contest  Festivals 

Subject  of  Thesis: 

DEAN  TABOR 

Instrumental  Problems  in  Public  Schools 

Subject  of  Thesis : 

WEBSTER  WHITNEY  TILESTON 
Instrumental  School  Music:  Its  Growth  and  Development 

in  the  Public  Schools  of  the  United  States 

'With  Honors 


CONSERVATORY  COURSE 


Candidates  for  the  Diploma 


IN  PIANOFORTE 

TEACHERS'  COURSE 


ELEANOR  GRACE  ABELL 
FRANCES  LILLIAN  BAKER 
ADELLE  CALLENDER 
•MILDRED  LURANA  CLEMONS 
HENRIETTA  FRANCES  COFFILL 
ANN  LEE  COOLEY 
HELENA  MARY  DRAKE 
NORA  AGNES  GILL 
MARTHA  EVELYN  MOULTON  GOSS 
EDWARD  JAMES  HENNEBERRY 
VIENNA  MARIE  KANGAS 
ISOBEL  STOTT  KYNOCH 


ZELMA  KRISTINA  LARSSON 
EVELYN  SHIRLEY  LINCOLN 
CLELIA  LUONGO 
ALICE  McKEOWN 
GENEVIEVE  MARIE  MOGAVERO 
VINCENT  MORGAN 
EDWARD  NELSON  O’HEARNE 
VALENTINE  P ALT AN A VI Cl  A 
FRANCES  PLATT 
JAMES  TAYLOR 
PRISCILLA  JANE  WHITE 


PIANOFORTE  COURSE 


RUTH  HELEN  ATKINS 
•VIRGINIA  COLE  BLAKENEY 
M ADELIENE  DELIGHT  BROOKS 
REA  BUCKLEY 
RUTH  LOIS  BUTLER 
fHENRY  CLAY 
CAROLYN  EUBANKS 
LOUISE  FRIEDMAN 
DOROTHEA  GARLAND 
RAY  LILLIAN  GORDON 
MARY  ELIZABETH  HUNTLEY 
MILDRFD  FIELD  KING 
CLARIBEL  BABBETTE  La  MONTAGNE 
•ESTHER  MOLLY  LAPIDUS 
LEAH  LAPPIN 
♦AMELIA  AGNES  LAVINO 
•RUSSELL  WEBSTER  LEE 


WAI  HING  LEI 
f||(  MILDRED  LEVINSON 

RUTH  MARGARET  LEWIS 
♦COLETTE  LIONNE 
♦♦tLOIS  HELEN  LUTHER 
FRANCES  MASSEY 
ELIZABETH  McGWIGAN 
♦CHARLES  EDWARD  O’NEILL 
GIOVANNI  PADOVANO 
♦MARION  RUTH  REYNOLDS 
SISTER  MARY  ELOISE  ROTH 
MARIA  TERESA  SERRANO 
IRVING  SPIVACK 
HELEN  CRAFTS  THOMPSON 
CLAYTON  ANDREW  WILLIAMS 
♦HELEN  ELIZABETH  WINEBRIGHT 


IN  THE  ORGAN  COURSE 

RUTH  KATHRYN  BLECKER  MARJORIE  AMELIA  JOHNSTON 

MARION  PRESCOTT  FROST  VERA  MELONE 


IN  THE  TEACHERS’  COURSE  IN  VOICE 


DOROTHY  ESTELL  BEARDSLEY 
DOROTHY  WESTON  BOND 
♦ADELAIDE  ESTELLA  CROSS 
AZALEA  GLADYS  GARLAND 
fGERTRUDE  ANNA  HARVEY 
MARGARET  MARY  HOGAN 


LAURA  ROMAYNE  PERRY 
DORIS  EVELYN  PETERSON 
ANNA  HELEN  SACHER 
♦ESTHER  WILLSON  SANDS 
♦MARIAN  ALICE  WARFIELD 


IN  THE  ORCHESTRAL  COURSE 

IN  VIOLIN 

CAROLINE  JEANETTE  PAUL 
CECILIA  MARY  PAYESKA 
ANNA  RUTH  SIEGEL 
NAOMI  TROMBLEY 
JAMES  HENRY  ULMER 

IN  VIOLA 

GEORGE  NORWOOD  HUMPHREY 

IN  TrMPANI  and  PERCUSSION  INSTRUMENTS 
SALVATORE  PERRONE 


CLARA  BAKER 
PIERINO  Di  BLASIO 
♦HARRY  DICKSON 
ROLAND  ALMON  HEALD 
ISABEL  RAMSEY  MCDONALD 


IN  PUBLIC 

MARTHA  BIRCHBY  BOYDEN 
ANNA  R.  CZURLES 
HAROLD  CHESTER  DODGE 
ASSUNTA  De  FAZIO 
CATHERINE  FERGUSON 
RUTH  LOUISE  GROSS 
MARION  KENNEDY 


SCHOOL  MUSIC 

MARY  MONICA  LONG 
ELIZABETH  PRINCE 
ELINOR  SCRIBNER 
LYDIA  P.  TOLANDER 
ELEANOR  EASTMAN  WALLACE 
LUCILLE  GERALDINE  WILLIAMS 
CHRISTINA  MARIE  WILSON 


POST-GRADUATE  STUDENTS 

CANDIDATES  FOR  THE  SOLOISTS'  DIPLOMA 
IN  PIANOFORTE 

ELIZABETH  TENNEY  BATES  (Class  of  1926) 

M* *  W»DLA  ^>I  Y/M 'MVfr  WhH  f IT.lifW  U .i(T 1 1 »„nf  ,1  gft&fr 

SYLVIA  LANGMAN  (Class  of  1928) 

LUCILLE  MONAGHAN  (Class  of  1928) 

■aiMttMP  I PY  irnmm  f m 

ELISABETH  JOANNE  SCHULZ  (Class  of  1926) 

LAURA  GERTRUDE  SHIELDS  (Class  of  1928) 

DONALD  JAMES  Van  WART  (Class  of  1926) 

MIRIAM  LOUISE  WILLOUGHBY  (Class  of  1928) 

IN  VOICE 

RUTH  EVELYN  DAILEY  LAHAN  (Class  of  1927) 

CANDIDATE  FOR  THE  DIPLOMA  OF  THE  ADVANCED  COURSE 
IN  ENSEMBLE-PLATING 
VIOLET  H.  HIRSH  (Class  of  1928) 

CANDIDATES  FOR  THE  DIPLOMA  OF  THE  PIANOFORTE  COURSE 

DOROTHY  MAY  EASTMAN  (Class  of  1928) 

ELEANOR  PACKARD  ( Class  of  1928) 

CANDIDATE  FOR  THE  DIPLOMA  IN  PUBLIC  SCHOOL  MUSIC 
**MAUR1CE  UPHAM  MIN ARD  (Class  of  1927) 


**With  Highest  Honors 
fWith  Advanced  Honors 

* With  Honors 


SPECIAL  HONORS 


IN  THEORT 

RUTH  MARGARET  LEWIS 
LOIS  HELEN  LUTHER 
ESTHER  WILLSON  SANDS 

IN  MUSIC  A L HISTORY 


IN  FINE  ARTS 

MILDRED  LEVINSON 

ESTHER  WILLSON  SANDS 

HELEN  ELIZABETH  WINEBRIGHT 

IN  ENGLISH  LITERATURE 

HENRY  CLAY 
MILDRED  FIELD  KING 
ESTHER  MOLLY  LAPIDUS 
MILDRED  LEVINSON 
EDWARD  NELSON  O’HEARNE 

IN  ENSEMBLE-PLAYING 

IN  PIANOFORTE 

JEANNETTE  GIGUERE  (Class  of  19x5) 
LUCILLE  MONAGHAN 


WINNER  OF  THE  MASON  AND  HAMLIN  PRIZE 


IN  MUSICAL  APPRECIATION 
CHARLES  EDWARD  O’NEILL 


HENRY  CLAY 


IN  VIOLONCELLO 


FAITH  DONOVAN 
ALEXANDER  MARK 


LUCILLE  MONAGHAN 


' 


*